Finding The Visual Narrative
Lesson 6 from: Mastering the Art of PhotographyChris Weston
Finding The Visual Narrative
Lesson 6 from: Mastering the Art of PhotographyChris Weston
Lesson Info
6. Finding The Visual Narrative
Lessons
Class Introduction - Three Steps To Creative Photography
03:48 2Firing The Creative Mind - Part 1: The Camera Points Both Ways
03:10 3Firing The Creative Mind - Part 2: Letting Go Of Judgement
06:53 4Firing The Creative Mind - Part 3: Detaching From Outcomes
04:12 5Practicing Mindfulness In Photography
02:43 6Finding The Visual Narrative
02:39 7Behind-the-scenes: Naples
07:52 8Seeing Beneath The Surface Of Things
02:30Finding Inspiration
03:19 10Slowing Down
03:57 11Three Reasons To Shoot RAW
02:29 12Choosing the Right Frame Format
03:52 13Don’t Be Limited By The Shape Of Your Camera
05:07 14WYSIWYG
04:15 15Choosing Lenses
05:02 16Perspective
02:44 17Considering Foreground And Background
03:10 18Two Out Of Three Ain’t Bad But Three Into Two Is Better
03:43 19Separate And Isolate
02:32 20The Art Of Creative Exposure
06:38 21Focus On The Story
04:20 22The Passage Of Time
03:00 23Creating A Visual Sense Of Mood
04:24 24Color vs. Black & White
03:09 25The Decisive Moment
03:00 26Using Color As A Cohesive Tools
01:51 27Photography Is A Two-Part Process
06:55 28Case Study: Recreating The Art of Sumi-e
07:04 29Case Study: Making Something Out of Nothing
04:32 30Case Study: Moody Blues
03:29 31Image Reviews
03:02 32Image Review: The “Thinking Man”
01:55 33Image Review: The Golf Course
02:32 34Image Review: Dreamstate
02:38 35Image Review: Gone Fishing
02:24 36Image Review: Promenade
01:47 37Image Review: Sky and Reflections
01:57 38Image Review: Grass and Field
02:20 39Final Word: Show Me What The World Looks Like To You
04:44Lesson Info
Finding The Visual Narrative
in and of themselves. Objects such as people, animals, landmarks or buildings aren't stories. What they do, how they work, why they're there. They yard and their history and their experiences. Those are stories, and that means you've got to go further than simply turning up. A while ago, I was in Naples, in Italy. On my first day I did what I usually do, which is leave my camera behind and go for a walk. I went to all the beautiful places. Napoli is known for the harbour Piazza del Sito, the cathedral Castello. Over. I walked all day and covered 15 kilometers and couldn't find anything. Not a single subject I wanted to photograph. Sure, there were the usual postcard shots. But as you know, by now, I don't really do postcards. Yeah, so Day two, I instigated Plan B. I met up with a local guide and she acquainted me with the real Naples. The people. She introduced me to fishermen and fishmongers, bakers and pizza, roller wine makers and baristas. I listened to their stories, what they lov...
e about their city, how the city works on a social level, the camera and the church last Anita and possibly po and why they'd never leave even if Mount Vesuvius erupted again after a day spent wandering meeting the people and getting to know the authentic Napoli. The next day I headed out with my camera. I filled an entire memory card and drained a battery mentoring no more than 200 m from my hotel. To find the story, you have to get involved. You have to invest time and energy and immerse yourself in the subject, and you have to ask questions. Sometimes it takes stepping outside your comfort zone, letting go of attachments. Napoli was way outside mind, but I let go of my attachment to being uncomfortable interacting with strangers. And that's part of growing both as a photographer and as a person. If you let it, your camera opens doors to worlds beyond your normal vision, and if they're beyond your vision, there probably beyond most other people's, too. That's where original images are found beyond normal beyond everyday sites, and that, for me, is the purpose of photography. It's a doorway into world's most people never get to see, and you have the key
Ratings and Reviews
Gary Hook
Wow, what a wonderful journey. I love the concept of telling a story with one's photos and as I go through past images, I'm seeing them in a much different perspective. That's the good news, The bad? The lost opportunities I never 'saw' before; however that is a good thing. There is so much to internalize with the material so that it can get out of the head and into the 'heart'. I also found the concept really helps me with composition, both in camera and post. Biggest take away, as Chris underscored in his closing, is to slooooow down, take the time and feel it. Don't be so quick to leave one scene as there remain other aspects, yet to be discovered. A great experience that I truly enjoyed Thank you
Glenda
I loved this course - in particular the latter part of it in which he demonstrated how post processing lets you really tell the story of the image. Another fabulous course. Thanks Chris & thanks Creative Live.
Abdullah Alahmari
Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering photographic composition and visual storytelling) both courses are Complementing to each other and highly recommended.