Lessons
Introduction to Workshop
16:25 2But….My Life Isn’t That Exciting
09:50 3Great Memoirs & Why they Sell
09:21 4At Home In the World
07:24 5Memory & Research
07:28 6Point of Entry for Your Story
06:30 7Be a Filmmaker
15:24 8The Landing Place for Your Story
08:29Connect with Your Audience - Human Stories
10:50 10Respect the Reader's Intelligence
17:15 11Identifying Your Theme
14:31 12The Ariel View
29:43 13What is My Story About?
27:05 14When You Aren't Used to be Being Centre of Attention
19:28 15Be Lady Godiva
26:24 16How I Wrote My Memoir
08:06 17Step One: Not Writing
03:17 18The Big Idea
20:06 19Point of Entry : Aerial View
11:16 20Writing a Scene
04:33 21How to Show the Passing of Time in your Writing
03:22 22The More Happens, the Less that Needs to be Said
06:24 23You're Not Always the Hero
04:27 24The Internal Landing Place
10:06 25Questions
10:25Lesson Info
Step One: Not Writing
So the step one, not writing, just thinking. I spent 19 months just thinking about what this story, how I was going to tell this story. I was doing many other things too but, and you know, I wouldn't recommend this as the location or the circumstances in which to do some thinking but I'll tell you, I spent hours and hours and hours in doctors offices and hospital rooms and a hospital bed, I used to just climb in next to Jim and often we didn't talk. Often he was asleep or he was just in too much pain and I just lay there. I didn't wanna turn on a TV and distract myself. I didn't even particularly wanna listen to music. I thought, and I had a little green notebook and I scribbled down things, much as I scribble down things on the whiteboard here. In no particular order, I wasn't trying to organize chapters just things that came to me. And after awhile when you look at your scribbles they begin to organize themselves. I didn't take extensive notes about things like medical procedures and...
names of drugs because I knew I could get that later and I also knew that that was not at the heart of what this story was going to be about and the most important things I probably didn't have to write down at all. A moment like the moment when we came back from the hospital for the last time and Jim stood outside the door to our house, it was the house we had bought together just a year and a half earlier, just two years earlier, and we had bought it when the wisteria was in bloom and the wisteria was in bloom again and he looked around and he breathed in the wisteria and the jasmine and he said, "This would be a good place to die." Did I need to write that down? No I did not, I knew I would remember that one. But, and one of the things that you need to be as a good writer, is a good listener. You need to recognize when somebody says something deeply, that deeply matters. Tom, of course our sports writer is a master at this. He can pick up the line that is the one to get and I tried very hard to record Jim's voice, I don't mean sadly, I don't mean literally, I didn't think to do that but I wanted to bring Jim's voice on the page. But this was not Jim telling his story, this was me telling the story of loving and losing Jim. So, first I didn't write. That was the first step to my book. Not writing for a long time. There was one point about, as it turned out about six weeks before Jim died when he said to me, "One day you will tell this story." And I often think about that when I do tell this story and I think it gave him pleasure to know that I was going to tell that story. He was a deeply private man incidentally. A deeply private man but he celebrated what I did and he, and I think it was important to him, that to know that he was participating in the act of making something of meaning. And it was absolutely a participatory endeavor.
Ratings and Reviews
Michelle Foulia
I've been working on my memoir for over a year and was close to the end of the first draft. This amazing class is filled with so much wisdom and excellent teaching. I have watched all the videos back to back, made plenty of notes and loved every moment. I am really grateful I bought this class before moving any further with my memoir as sadly I definitely need to start from scratch. As frustrating as that is, I am relieved it happened now and I can use all this knowledge in the rewrite. I also can't wait to read Joyce Maynard's books. Brilliant!
Doris Freeston
Excellent course! Joyce Maynard provides valuable insights and practical instruction in the art of memoir writing, while telling her own stories, with grace, humility and humour. Thank you, Joyce.
Tammy Adams
I've watched this course twice now and have gotten something new from it both times. Joyce is not boring in her delivery and shares a practical breakdown of how to write a memoir. She's a great teacher in the art.