Organic Growth vs. Forced Growth
Brooke Shaden
Lesson Info
6. Organic Growth vs. Forced Growth
Lessons
Class Introduction
07:25 2Overview of Brooke’s Journey
20:13 3Your Timeline is Nonlinear
05:37 4Using Curiosity and Intention to Build Your Career
03:26 5What Factors Dictate Growth
08:24 6Organic Growth vs. Forced Growth
05:18 7Niche Branding
04:57 8Brooke’s Artistic Evolution and Timeline
24:27How Can You Get Ahead if You Feel Behind?
10:02 10Ideation and Conceptualization to Identify Meaning in Your Art
05:54 11Idea Fluency
10:33 12How to Represent an Idea
07:01 13How to Innovate an Idea
07:07 14Creating a Dialogue With Your Art
05:48 15Conceptualization For a Series vs. a Single Image
03:43 16Transforming a Single Image Into a Series
03:12 17How to Tell a Story in a Series
03:28 18How to Create Costumes From Fabric
07:20 19Brooke’s Most Useful Costumes
02:19 20Using Paint and Clay as Texture in an Image
02:56 21Create Physical Elements in an Image
10:22 22Shooting for a Fine Art Series
05:45 23Conceptualization: Flowery Fish Bowl in the Desert
04:08 24Wardrobe and Texture
04:54 25Posing for the Story
05:32 26Choosing an Image
01:23 27Conceptualization: Rainy Plexiglass
11:34 28Posing for the Story
04:17 29Creating Backlight
02:37 30Photo Shoot #1 - Creating a Simple Composite
17:51 31Photo Shoot #2 - Creating a Dynamic Composite
06:31 32Photo Shoot #3 - Creating a Storytelling Composite
07:40 33Shooting the Background Images
06:14 34Editing Samsara Shoot #1 - Working With Backgrounds
24:35 35Editing Samsara Shoot #1 - Retouching the Subject
04:20 36Editing Samsara Shoot #1 - Color Grading
02:45 37Editing Samsara Shoot #1 - Floor Replacement Texture
15:24 38Editing Samsara Shoot #1 - Final Adjustments
03:21 39Editing Samsara Shoot #2 - Cropping and Editing Backgrounds
05:25 40Editing Samsara Shoot #2 - Selective Adjustments
03:55 41Editing Samsara Shoot #2 - Adding Texture + Fine Tuning
03:21 42Editing Composite Shoot #1 - Compositing Models
06:58 43Editing Composite Shoot #1 - Expanding Rooms
02:17 44Editing Composite Shoot #1 - Selective Color
02:47 45Editing Composite Shoot #1 - Selective Exposure
04:04 46Editing Composite Shoot #2- Masking Into Backgrounds
10:45 47Editing Composite Shoot #2- Creating Rooms in Photoshop
06:11 48Editing Composite Shoot #2- Compositing Hair
05:07 49Editing Composite Shoot #2- Global Adjustments
04:49 50Editing Composite Shoot #3- Blending Composite Elements
05:00 51Editing Composite Shoot #3- Advanced Compositing
08:46 52Editing Composite Shoot #3- Cleanup
03:34 53Materials for Alternative Processes
06:20 54Oil Painting on Prints
05:41 55Encaustic Wax on Prints
03:09 56Failure vs. Sell Out
05:14 57Create Art You Love and Bring an Audience To You
03:35 58Branding Yourself Into a Story
05:40 59The Artistic Narrative
05:26 60Get People to Care About Your Story
03:36 61Get People to Buy Your Story
11:36 62Getting Galleries and Publishers to Take Notice
03:41 63Pricing For Commissions
06:43 64Original Prints vs. Limited Edition Prints vs. Open Edition Prints
02:11 65Class Outro
01:00 66Live Premiere
16:14 67Live Premiere: Layers of Depth 1
04:41 68Live Premiere: Layers of Depth 2
07:12 69Live Premiere: Q&A
16:10 70Live Premiere: Photo Critique
47:33Lesson Info
Organic Growth vs. Forced Growth
So then how do we grow organically versus in a forced way? And what are the pros and cons to that growth? Well, there are a couple of ways that we can think about this. Okay, So organic growth kind of precipitates slow progress potentially and often has a lack of effort associated with it in that if you're waiting for inspiration, it may never come. If you're just doing whatever you want all the time and you're not thinking about that next step, then growth may be very slow and there is nothing wrong with that. So I'm not going to say one is better than the other. You work how you wanna work. I will advocate for a slight blend of these ideas, but you take what you want, and honestly, it's of no consequence to anybody but you. So it's okay. Forced growth can cause burnout. That's the bad part of it, because you're trying to force all this growth on yourself and you're trying new things. But you get tired and you just slow down naturally, because you can't force a pace that isn't natural...
for you. But it can also create more realistic expectations off success because if you are thinking about the next goal, the next step, the next you know, curious path that you're going to follow, then you can start to set yourself up for the next success that you're going to have a swell. So whatever you dio take ownership over your growth and your inspiration. Because inspiration, we often think of as this muse that just like visits us sometimes. And we don't have control over that. I don't believe that at all. I think that inspiration should be a practice. It is a process. And when you're thinking about growth, take that forward momentum that you get and run with it. Run with that momentum because if I know anything, it's that confidence and success all stem from momentum. It stems from I did something good. Now I want to do more of that good thing. That's where confidence comes from, and it's important that we recognize whatever your growth style that it has toe have momentum to it. Strategy versus inspiration. Do you have to choose one over the other? Does it have to be? I'm inspired and I'm just waiting for it. Whenever I feel that muse I will act on it. Or does it have to be on Lee strategy? Do I have this idea of a thing that I want to do? And I drill it in and I do it? Do it, Do it. I think that it comes from a blend. I think that the the best growth in your artistic journey comes from a blend of strategy and inspiration because they work together to create a more sustainable business models, mawr, innovative art and I want to encourage you to start to think about inspiration and creativity is a practice that could include strategy. The problem that was strategy is that people often think of it is calculated and cold and like you're not a real artist if you have a strategy to your art. But I think that the most successful artists are the ones that have strategy. Despite being labeled as calculated or inauthentic or lacking artistry. They have a goal. They have a plan. They know how they should make you feel, how they want you to respond to their art, where they're going to put it, to be seen by the most people. And there should be no shame in wanting your art to be seen because you're creating something valuable and important. And if you don't believe that, then that's where the work starts. Is believing that you are doing something valuable and important and that it could change the course of ah person's life or even the world You just don't know. Inspiration is often seen as this divine force, right? Like you know, the muse that comes or goes or whatever. But I really think that inspiration comes from a much deeper source, and it's the understanding of oneself. It's the cosmic onion. It came back. So this idea of digging deeper is really just finding your inspiration. Where does it come from? And often I have found it's the thing that people don't get about you. So, like when I started photography, even when I started filmmaking, I remember one of the first things that I made was like this girl. Bad things happen to her, and she was crazy. And like all this stuff, it was really dark. Lots of death in the video, and I remember my family being like, No, why are you doing this? No, please don't make this stuff this is terrible, and I felt so compelled to do it. It's the thing that I did that people said, Why? Why would you do that? That's so weird. That's so crazy. I don't think so. So your deepest inspiration is probably the thing that you feel you need to do and other people don't understand at all. Inspiration is a commodity. I know that you might not like me saying that, because often people don't. But I think that inspiration is a commodity we have toe learn to turn inspiration into something reliable into something that is concrete, something that is delivery herbal, that you can really, really process internally. And when inspiration becomes a commodity, well, then you can pick it up any time you can consume it. It's something that is not just this like magical spirit thing in you, but something that you can call whenever you need it.
Class Materials
Ratings and Reviews
a Creativelive Student
Brooke never fails to deliver. I found this course superb from start to finish. From exercising your creative 'muscle', demystifying taking self portraits, and showing that they don't have to be perfect before you begin editing, to walking you through her editing process and how to price your work. Brooke's enthusiastic personality and excitement about the work shines through it all. Definitely recommended!
Rebecca Potter
Thank you! Thank you! Thank you! Brooke for this amazing class. Inspired and so full of practical knowledge, this is the best class I've ever watched. You have given me the confidence to pursue what I've always been afraid to do. Watch this space!
Søren Nielsen
Thank for fantastic motivating an very inspiring. The story telling and selling module was very helpful - thanks from Denmark
Student Work
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