Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Color
So here we've got another photo, and I'm going to quickly choose a profile for it. Um, and I could choose all sorts of, but I like the idea of being fairly vintage. So I'm gonna click on this top warm one that might be a little bit too much. Let's go for that. That looks pretty vintage. Um, so this is just Ah, it's called warm three. All right, so now that I have that, I want to go through the color and work with the color itself. So I'm gonna go into the color tab and inside of the color tab, I can obviously turn it to black and white here. So if I click on black and white, it's gonna apply a completely different profile. So I'm turning it back to color and unfortunately, went back to the wrong one. So there we go. All right. So don't turn it black and white if you want it. Teoh, if you want to have a specific profile because it goes to its own profile. So generally when I go to black and white, I'm going to go to the profile browser and choose a black and white Um if you don't care w...
hat kind of black and white use, you can push that so below here, we're gonna play with the temperature. Obviously, we have custom white balance eso we can choose what kind of white balance we want to use in this case. I'm just going to use what was already customized there. And I'm gonna increase decrease if it was shot with Flash. I can come in here and say flash, and now it's neutralized for the typical flash output. Um, and then I'll take my temperature up a little bit. And I think the tent is where I want it to be now. Saturation vibrance vibrance protects the warms, the skin tones. And it does so if I take vibrance up, it tends to protect the skin tones, whereas if I take saturation up, it gets really ugly. Like yellow and warm are orange. So we don't want Teoh Very, very, very, very rarely will take saturation up positively. Mostly, I'm gonna bring saturation down and then vibrance itself. I can take up because vibrance protects those skin tones and mostly tries to increase the the intensity of like blues and greens and things like that now, Once I've done that, I also have further control over individual colors. So I'm gonna go in to the individual colors here, and I'm going to click on the individual color and I'm going to choose what color I want to effect. So all of my colors right down here and I can also choose whether I'm gonna work on their hue, their saturation or their loom in It's so I can do that individually by color. So I'm going to choose to work on the Reds, which is already selected. And at that point, I'm going to say, Well, what I want the reds toe look like how saturated do I want them so I can increase the saturation and see how I'm playing around just with the Reds and the Reds are obviously a huge part of this particular photograph. So I'm going to play really specifically with the Reds. I want I want toe get exactly the right amount of red. So that is about the right saturation and I can also play with the hue of it. So do I want it to be more orange? Do I want it to be more purple so I'm just going to kind of play with it until it's the right richness. So you can see how I've gotten kind of this muted look to the entire photograph. But I want the Reds to kind of pop, so I'm playing around with the Reds, and then I can also take the Luminant up and make it the Reds brighter. Or I can make them darker and more saturated. So I'm gonna just kind of play with that dial until I've got it just right now, you don't necessarily want to play with every single color in the photograph. What you're really trying to do is globally with the temperature intent. You're trying to get the right look, and then usually there's one specific color that needs some help or that will make a better statement. Or maybe someone's wearing a blue shirt and that blue shirt is a little bit too bright. And if you take the entire blew down or the sky, the skies kind of a bright blue and you want to bring it down, and most of the time that works really well. But you have to be careful because if you work on a sky that's blue and someone has, uh, shadows on their dress, Those shadows air, blue. Or if they're wearing a blue tie or something like that, it's going to It's a global adjustment still, so we're still working globally. But we're just working on specific color areas, not not areas, but color types. So just be careful that you're not affecting all the other colors and just be subtle about it. We don't want to go crazy on any of this because you'll start to create problems in your photograph. Okay, so we've played with the color on this photograph, and I really like the way everything is looking for color so we can shut that down. And with we've got the color. Now, remember, if for any reason you don't know what the white balance is, you can always click on this little white dropper here and then that allows you to go through and find something that you know to be white and simply click on this check box to confirm that white balance. Um, I don't necessarily want to do that. I'm not all that interested in. So I'm going to just undo what I already just did. So the undue is right up here, I'm just gonna undo it.
Class Materials
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Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.