SilverVerb Modulation
Lesson 41 from: Music Production in Logic Pro X: Vocal Mixing EssentialsTomas George
SilverVerb Modulation
Lesson 41 from: Music Production in Logic Pro X: Vocal Mixing EssentialsTomas George
Lesson Info
41. SilverVerb Modulation
Lessons
Introduction and Welcome to this Class
00:52 2Project Organization
09:47 3Faders and Panning
11:13 4Flex Pitch - Vocals
05:18 5Flex Time - Vocals
03:05 6Editing Studio Drums
09:29 7Song Mix Deconstruct - Mixing Drum Kit Designer
08:04 8Mixing Files
01:50Tips to Start a Mix
02:11 10Mixing vs Mastering
02:19 11Introduction to Mixing with Logic Pro's Audio Effects
00:47 12Channel Strip and Routing - Part 1
04:39 13Channel Strip - Part 2
07:00 14Bussed Effects
11:25 15Gain Staging Audio Tracks and Pre Fader Metering
11:44 16Gain Staging Software Tracks
03:45 17Mixing with Channel EQ
19:57 18Mixing Vocals with Compressor - Part 1
08:25 19Mixing Vocals with Compressor - Part 2
06:44 20Compressor Circuit Types
13:07 21Compression - Distortion and Limiting
10:47 22Sidechain Compression
06:37 23Compression - Part 5 (Glue)
02:52 24DeEsser
12:03 25Multipressor - Part 1
09:31 26Multipressor - Part 2 (DeEss)
06:11 27Multipressor - Expander
07:33 28Dynamics Wrap up
09:05 29Compression with Flex Pitch
04:49 30Exciter
05:03 31Noise Gate
04:14 32Noise Gate - AHR
07:16 33Noise Gate - Hysteresis
02:07 34Chorus
06:04 35Introduction to Automation
09:44 36Touch Automation
03:46 37Trim-Touch Automation
05:28 38Relative Touch Automation
04:34 39Automation Curve Tool
04:09 40SilverVerb - Part 1
18:11 41SilverVerb Modulation
02:57 42Sample Delay and HAAS Effect
05:29 43Delay - Echo
09:35 44Stereo Delay - Part 1
14:25 45Stereo Delay - Part 2
04:00 46Stereo Delay - Part 3
08:24 47Tape Delay - Part 1
13:29 48Tape Delay - Part 2
05:07 49Thanks and Bye
00:07Lesson Info
SilverVerb Modulation
Hi. In this video, I'm gonna show you the modulation features in logic pro's silver verb. So I've got this silver verb going on on his vocal right now. Let's have a listen past my face and through my OK. And what we're gonna do now is solo. The river bus. So I'll just click here. Did you click solo? The wind rushes past my face and through my hair for the briefest of moments. I feel like I'm flying. OK? And now I'm going to enable modulation. So the modulation just modulates with an LFO the reverberated signal over time. So let's have a listen to what that sounds like. I'm just gonna flip the phase over to zero degrees, gonna crank up the intensity and start at one cycle per second. Wind rushes past my face and through my hair for the briefest of moments. I feel like I'm flying. OK, let's increase the rates just to make it a bit more noticeable. She's passed my face and through my hair for the briefest of moments. I feel like I'm flying. Wind rushes past my face and through my hair for...
the briefest moments. I feel like I'm flying. There you go. So modulation just adds a bit of movement to the reverberated signal via an LFO. And the phase dial here just allows you to adjust the phase of the LFO, the phase of the LFO just determines at what point in the waveform does it start at? So just imagine a sine wave, a perfectly circular sine wave is the LFO gonna start at the zero point at the very beginning of the wave? Or is it gonna start at another point at another degree of phase? The wind rushes past my face and through my hair, the moment I feel like, which is quite useful if you want a specific part of the LFO waveform to happen at a specific time in the track. So adjusting phase can just fine tune where that LFO happens in time. Thanks for watching and I'll see you in the next video.
Class Materials
Bonus Materials