Lessons
Introduction
01:14 2Materials and Tools to Use when Drawing
14:27 3Preliminary Furniture Plans on a Floor Plan
07:45 4Using a Scale Ruler and Templates
05:36 5Rendering Furniture on Floor Plan to give Volume and Depth
06:06 6Line Weights and Adding Texture
04:24 7Architectural Lettering
08:11 8Complete House Floor Plan
03:23Isometric Perspective
03:42 10Why 3-Point Perspective Doesn't Work
04:05 11Benefits of Two-Point Perspective
03:06 12Preliminary Sketches for a Living Room
11:29 13Using Different Textures of Materials in your Drawing
03:51 14Adding Color to the Couch to Create Shiny Leather
11:26 15Rendering Soft and Shiny Textures
09:09 16Starting Elevation for the Kitchen
07:54 17Full Rendering Elevation of the Kitchen
07:28 18Putting the Elevation at a Different Scale
10:33 19Two-Point Perspective for Kitchen
10:04 20Canson Paper with Pastels
05:35 21Transfer Line and Heights
08:27 22Finishing the Rendering Using Canson Paper
08:48 23Creating Chrome and Color Reflections
10:43Lesson Info
Complete House Floor Plan
This is my floor plan. After I had some preliminary fun over here with my spot rendering, I did I better layout. This is done in pencil, in case I want to erase something. I can always go back and change things. For the most part, I used my templates. We have covered them already. I have three different kinds, and it's very fun to use them. You work super fast with this so quarter scale. It's beautiful. Just for these reasons, Um, it's important when you do your floor plan with your preliminary furniture layout. The Jew mark three big areas that you need to have in your floor plan. Like, for example, if you have sliding doors or if you have a fireplace. Um, if you have your staircase going to the basement or maybe a second floor, you would have to market you see over here I have down. Then I have up, so I know which one is which. That means thes door that is partially open would lead me to my basement this door if I But if I walk around the studio and I see this line here saying this a...
rrow saying up, I would go to the second floor where I would have the bedrooms. Okay, so let's mark that this is a very fun symbol to have you working diagonal. You do this to mark that the staircases sliced. You don't see beyond that point you. Also, as we compare these two floor plans, you see how the floor plan overhearing would has some suggestion of the wood planks. But if you look closely, you'll notice that I didn't really draw all the planks because first would be very tedious, and it's really not that necessary. You can just draw some of the floor planks enough for the audience, enough for your audience, your client or the people that you would presenting to understand that this is wood and not any other material. But you don't need to spend half hour drawing every single floor plan. Um, it's not really necessary. So what I have over here is just the suggestion of floor plans, floor planks. I have done some here, some here just on spots that I think would give me a sense of continuity. This is important, too, because you see us. I go from kitchen to studio, the direction of the floor. Planks change. They go from horizontal to vertical on my page. And by doing this, I show it very clearly where they switch right here at this stressful. I also add a few dots to suggest texture on the carpet. I need an area rug over here. Another area rug over here. These are tiles, so I have a sense off materials. So it's good to have this all right. And again, everything is done on Tracy on pencil using my 3 60 paper, which is this guy here. Remember, the recent way used this one here is because I can add markers directly on top.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
user-8adf9d
It's difficult to find a class like this -- but that's exactly why it may be best to start with some sort of quick foundation in perspective drawing. This class puts together the process at a level that is not easily available outside of formal study and while it's not difficult, it is involved.
user-d2a6ef
Creative LIve Why don't you re-do this class! Its a great subject.....get a new camera operator, who knows the concept of learning from watching.