Basics Panel: Texture, Clarity, and Dehaze
Lesson 17 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Basics Panel: Texture, Clarity, and Dehaze
Lesson 17 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Lesson Info
17. Basics Panel: Texture, Clarity, and Dehaze
Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Basics Panel: Texture, Clarity, and Dehaze
So that is all of your basic adjustments, and then you get into texture, clarity and d hazing. Now texture is all about the skin. Um, it usedto be that they just had clarity. And D. Hayes and Clarity was. Clarity is basically contrast in your mid tones. And so that's where, like wrinkles are. So if you have a lot of contrast in the mid tones than the shadow over, wrinkle is really deep in the highlight of the wrinkle is really bright, and so you get a pretty severe wrinkle, and if you go the opposite direction and limit the contrast, then the shadow gets brighter, the highlight gets darker and you no longer have a wrinkle. Texture is the same thing on a much more more minute lead level, and so it is actually really great for taking down skin texture. So if I grab on the texture and bring it down, you can see here, look at her forehead. You can see that there's a texture to her skin, and if I grab it and bring it down, it softens up that skin. Now you'll notice that it's all off, so sof...
tening up her hair just a little bit. So here's the thing. Texture is really awesome for skin, but it's also not great for hair. So we will use that in our retouching process later, as we are able to apply texture to our negative texture to skin specifically with our brush, which is right up here. So when we talk about retouching, that's when we would want to work on texture. It's not a good idea to just apply negative texture across an entire image. You really need to apply in a brush or integrating or in a radio filter something like that, because you need targeted specifically, Um, but that being said, if we look at texture as a landscape tool, it is absolutely fantastic, Um, for foliage and mountainsides and things like that. Go go nuts with the texture. Take the texture up all day long because it's beautiful in a landscape photo or ah, in a architectural photo. Something like that. It's fantastic tool. So, uh, clarity also is useful. A lot of the times I will add a little bit of clarity to a photograph because clarity will just kind of help toe bring out this like her eyebrows and kind of sharpen up her eyelashes and things like that, especially if you have an image that's just slightly soft, that the clarity tool will help to just kind of separate things out and get rid of some of that just soft focus. You look, um, so just take the clarity up. Don't go too far with it because it gets a little bit heavy handed and then later I'll come in and bring texture out of her skin and and we'll get a really nice soft skin but nice, crisp eyes and things like that. So clarity is really useful for that. Now. D. Hayes is a completely different tool. So when we go into D hazing, that's four. When you have glare on a window or when you have fog that you need to look through. So let me quickly go. Um, let me go to an image that oh, here. Ah, here we go. So I've got some fog here. Um, and maybe we'll just go to this one here so clarity would help us to see this pull a little bit. So if I grabbed the pole and see how it's darkening up the pole, little bit so that I can see it through that fog just a bit and texture is really great for, you know, like dirt and and leaves and stuff like that. So had take texture. You can see how the rocks and the dirt and stuff are really starting toe to sharpen up, so it's really beautiful in that way. But if I want to see through the fog, watch what we get when I go for D. Hes. So if I increase the D. Hayes, it's like I just removed the fog. I pushed the fog back like I took a big fan and blew it back so that I can see all of this information here. But notice what else it does like. It really darkens up the so if there's a natural vignette to my lens, I'm going to start seeing it because I'm It's really taking the contrast and really tweaking the contrast so that I can see those things so d hes can be really useful, but it can also be very, very damaging to a photograph is well, so just be careful what you do with it. It's fair. It's fairly useful in times where you want to see something a little bit better, but one place I like it is in adding fog. So if you have fog and you wish it were foggier, then just go negative De Hayes, and you'll get a lot of extra fog. It'll just amplify all fog, or it'll add fog where no fog existed. So it's a really great way to get rid of fog, but it's also a great way to add fog to a photograph.
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Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.
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