Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
Philip Ebiner
Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
Philip Ebiner
Lesson Info
36. Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
Lessons
Welcome to Class! What Will You Learn? Who is this Course For?
03:48 2What Gear Do You Need as a Real Estate Photographer?
09:36 3Camera Settings & Modes to Use for Real Estate Photography
07:54 4Can You Use a Smartphone for Real Estate Photography? Pros & Cons
03:13 5How to Compose Real Estate Photos - The Basics
04:58 6Lighting Basics for Real Estate Photography
07:43The Window Pull: How to Make the Exteriors Pop
02:01 8RAW vs. JPEG Photos - Which Should You Shoot?
00:51 9Key Lesson: What Photos Do You Need to Capture?
15:04 10Basic Room Photo Demonstration with Flambient Technique, Natural, and Flash
10:54 11Introduction to this Demo
00:54 12What Equipment is in my Real Estate Photography Kit?
02:58 13Walkthrough of the House - Let's See What We're Working With
07:20 14The Kitchen - Part 1
12:08 15The Kitchen - Part 2
04:20 16The Kitchen - Part 3
03:16 17The Kitchen - Part 4
02:41 18The Kitchen - Part 5
02:34 19The Primary Bathroom
09:48 20The Primary Bedroom
07:15 21The Laundry Room
06:03 22The Living Room
10:28 23A Small Space Bathroom
05:19 24Introduction to this Demo
05:00 25The Living Room
07:48 26The Kitchen
06:35 27Bathroom 1
06:12 28The Primary Bedroom
07:20 29Bathroom 2
05:46 30Front Exterior
03:19 31Back Yard & Exteriors
06:09 32Introduction & Basic Editing Process for Real Estate Photography
04:31 33Adobe Lightroom Introduction for Real Estate Photographers
06:36 34Organizing Photos for Efficient Editing in Lightroom
07:12 35Basic Editing Process in Lightroom for Real Estate Photographers
21:12 36Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
04:43 37Natural Light Kitchen Edit
04:06 38Exporting Photos from Lightroom
06:23 39Copy and Paste Settings from One Photo to Another in Lightroom
02:58 40Create & Use Presets in Lightroom
02:26 41Sky Replacements in Photoshop
06:50 42Step-by-Step Flambient Editing Process
20:56 43Editing the Kitchen Dining Nook
18:48 44Editing the Primary Bedroom 1
12:04 45Editing the Primary Bedroom 2 + Removing Objects in a Photo
17:04 46Editing an Exterior Photo with Sky Replacement
06:36 47Editing a Kitchen Photo with a Natural Designer Style Look
05:30 48Quick Bathroom Edit
05:13 49Speed Up Your Flambient Workflow with Photoshop Actions
05:18 50Replacing Photos, Wall Art, and TV Images in Photoshop
05:04 51Darken TVs in Lightroom
01:11 52Clean Up Smudges on Stainless Steel Appliances in Lightroom
02:03 53Editing iPhone photos vs. Professional Camera Photos
04:41 54What is Virtual Staging? What Tools Should I Use?
02:14 55Virtual Staging in Photoshop with Generative AI Features
10:56 56How to Deliver Photo Files to Clients
03:50 57Tips for Creating a Real Estate Photography Portfolio
03:50 58Creating a Quick Portfolio Website with Adobe Portfolio
06:01 59How to Find Your First Clients
04:06 60How Much to Charge for Real Estate Photography Services
02:32 61The Basics of Drone / Aerial Photography for Real Estate Photography
06:27 62Conclusion
01:23Lesson Info
Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
In this lesson, I'm going to show you how to work with bracketed photos, how to combine them in lightroom. So this is an example of that. The kitchen 12 and three and what's cool is with the info on you can see the settings that my camera chose to shoot this bracketed photo at or photos. So this was the settings. Uh For some reason, it says f 1.0 I think that's because I was on my manual uh lens which didn't connect to my camera. So I had my F eight manually, but it does record the shutter speed, which is the longest, was one third of a second, the shortest uh rather was one third of the second then 0.6 seconds and then 1.2 seconds was the longest. And so you can see that in this long shutter, the shadows are a lot brighter and that's great because we can see the details of the cupboard on the right and left. It gets blown out or overexposed in the background. But we have in this photo, these details versus in this one, this photo is a little bit dark in the shadows but the background ...
is exposed really well. So to combine these, we can select these three, you could select however many you have and then right click and then photo merge and you're going to choose HDRHDR is another name for bracketing photos. HDR is high dynamic range and here it automatically will adjust and blend the photos together. There are things that you can adjust if you want to it to manually adjust the settings, you definitely want to auto a line in case the things the photos are just a little bit off. You generally shouldn't have any ghosting. What this is is if you are taking a photo where there's like people moving in it and they move from one area to the next area of the frame, then this would get rid of that ghosting in your image. But because we're doing still life, there shouldn't be anything moving and then all we have to do is click merge and what's going to happen is a new photo is going to appear here. It's loading up in the top left, you can see the progress and here is the merged photo and this is one where I would click that flag button here or if I was in my library, I would flag it. So here now I can see that this is the one that is the one to edit versus thinking. Oh, well, is this one or this one? I easily can see this is the merged photo. So you can see that it's a great combination of all of the exposures. Now, is this necessarily better than just going into this photo and adjusting these sliders like we can bring up the shadows, we can bring down the highlights, gonna bring up the overall exposure quite a bit, bring down my whites, you can get in here and with some of the more advanced masking tools, we could probably get it to look pretty close to what the other braced photo looks like. But without doing any other adjustments, other than just the tone, we can compare these two photos with this comparison view. So this, we saw the before and after this one that looks like R A, this is where we can compare two photos. You want to drag and drop a photo from your film strip to compare as your reference. So I'm gonna drag the HDR photo and then now we can see on the right hand side are my just adjustments of the raw photo and this gets pretty dang far. I would say that in this case, it might not be necessary. And if you are shooting in raw, you might not need to do bracketing unless it's a crazy dark and bright contrasty situation. If you're shooting in JPEG, I would definitely recommend bracketing. But after seeing this example, it's, it's clear that a raw photo can be edited pretty well and might not need bracketing. But if you are bracketing, this is the process, it's pretty simple and you can tell that it does a pretty dang good job and you would do this before you go in and start doing any of your other color, sharpening cropping and all of those other adjustments that come next. Thanks so much for watching and we'll see you in the next lesson.
Class Materials
Ratings and Reviews
Michael A. Gruich Jr.
Purchased last week to help get my skills up, I have taken a handfull of property photos already and the clients loved them. I wanted to understand the process and standards used with most properties in order to improve my work and this course DELIVERED ! Grat value for investing in yourself and future clients . Philip goes into detail telling you setting, how to take the photo and why , also goes into editing with a few trick to help deliver amazing results.
Chris
The course is a comprehensive learning experience and Philip's passion and expertise in photography and teaching are evident throughout the course. Key highlights for me included mastering lighting techniques, photo blending for high-quality interiors, and advanced strategies like the 'Flambient' process. This was straight forward, and easy to understand. I live in Australia an grateful that you kept the information relevant to any country.
TONY BARNES JR
Hey Philip, Just want to thank you for putting in the time and effort putting this course together. I’ve been shooting for 20 years but never really spent enough time on PS. This course really focuses on what you really need to know. Everything is really straight to the point. Philip provides images so you can follow along and really get a good work flow going. I personally enjoyed the