Compression - Part 5 (Glue)
Lesson 23 from: Music Production in Logic Pro X: Vocal Mixing EssentialsTomas George
Compression - Part 5 (Glue)
Lesson 23 from: Music Production in Logic Pro X: Vocal Mixing EssentialsTomas George
Lesson Info
23. Compression - Part 5 (Glue)
Lessons
Introduction and Welcome to this Class
00:52 2Project Organization
09:47 3Faders and Panning
11:13 4Flex Pitch - Vocals
05:18 5Flex Time - Vocals
03:05 6Editing Studio Drums
09:29 7Song Mix Deconstruct - Mixing Drum Kit Designer
08:04 8Mixing Files
01:50Tips to Start a Mix
02:11 10Mixing vs Mastering
02:19 11Introduction to Mixing with Logic Pro's Audio Effects
00:47 12Channel Strip and Routing - Part 1
04:39 13Channel Strip - Part 2
07:00 14Bussed Effects
11:25 15Gain Staging Audio Tracks and Pre Fader Metering
11:44 16Gain Staging Software Tracks
03:45 17Mixing with Channel EQ
19:57 18Mixing Vocals with Compressor - Part 1
08:25 19Mixing Vocals with Compressor - Part 2
06:44 20Compressor Circuit Types
13:07 21Compression - Distortion and Limiting
10:47 22Sidechain Compression
06:37 23Compression - Part 5 (Glue)
02:52 24DeEsser
12:03 25Multipressor - Part 1
09:31 26Multipressor - Part 2 (DeEss)
06:11 27Multipressor - Expander
07:33 28Dynamics Wrap up
09:05 29Compression with Flex Pitch
04:49 30Exciter
05:03 31Noise Gate
04:14 32Noise Gate - AHR
07:16 33Noise Gate - Hysteresis
02:07 34Chorus
06:04 35Introduction to Automation
09:44 36Touch Automation
03:46 37Trim-Touch Automation
05:28 38Relative Touch Automation
04:34 39Automation Curve Tool
04:09 40SilverVerb - Part 1
18:11 41SilverVerb Modulation
02:57 42Sample Delay and HAAS Effect
05:29 43Delay - Echo
09:35 44Stereo Delay - Part 1
14:25 45Stereo Delay - Part 2
04:00 46Stereo Delay - Part 3
08:24 47Tape Delay - Part 1
13:29 48Tape Delay - Part 2
05:07 49Thanks and Bye
00:07Lesson Info
Compression - Part 5 (Glue)
Hi. In this video, I just wanna integrate everything we talked about in the last few videos with the compressor cos what we did was we looked at threshold ratio makeup and then attack release and then knee and I used aggressive settings to demonstrate how those different things affect the sound. But what I want to do now is just integrate all of it and dial in some gentle compression on this vocal to help it sit in the mix a bit better. So I'm just gonna go ahead and do that, gonna switch over to meter here. I generally prefer looking at this see in the top ST the of the so um with bodies with binding energy is nothing quite like you. So the top start the of the. So there we go. So this is very gentle compression. My ratio is at 1.5 to 1 that's normally where I start and then I dial down the threshold and then I adjust the attack to let the consonants pop through. So it doesn't sound like it's clamping down on the vocals too much. But it is compressing the body of the notes that he's s...
inging the release is minimizing the amount of sort of pumping and swelling that's happening as an effect of the compression. Like I demonstrated in the attack and release video when the release is too fast, there can be some audible pumping in the compression. So I've dialed that up to about 100 milliseconds and that's really, really helping the compression be quite transparent. And when I say transparent, I mean, not be obvious or sound like it's being compressed, it just sounds like it's tight and dynamically consistent in the mix. Thanks for watching and I'll see you in the next video.
Class Materials
Bonus Materials