Telling a Story With a Drone
Lesson 22 from: The Outdoor Enthusiast's Guide to Photography & MotionIan Shive
Telling a Story With a Drone
Lesson 22 from: The Outdoor Enthusiast's Guide to Photography & MotionIan Shive
Lessons
Bootcamp Introduction
06:35 2Storytelling with Stills and Motion Overview
14:35 3Elements of a Well-told Story
22:12 4Storytelling in Motion
34:19 5Choosing the Best Gear for Your Outdoor Project
16:24 6Gear for Drones
02:53 7Gear for Motion
05:23 8Inside Ian's Gear Bag
20:07General Advice for Preparation
14:19 10Virtual Scouting
03:54 11Weather
10:17 12Permits and Permission
03:09 13Model and Property Releases
04:43 14Health and Fitness
03:04 15Checklist
03:20 16Location Scouting Overview
15:18 17Location Scouting in the North Cascades
15:24 18Drone Introduction
14:59 19Drone Safety
03:26 20What Kind of Drone Should I Buy?
02:58 21FAA Part 107 Test: How to Prepare
06:18 22Telling a Story With a Drone
06:15 23Drone Camera, Lenses and Movements
04:34 24Selling Drone Footage
02:39 25Why Does a Photographer Need Motion?
10:59 26Establish the End User
06:35 27Identify Your Audience
03:12 28Build a Production Plan
05:28 29Create the Story Structure
04:26 30The Shooting Script
07:08 31Production Quality
08:37 32Composition for Stills
08:04 33Composition for Stills: Landscape
08:15 34Composition for Stills: Telephoto Lens
14:48 35Composition for Stills: Macro Lens
07:50 36Techniques for Capturing Motion in the Field
25:15 37Lenses and Filters for Outdoor Photography
26:20 38Capturing Landscapes - Part 1
28:12 39Capturing Landscapes - Part 2
23:36 40Capturing Movement in Stills
32:17 41Shooting Water, Sky and Panorama
29:40 42Understanding Stock
20:45 43Editorial vs Commerical
03:57 44Pricing Stock
05:40 45Producing Stock
14:49 46Shooting for Social Media vs Stock
11:37 47Choosing an Agency
08:58 48Assignments and Capturing Stock
13:49 49Stock Photography Market
05:28 50Create A Style Guide
05:30 51Stock Shoot Analysis
21:29 52Workflow for Selecting Final Stills
27:43 53Initial Editing in Adobe Bridge
21:02 54Reviewing and Selecting Motion Footage
11:02 55Keeping Track of Your Story Ideas
22:40 56Script and Story Structure Evolution
04:34 57Editing to the Content
05:00 58Music as a Character
05:41 59Business Diversification
07:07 60Business Strategy
04:57 61Pillars of Revenue
17:09 62Branding
06:36 63Partnerships and Brand Strategy
05:12 64Galleries and Fine Art
03:11 65Budgeting
05:21 66The Future of Photography
26:12 67Q&A And Critique
1:09:39Lesson Info
Telling a Story With a Drone
drones are great. I mean, a lot of the same creative considerations exist with them as they do with anything in photography thing. Really cool part is, instead of being down here, you're up there and you're getting to see really great stuff. So symmetry shape, line, rule of thirds. All of those things play a role in it, looking for those really great details. So one thing I want to share with you is a story breakdown. This is another short films a couple minutes long. It's called Chasing the Distance. This was done already several years ago. Different rules in different time. Back then, this was about ultra marathon runner Rob Krar. Really cool guy. Uh, you know, he had a really incredible story, and this was, you know, one of the first time that I really started employed drones and story telling their use very, very sparingly. Um and so I think it was strong. It really emphasized his place in the landscape, and it was the only way to really punctuate the story element about the long, ...
long distances this guy runs. It's incredible. He's one of the best long distance runners in the world. Super fast time. At the time, he had had the fastest known time from running across the Grand Canyon, from rim to rim to rim all in one shot without stopping So really cool story. Play the video for you. Now it's about four minutes long, and we'll come back and talk about a little bit more. There's no easy way to describe the last quarter of an ultra when your body does just want to stop in your mind, wants to stop. That's when I go to that dark place that I can only experience late in 100 mile race. And it's something that I both yearn for fear of. The same time I recognized chasing that distance, fooling completely minutes. It's been life changing, but ultra marathoner is seeking to find peace within themselves. Running seems to be the one thing that's provided me enough piece toe to keep going. I ran the fastest no. One time ever across the Grand Canyon rim to rim to rim, and it was a huge struggle in discomfort. But I thought about Kristina, and that's what kept me in that crossing way, fell in love, camping here, a piece of my heart is in this place. You can just feel so connected to something but so small at the same time. It's this place where you can feel free every time we get out brings us together. It's the simplest way to put it. There was a time early in our relationship when I saw her using the boat that it kind of solidified my desire to want to be with this incredible woman. I struggled with depression for a long time, and I never even remotely had a grasp on before I met Christina. We've had some dark times, kind of know that dark side of life a little bit and can kind of relate on that note as well. Running is definitely his major coping mechanism at this point running alone on the trails. It's what I need to keep myself together as a human and find peace with the Grand Canyon. This is what I wrote while Rob is was running mentor, injury, peace, peace among people and cars and a giant canyon battle rages below that I know not a husband. River rock all battle to become one. Somehow this great place consumes me, consumes them, consumes time. So I wait. I wait to the patient wife, a supportive partner, and let the grandeur of the place wash over me and swallow all things. This place is a place of balance, place to respect and honor, give and take. Forming an intimate relationship takes time a lifetime. And beyond canyon, beautiful canyon unfold your secrets for me. So that was produced for the Sierra Club at the time for part of ah campaign. And none of it was actually in the National Park was proposed extension of the park as a national monument. And ultimately, uh, it was not successful in its effort, but the film was very successful nonetheless. And, um, you know, conveying a lot of different important messages. And you can see where the little moments of the story are punctuated by the use of having aerials, getting a sense of the scale, the vast distances he goes and this distance that they they manage in their lives. So it's really, really powerful way of telling a story
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
monica4
Ian was an amazing instructor.; very fun, enthusiastic, encouraging, and comprehensive. I hope to be able to return as an audience member for another of his classes. It is a privilege and a gift to have access via Creative Live to such a wealth of expertise. Thank you!
Cindy
What a great class this has been. Thank you Ian Shive and Creative Live! Recently retired, I have set out to learn everything I can about photography and pursue this passion to capture the beauty in the outdoors. Creative Live has served as an amazing educational platform to help me learn everything from how to use my camera, the fundamental technicals, and learn about software and tools. This class brought it all together. At the end of this class my approach to photography and my images are different. Ian shares so much valuable knowledge that will change the way you go about taking a picture; from scouting a location, to thinking through the story and adding elements to an image to evoke an emotional response. My personal growth has been significant and I have changed to the way I approach creating an image from an Outdoor Landscape to an Outdoor Experience. Loved every minute of it, sad the class is over.
Cindee Still
Ian Shive is a dynamic speaker with a wealth of knowledge he is willing to share. He has had a magical path that led to his success. He touches on so many aspects of making, selling and creating images as well as how to market them and make an income from your work. It is so much fun to be part of the studio audience. The Creative Live staff are always so warm and friendly and they feed you like your on a cruise ship! Wonderful experience.