Galleries and Fine Art
Lesson 64 from: The Outdoor Enthusiast's Guide to Photography & MotionIan Shive
Galleries and Fine Art
Lesson 64 from: The Outdoor Enthusiast's Guide to Photography & MotionIan Shive
Lessons
Bootcamp Introduction
06:35 2Storytelling with Stills and Motion Overview
14:35 3Elements of a Well-told Story
22:12 4Storytelling in Motion
34:19 5Choosing the Best Gear for Your Outdoor Project
16:24 6Gear for Drones
02:53 7Gear for Motion
05:23 8Inside Ian's Gear Bag
20:07General Advice for Preparation
14:19 10Virtual Scouting
03:54 11Weather
10:17 12Permits and Permission
03:09 13Model and Property Releases
04:43 14Health and Fitness
03:04 15Checklist
03:20 16Location Scouting Overview
15:18 17Location Scouting in the North Cascades
15:24 18Drone Introduction
14:59 19Drone Safety
03:26 20What Kind of Drone Should I Buy?
02:58 21FAA Part 107 Test: How to Prepare
06:18 22Telling a Story With a Drone
06:15 23Drone Camera, Lenses and Movements
04:34 24Selling Drone Footage
02:39 25Why Does a Photographer Need Motion?
10:59 26Establish the End User
06:35 27Identify Your Audience
03:12 28Build a Production Plan
05:28 29Create the Story Structure
04:26 30The Shooting Script
07:08 31Production Quality
08:37 32Composition for Stills
08:04 33Composition for Stills: Landscape
08:15 34Composition for Stills: Telephoto Lens
14:48 35Composition for Stills: Macro Lens
07:50 36Techniques for Capturing Motion in the Field
25:15 37Lenses and Filters for Outdoor Photography
26:20 38Capturing Landscapes - Part 1
28:12 39Capturing Landscapes - Part 2
23:36 40Capturing Movement in Stills
32:17 41Shooting Water, Sky and Panorama
29:40 42Understanding Stock
20:45 43Editorial vs Commerical
03:57 44Pricing Stock
05:40 45Producing Stock
14:49 46Shooting for Social Media vs Stock
11:37 47Choosing an Agency
08:58 48Assignments and Capturing Stock
13:49 49Stock Photography Market
05:28 50Create A Style Guide
05:30 51Stock Shoot Analysis
21:29 52Workflow for Selecting Final Stills
27:43 53Initial Editing in Adobe Bridge
21:02 54Reviewing and Selecting Motion Footage
11:02 55Keeping Track of Your Story Ideas
22:40 56Script and Story Structure Evolution
04:34 57Editing to the Content
05:00 58Music as a Character
05:41 59Business Diversification
07:07 60Business Strategy
04:57 61Pillars of Revenue
17:09 62Branding
06:36 63Partnerships and Brand Strategy
05:12 64Galleries and Fine Art
03:11 65Budgeting
05:21 66The Future of Photography
26:12 67Q&A And Critique
1:09:39Lesson Info
Galleries and Fine Art
another pillar of revenue. Another channel for you to generate revenue. I think it comes easier a little later. There's a lot of variation on this, but depends are galleries and fine art, um, volume versus quality. So you know there's there's that aren't the core. And then there's fine art and Art Deco or is more like the stuff of our talk about corporate, maybe mugs, T shirts, whatever. It's the whole, the whole genre of, of things that go on in places, right? And then there's the limited edition fine art print. So I actually just did a show last year at a gallery in Santa Fe, New Mexico called Addition one. And we did a whole American wilderness in the National Park Show, and it's great. I mean, it gets a huge visibility. Um, you know, it gives you something to promote yourself, keep your name out there and be relevant. In this case, it's quality sales versus volume sales, and that's something that every photographer needs to figure out where they stand. In my opinion, I do not think...
art decor and volume sales where you're seeing $5 prints and other things go out the door. I do not think in the current market place, it degrades the value of your art. I think if you're a very famous photographer, possibly. But even then I don't think so. I think very few I sold lots of prints here. I sell cheap posters online. I had no problems. I'm making revenue from both channels. You just have to have expectations on it. You may say my philosophy is not about that. I want to be a highbrow. I want my stuff on Lee. Be fine. Are I'm an art photographer. I don't even want to stock. That's fine. Be realistic about your expectations. That's where it's gonna bay. It will be limited to that. These things are expensive to put on, expensive to make the prince expensive to get him framed expensive. Do the madding. You will probably responsible for all of it. Short of the hanging and someone else will get half. But people walked through the door. And if you have already been following the other pillars of revenue, what do you notice in the bottom of this little picture here? My book. So I have now a new opportunity. So a bunch of books and cheaper products by using someone else's retail space. I don't need my own retail space music someone else's by throwing some pictures up another good way. And another thing you think about volume versus quality is also volume in location. I sometimes think being in a coffee shop that's very popular is better than being in a high end gallery. It's gonna take a lot longer to get into a high end gallery. It's gonna cost you a lot more to produce high end work where you're going to have literally 100 people in our walk into a coffee shop. Who might say I like that? And instead of selling a print for $500 you sell it for $150 yourself five of them a week. Um, that's a judgment call. A lot of places do that. A lot of even big chains will support local artists, so I wouldn't rule that out. I think it's a good I think it's a good revenue generator, and I think it's something that should be part of your money making machine.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
monica4
Ian was an amazing instructor.; very fun, enthusiastic, encouraging, and comprehensive. I hope to be able to return as an audience member for another of his classes. It is a privilege and a gift to have access via Creative Live to such a wealth of expertise. Thank you!
Cindy
What a great class this has been. Thank you Ian Shive and Creative Live! Recently retired, I have set out to learn everything I can about photography and pursue this passion to capture the beauty in the outdoors. Creative Live has served as an amazing educational platform to help me learn everything from how to use my camera, the fundamental technicals, and learn about software and tools. This class brought it all together. At the end of this class my approach to photography and my images are different. Ian shares so much valuable knowledge that will change the way you go about taking a picture; from scouting a location, to thinking through the story and adding elements to an image to evoke an emotional response. My personal growth has been significant and I have changed to the way I approach creating an image from an Outdoor Landscape to an Outdoor Experience. Loved every minute of it, sad the class is over.
Cindee Still
Ian Shive is a dynamic speaker with a wealth of knowledge he is willing to share. He has had a magical path that led to his success. He touches on so many aspects of making, selling and creating images as well as how to market them and make an income from your work. It is so much fun to be part of the studio audience. The Creative Live staff are always so warm and friendly and they feed you like your on a cruise ship! Wonderful experience.