Lens Considerations: Maximum Aperture
Lesson 22 from: The Beginner Photographer’s Crash CourseKhara Plicanic
Lens Considerations: Maximum Aperture
Lesson 22 from: The Beginner Photographer’s Crash CourseKhara Plicanic
Lesson Info
22. Lens Considerations: Maximum Aperture
Lessons
Class Introduction
07:20 2Exposure Triangle: Shutter Speed
16:29 3Exposure Triangle: Aperture
13:22 4Exposure Triangle: ISO
07:15 5Exposure Q&A
24:07 6Shooting Modes and Scenes
04:05 7Shooting Mode: Auto
05:06 8Shooting Mode: Program
04:48Shooting Scenes: Portrait, Landscape, Macro, Nighttime, & Sports
20:44 10Shooting Modes: Shutter & Aperture Priority
07:56 11Shooting Mode: Manual
23:41 12Flash
21:43 13White Balance
12:35 14Exposure Compensation
08:22 15Metering Modes & Remote Control Options
06:16 16Focus Points
08:27 17What is a Pixel?
04:41 18Print Vs On-Screen Resolution
17:26 19Cropping
11:14 20Image Size & File Settings
23:59 21Lens Considerations: Focal Length
21:49 22Lens Considerations: Maximum Aperture
06:46 23Lens Considerations: Minimum Focus Distance
07:24 24Resources for Download and Organization
19:03Lesson Info
Lens Considerations: Maximum Aperture
Okay, so back to our lens considerations. We talked about focal length, measured in millimeters, wide or telephoto, the lenses can be zoom or prime lenses. The other thing that you really wanna consider is the maximum aperture, if this matters to you, if you want, like I like, to be able to shoot with a wide-open aperture, then you really wanna look at what the lens maximum aperture is. So just to refresh your memory, back to the very first lesson when we talked about exposure and we talked about shutter speed, aperture, and ISO, aperture is the opening in your lens that, like your pupil, can either dilate to let in more light or it can constrict to reduce the light that comes in through the lens. So the range of settings that's available to you will vary, pretty dramatically, based on your lens, or the lens that's built in, if it's a point and shoot. So for example, my favorite lens that I currently have and shoot with is a 50 millimeter prime lens. The maximum aperture on it is f/1.2...
, that's really wide. That's a very wide lens, or wide aperture. So we call that a fast, fast glass. That's a fast lens. And I'm guessing here but I'm gonna say, I think I'm pretty right-on here, but I'm just guessing, just in case someone's at home going, no you're wrong! I am assuming that we call that fast glass because, by having such a wide maximum aperture, it allows us to use a faster shutter speed. So if you're in a low-light situation and you don't wanna reach for a tripod, having fast glass means you can open the aperture wide enough that you can keep the shutter speed at a level, hopefully, combined with ISO, where you don't have to reach for a tripod. I don't know, that's my theory. I never actually Googled why we call it fast glass. Maybe someone knows, but I'm assuming that's why. So we call those lenses with wide apertures fast lenses. So this lens has a max aperture of 1.2, f/1.2. My zoom lens that is 70 to 200 has a max aperture of 2.8, so not as wide, but still, 2.8's pretty wide. Other lenses have an aperture with a max aperture that is a range. Oh, so, look at that. This one has a maximum of f/ or to somewhere between 3 and 5.6, what does that mean? First of all, this stuff is all printed on the front of your lens somewhere. So when you're shopping online, it'll be obviously in the item description or the name of the lens. If you're at home, going, what is my lens, I have no idea, just take the lens cap off and look. Point the camera at your face and look on the front of the lens, and it'll tell you your focal length and the maximum aperture. So for most people who are at home following along, if you have a DSLR that came with a kit lens, it's probably a lens like this. This is an 18 to 55 millimeter lens, and the maximum aperture will range somewhere between f/3 and f/5.6, depending on how zoomed in or out you are, so where you are within the available focal range actually will influence how wide you are able to open your aperture. That's why this is a range of numbers, whereas on these lenses, it's just a set number, 2.8 or 1.2, there's no range, over here, this one has a range, okay? So that means if you're zoomed all the way out, you can open the aperture to f/3. And even if you don't touch your camera settings but now you zoom in, the aperture will automatically shift from 3 to 5.6, just because the optics are such in that lens that that's the way it works, okay? But these are very good general-purpose lenses. They're much less expensive and they cover a pretty good range, like 18 to 55 millimeter. So they're very popular as a starter lens or a lens that comes with, you know, your camera in a kit like that. Okay, but that's what that means. So how does this really affect this whole exposure situation? Well, as I just mentioned, if you're in a situation where you don't have enough light, so maybe you're, let's just pretend you're in manual mode for the sake of understanding this, but you may not have enough light, since it's dark, you're getting a dark exposure. And let's say you've already maxed out your shutter speed and your ISO, if you have a lens that has a wide aperture, you could really open up that aperture and get the exposure that you need. I mean, in theory. So it gives you, it lets you have more options. So for example, I shot a wedding a while back that was lit, the ceremony was lit entirely by candlelight. That was a really dark ceremony, I mean, it was really dark, yeah, and I was freaking out, because I'd never shot something like that before, and I was like, oh man, I hope, you know, I have fast enough glass. And it worked out, but like barely, and only because I also jacked my ISO. I mean, it was really dark in there. So I had my aperture as wide as I could get it, my shutter speed as slow as it can go without needing a tripod, and my ISO was as high as it could be, so I could squeeze every drop of light out of that scene, to get away with my pictures and not have to pull a tripod out. So it worked, whew, so I was really grateful. But if I had had a lens with less capabilities for the aperture, then I don't know, I guess I'd be shooting RAW and not getting (mumbles while laughing) and try to have a bit more of a buffer in that situation, so it can be really helpful.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Kate Ambers
Khara is awesome! She really breaks down how the camera works, photography terminology, and technique. She does it all with a fun and entertaining personality and really makes it easy to understand what you are learning! I love this course!!! So worth it!
Gloria
I’ve taken a number of excellent courses from Creative Live, and this very thoughtfully organized, well taught class took me from “I love photography but I’ll never get how to do it” to “wow I get it!” It created a huge shift (finally!) for me. There is an intelligent simplicity that really does make for lightbulb moments. I’m extremely grateful for this class. Now I can go back and watch the others courses again and they will make much more sense and I can apply what I learned here.
Holly Cooper
Loved this course and have recommended it to a friend who is looking to purchase his first DSLR. This course is perfect for beginners or someone who is self taught and who has picked a few bits up along the way; Khara then puts all these little bits of information together. I feel like the pieces have come together for me and I have taken my best/favourite photographs after watching these videos. Thank you CL and Thank you Khara x