Follow Your Passion & Invest in Yourself
Lesson 10 from: Making a Short DocumentaryEd Kashi, Julie Winokur
Follow Your Passion & Invest in Yourself
Lesson 10 from: Making a Short DocumentaryEd Kashi, Julie Winokur
Lesson Info
10. Follow Your Passion & Invest in Yourself
Lessons
Class Introduction
13:55 2How Did We Start Making Documentaries?
12:08 3Universal Themes Through First-Person Storytelling
32:10 4Use Visual Language to Tackle a Theme
07:26 5Issue Driven & Non-English Story Development
27:05 6Translate a Theme Into a Film **Warning: This lesson contains scenes of graphic violence**
24:41 7Turn Failures Into Lessons
13:46 8Finding Your Subjects
15:07What is Your Motivation?
02:10 10Follow Your Passion & Invest in Yourself
05:22 11Client Work Vs Legacy Work
17:51 12Translate the Idea to Reality
16:25 13Create Multiple Products from One Idea
22:17 14Pre-Production Plan
09:32 15You Just Have to Dive In
30:40 16Time & Cost for Projects
28:21 17Writing a Strong Pitch
11:38 18Develop a Fundraising Trailer
12:28 19Identify & Approach Partners
06:35 20Define Your Desired Impact
21:21 21Introduction to Working in the Field
06:19 22Shoot: Interview Set Up
34:38 23Shoot: The Interview
32:08 24Different Types of Interviews
13:35 25Shoot: Capturing B-Roll
21:54 26Shoot: Detail Shots
18:09 27Shoot: Capturing a Scene
27:02 28Shoot: A Set Up Shot
24:03 29What Video to Keep in The Edit?
16:06 30Identify Strongest Audio as Starting Point for Edit
30:01 31Use Audio to Guide Narrative
09:33 32Transform Raw Content Into Finished Piece
23:49 33Building Scenes in Your Edit
03:41 34Short Doc Created from Pre Shoot: Resonant
46:21 35Final Thoughts
03:01Lesson Info
Follow Your Passion & Invest in Yourself
So my question's kind of get a start on funding these things, finding investors when you don't have connections and publishing when you don't have, again, those connections, all the parts that allow you to tell the story. Well, actually, that's a great question, this idea of investing in yourself. A lot of the work that we have done and we continue to do this, but certainly when we were getting started, we would invest our own time and money and energy to create things without a client or any outlet that was interested. So that's why it's so important. And I know it's easy to say this. I understand that not everybody has the time, the money to do it, but that's also why you would maybe pick something that isn't too costly to do that you could fit in to your life, the situation you're in. But I think that is they key, is to invest in yourself, find something you care about, and then dive in. And I guarantee you that if you really follow through, you will produce something that will cr...
eate something good out of it for you. And what I found is you never know. It could be that you make this film, and it's great, and nobody ever publishes it, but someone sees it, and then they say, hey man, I'd like to give you an assignment to do something, right? Or you might get it published and make some money off of it. But nothing will happen unless you create something. And I know it's so easy to say that, and it's hard if you have a full time job and this is something you dream of doing, but where do you find the time, or you're a parent, or whatever your circumstance is, but that's the only way to really answer that question and to move forward. And then you build on it. You do one, maybe it's only a three minute film. Maybe it's like a really cool one minute film. The length of time isn't so important, but it's something that really you knock it out of the park, and then you just build on that. So you have to be patient. You have to be committed. And the reality is nobody is going to take a chance on you until you have something to show for your abilities. So the reality is if you've never made a film before, nobody should take a chance on you unless it's your best buddy and he's like, what the hell, I've got some money to burn at my office and whatever. Unlikely that's going to happen. So you have to invest in yourself first, and we do put our money behind our projects. Sometimes in the early days it was just to get started, and if you create even what I showed you from the film that didn't get off the ground, I can then use that to apply for grants. I could use that to try to get creative and find agencies in the city of Newark that would have put some money up, and I'm sure I could have. But I had to take that first step, and thankfully, I'm the cheapest person for me to hire, right? I come really cheap to myself. So that helps, and we never wait for permission to work. Now on the other hand, if you are looking to make a living out of this and you want to get hired to do it, you've got to build up a portfolio, so you still have to invest in yourself. But once you have a few things to show and you can have that little piece of real estate on your website that says hey, 'cause I wouldn't take a chance if I can't go to your links. So you've gotta have something up there, and that's your opportunity to also hone your craft so you really are ready to be paid to do what you want to do. Now, if you want to find clients and you don't have the resource or you're trying to make a living out of this, then the question is doing that kind of research to see first of all where's your sweet spot. So you've done a couple of pieces that have to do with urban renewal, I'd be hitting up every organization that is in that sector and ideally ones that don't already have good videos. And you start there where you're selling them, again, if this is about creating something from nothing, it's about saying hey, I looked at your website, it looks like there's a great opportunity for you to be showing a few videos. Or I look at who has recently received grants. You guys are in Seattle. There is so much money being given to organizations in Seattle through the philanthropy from here, so I'd be looking at, well, who just got a big grant? Because maybe they would like to tell the story of what that grant's going to pay for. You've got to really be thinking entrepreneurially, because there is a huge market out there to make these films. Huge market. As someone coming from a market that's shrinking, the world of photojournalism is still photography. It's a huge market. And remember, people want to find new talent.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Elisa Correa
wow, wow, wow! what a amazing course! I learned so much, I was inspired so much... congratulations, Julia and Ed, you are excellent teachers and do a really wonderful and powerful work. thank you!
a Creativelive Student
OUSTANDIING COURSE, congratulations creative live for bring Julie and Ed in teach about documentary filmmaking. I have watched and bought a fair few courses on this subject and not one of them comes close to this. You can see the amount of work Julie and Ed have done to make this course amazing. The best bits for me are the real teaching opportunities when Ed and Julie are making their violin documentary. I have never seen this before in any course. Thanks Ed and Julie for an amazing course and letting us see inside there work that you do and sharing all your experience with us. I've never really written any feedback for most courses, so this must be a good one :)
a Creativelive Student
Outstanding!!! I am midway through the class and felt compelled to write a review to let Creativelive and everyone else know how amazing this class is. I have watched several classes on Creativelive but this is far superior to others I have viewed. Ed and Julie are clear masters in their craft of storytelling. If you are undecided about which class to take in the category of filmmaking you MUST put this at the top of your list. It is first class. Frankly, I wish all Creativelive instructors were of this caliber. They are delivering concise information that is incredibly impactful. I love that they are here to teach and not sell their DVDs. Thank you, Ed and Julie, you are a magnificent team.