Levels Adjustment Layers: Shading & Rim Lighting
Lesson 27 from: Using Composite Photography to Create a Fantasy WorldKaren Alsop
Levels Adjustment Layers: Shading & Rim Lighting
Lesson 27 from: Using Composite Photography to Create a Fantasy WorldKaren Alsop
Lesson Info
27. Levels Adjustment Layers: Shading & Rim Lighting
Lessons
Class Introduction
03:01 2Adding Fine Art Compositing to Your Business
24:28 3Background Plate Workflow
22:54 4Setting Up Studio for Shoot
09:04 5Photograph the Rabbit
05:09 6Mock Up of Rabbit in Photoshop™
08:56 7Photograph The Rabbit Costume
34:34 8Setting up the Studio to Shoot with a Green Screen
03:41Photographing the Child in Segments
27:22 10Photographing Hair in Motion
29:46 11Getting a Great Costume Shot
11:21 12Use Lightroom to Choose the Best Images
13:07 13Make Selections in Photoshop™
15:08 14How to Use Photoshop™ Brushes to Mask Out Images
22:36 15Crop Out & Add Costume to Rabbit
27:41 16Warp Techniques to Fit Costume to Rabbit
20:31 17Shading & Shadows on & Under Rabbit
31:50 18Change color of Rabbit Costume
12:00 19Remove Green Screen from Child Image
08:22 20Background Plate Workflow
21:40 21How to Create a Brush
11:25 22Add Layers to Create Full Looking Hair
27:49 23Add Shadows to Image
05:57 24Workflow: Group Rabbit & Child Images
10:47 25Match the Scene with Color
05:31 26Spill Light: Painting with Light to Blend
09:46 27Levels Adjustment Layers: Shading & Rim Lighting
04:59 28Finalize Image Workflow in Lightroom™
08:36 29Export Image in Different Formats
15:44 30Marketing Composite Photography to Clients
17:13 31Presenting Image to Client
23:06Lesson Info
Levels Adjustment Layers: Shading & Rim Lighting
This is almost there, but there are some things that we can do to bring it together now over the top of our image. So I'll show you a few little tips, some of them we won't keep, but I'll just go through a few different steps that I would normally take. So we've got our light cascading around our subjects, and as I said before, if you've got heavier light in the background, if your subject is in the scene more like this one is, you wouldn't do it quite as much, but there's still some light that would spill around. But over the top, the more that you put over the top as well, the more that it will all blend together. There are a few little things you can do. There's again, so much that you can look at here with adjustment layers, one of them is a color lookup adjustment layer, and it comes, here there are all these particular color adjustments that people have created to look like different film types, different coloring, and they're sort of a set of adjustments on their own that are gr...
ouped together, and applying these will give you different looks. So if I apply one of these over the top of the scene, it's good to play with. You can try so many different ones, and you can have it turned up, or you can tone it down, you can make it look like it's edgy amber, I think that's going to load in a second, or fall colors, and I tend to just go through a few of these, and maybe tone them down, change the opacity of them, find one that I really like, and if it's just the color that I like, let's just go through this one. See that one's too full on as it is, but sometimes you might find, I like the color, but I don't like how it's applying all those darks and lights, it's too strong. You can change that color lookup adjustment layer to color mode, and what that will do is it will only apply to the colors, and it's still showing up like that, but it will only apply to the colors, but not the darks and the lights, it's not actually gonna change your curves. So there's all these little things you can do to get the color you want, but by finding something that you like, horror blue is probably not the one that we want, and then making some adjustments, what that's doing is every time you apply something, you're adding color to all of your elements, and it's helping to blend them all together. You might also try a gradient map adjustment layer, and what this one does is it applies certain colors to the highlights, to the midtones, to the shadows, so you can actually apply, it's like a slip toning effect almost. So you might want to warm the scene up, so you go with something like that, you then could turn the opacity down, so you've got all these adjustments. So normally when I get towards the end of an image, I start playing with these adjustments, having a look at how they work over the top, just to bring my image together even more so that it's blending and it looks like it was all done in one shot. So that, primarily are the main things that I do on Photoshop. There's one last thing that I need to do before I finish it off, I need to create a copy of this, I need to do a couple of adjustments on the copy, the thing that I did earlier with the curves and the channels, I will apply on this particular one. I also need to bring one of my layers to the top, this dappled light layer that we talked about earlier, the one that's applying dappled light over the top of everything, bringing that over the top of Alice and the rabbit and the scene will help to blend it together as well. So you might like to play with textures, I don't use textures very often, just on some of my images, but there are many amazing artists that use textures, and using textures and overlays will help to bring your image together as well.
Class Materials
Bonus Materials
Bonus Materials with Purchase
Ratings and Reviews
Judy Mitschelen
I've found many great instructors at CreativeLive and Karen ranks right up there at the top! With her relaxed, thoughtful manner of presenting, I was immediately hooked. Her organization, clear explanations and demonstration, and on target response to questions are superb. This course covers an amazing range of skills and tricks of the trade. Whether you're interested in getting better shots to work with, better workflow at the computer, or better output at the end, Karen covers it all.
Kim
Karen is very talented and a great teacher and I enjoyed every minute of the course. But what I found to be the best part was seeing what an amazing person she is. The video of compositing the disabled children to make their dreams come true had me in tears. It has inspired me to use my talents to help others and not learn photo manipulation for self enjoyment. God bless you Karen.
Endigo Rae
This was such an amazing class! Karen is so talented, inspiring, and such an amazing teacher. Very forthcoming and open about all of her techniques. I'm so looking forward to jumping into compositing, I feel like this is definitely something my soul desires to explore and Karen has made it so easy and accesible through her beautiful course! Thanks so much Karen and CreativeLive!
Student Work
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