Lesson Info
5. How to Compose Real Estate Photos - The Basics
Lessons
Welcome to Class! What Will You Learn? Who is this Course For?
03:48 2What Gear Do You Need as a Real Estate Photographer?
09:36 3Camera Settings & Modes to Use for Real Estate Photography
07:54 4Can You Use a Smartphone for Real Estate Photography? Pros & Cons
03:13 5How to Compose Real Estate Photos - The Basics
04:58 6Lighting Basics for Real Estate Photography
07:43The Window Pull: How to Make the Exteriors Pop
02:01 8RAW vs. JPEG Photos - Which Should You Shoot?
00:51 9Key Lesson: What Photos Do You Need to Capture?
15:04 10Basic Room Photo Demonstration with Flambient Technique, Natural, and Flash
10:54 11Introduction to this Demo
00:54 12What Equipment is in my Real Estate Photography Kit?
02:58 13Walkthrough of the House - Let's See What We're Working With
07:20 14The Kitchen - Part 1
12:08 15The Kitchen - Part 2
04:20 16The Kitchen - Part 3
03:16 17The Kitchen - Part 4
02:41 18The Kitchen - Part 5
02:34 19The Primary Bathroom
09:48 20The Primary Bedroom
07:15 21The Laundry Room
06:03 22The Living Room
10:28 23A Small Space Bathroom
05:19 24Introduction to this Demo
05:00 25The Living Room
07:48 26The Kitchen
06:35 27Bathroom 1
06:12 28The Primary Bedroom
07:20 29Bathroom 2
05:46 30Front Exterior
03:19 31Back Yard & Exteriors
06:09 32Introduction & Basic Editing Process for Real Estate Photography
04:31 33Adobe Lightroom Introduction for Real Estate Photographers
06:36 34Organizing Photos for Efficient Editing in Lightroom
07:12 35Basic Editing Process in Lightroom for Real Estate Photographers
21:12 36Combining Bracketed Photos in Lightroom + a Comparison of RAW vs Bracketed Photo
04:43 37Natural Light Kitchen Edit
04:06 38Exporting Photos from Lightroom
06:23 39Copy and Paste Settings from One Photo to Another in Lightroom
02:58 40Create & Use Presets in Lightroom
02:26 41Sky Replacements in Photoshop
06:50 42Step-by-Step Flambient Editing Process
20:56 43Editing the Kitchen Dining Nook
18:48 44Editing the Primary Bedroom 1
12:04 45Editing the Primary Bedroom 2 + Removing Objects in a Photo
17:04 46Editing an Exterior Photo with Sky Replacement
06:36 47Editing a Kitchen Photo with a Natural Designer Style Look
05:30 48Quick Bathroom Edit
05:13 49Speed Up Your Flambient Workflow with Photoshop Actions
05:18 50Replacing Photos, Wall Art, and TV Images in Photoshop
05:04 51Darken TVs in Lightroom
01:11 52Clean Up Smudges on Stainless Steel Appliances in Lightroom
02:03 53Editing iPhone photos vs. Professional Camera Photos
04:41 54What is Virtual Staging? What Tools Should I Use?
02:14 55Virtual Staging in Photoshop with Generative AI Features
10:56 56How to Deliver Photo Files to Clients
03:50 57Tips for Creating a Real Estate Photography Portfolio
03:50 58Creating a Quick Portfolio Website with Adobe Portfolio
06:01 59How to Find Your First Clients
04:06 60How Much to Charge for Real Estate Photography Services
02:32 61The Basics of Drone / Aerial Photography for Real Estate Photography
06:27 62Conclusion
01:23Lesson Info
How to Compose Real Estate Photos - The Basics
In this lesson, you'll learn the basic process to taking great real estate photos. So let's get into it. The first thing is generally you shoot from the corner of the room. This is where you're going to stand and get the best view of the entire room as much as possible. Things to look out for are that lens distortion. So on the edges of a wide angle lens, sometimes things start to bend a little bit. So if you have things like photo frames, TV, S doorways, window frames, just pay attention. If it looks super weird, you might need to adjust while you're there taking the photos because while some of this can be fixed in post production, sometimes it doesn't, it's a bit hard to do well. And so readjusting your frame panning to the left or right or choosing a different corner of the room is maybe the best idea you want to start with the camera at waist height. I find that this is a great sort of level for a lot of rooms like your living space, bedrooms. The time you might want to raise the ...
height of your camera is when you're in places like the kitchen bathrooms where you have countertops, you don't want the frame to be like right here at countertop level. You want to see those countertops you wanna potentially see over those countertops to be able to see things like the oven range or the bathroom sink or the toilet or whatever it is. And so lifting up the height of the the camera, there is probably a good idea but still probably about chest level, you know, depending on how tall you are, but maybe around that 4 to 5 ft mark is pretty good. You generally don't want to be like shooting down or shooting up at a room if you are in a big great room similar to like what I'm shooting in today. Um You might want to raise it as well if you have super high ceilings. Here's a couple of examples of that. So here in this room, you're probably a little bit higher than waist level to see over the bathtub. The photographer is probably standing in the bathtub for this example, to be able to see the countertop to see those sinks and not be sort of eye level with them. Here's another example where we're a bit higher in this photo to be able to see those countertops and to see what's beyond those countertops, I mentioned this before, but you want to make sure your camera is level, look for straight lines vertically and horizontal, but more importantly vertically. You want lines of door frames, window frames, picture frames to be vertical. Choose one of like the most important lines in your frame to be your guide post and make sure that that one is locked down vertical. And if other ones fall slightly not vertical, that's ok. We're gonna again show how you fix some of these things in post production. Here, we have a bedroom where that window frame, the corner of the room is often a good thing to use as a straight line. But even the corner on the right the corner in the background in the middle and then on the left, we have, it looks like a doorway maybe on the very far left that might be like an armoire or something. All of those vertical lines are perfectly up and down and then you might not be a designer. But I find that as a real estate photographer, it's your job to make the room look as good as possible. So, clean up things make it simple. That's probably the best rule is if there's too much clutter, just remove it. You can take it out for the photo, put it back, clean stuff up, things like pillows that are on couches, beds, make sure those are left looking good as much as possible and you're going to get better at this and sometimes you might be taking photos of empty spaces so you might not run into this issue. But if you are photographing spaces that already have furniture, this is super important and then also look for reflections in windows in glass picture frames. If you're in that reflection, again, it's possible to remove some of this stuff in post production. But it's going to be so much easier if you could take a photo without those reflections of you the photographer. And then also when you're shooting with a flash, if you have stands, if you have a flash off the camera, pay attention to that showing up in a reflection as well. Here's a couple of examples of rooms that just look nice, clean. Those books look perfectly positioned on that shelf. You can tell this was sort of a tough room to shoot in because you're crammed in this corner with the crib and the dresser. But still you get the general sense of the whole room. Here's an example of a bathroom using that tile as the line, the vertical lines to keep straight. But you might wanna just remove things if there's clutter on the sink. If there's toilet paper, if there's trash cans in the room, maybe just remove that stuff while you're taking the photo. So those are the basics. In the next lesson, we'll talk more about lighting.
Class Materials
Ratings and Reviews
Michael A. Gruich Jr.
Purchased last week to help get my skills up, I have taken a handfull of property photos already and the clients loved them. I wanted to understand the process and standards used with most properties in order to improve my work and this course DELIVERED ! Grat value for investing in yourself and future clients . Philip goes into detail telling you setting, how to take the photo and why , also goes into editing with a few trick to help deliver amazing results.
Chris
The course is a comprehensive learning experience and Philip's passion and expertise in photography and teaching are evident throughout the course. Key highlights for me included mastering lighting techniques, photo blending for high-quality interiors, and advanced strategies like the 'Flambient' process. This was straight forward, and easy to understand. I live in Australia an grateful that you kept the information relevant to any country.
TONY BARNES JR
Hey Philip, Just want to thank you for putting in the time and effort putting this course together. I’ve been shooting for 20 years but never really spent enough time on PS. This course really focuses on what you really need to know. Everything is really straight to the point. Philip provides images so you can follow along and really get a good work flow going. I personally enjoyed the