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Element One: Content (Visuals & Interviews)

Lesson 10 from: Video Content Creation: Produce and Publish Videos that Get Views

Chris Hau

Element One: Content (Visuals & Interviews)

Lesson 10 from: Video Content Creation: Produce and Publish Videos that Get Views

Chris Hau

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Lesson Info

10. Element One: Content (Visuals & Interviews)

Lessons

Class Trailer

Chapter 1. Intro

1

Class Introduction

02:46

Chapter 2. Developing Your Idea

2

Chapter 2 Introduction

00:38
3

Choosing the Best Platform For Your Vision

02:55
4

What is a Project Brief?

01:02
5

How to Use a Project Brief

00:47
6

Foundational Pre-Production Documents

02:18
7

Unpacking Real World Examples

01:49
8

Chapter Two Recap

00:40

Chapter 3. The 6 Key Elements of a Great Video

9

Intro to Practical Storytelling Components

01:07
10

Element One: Content (Visuals & Interviews)

05:08
11

Element Two: Graphics/VFX

02:09
12

Element Three: Call to Action

01:31
13

Element Four: Voice Over

03:37
14

Element Five: Sound & Music

02:08
15

Element Six: Editing & Color Correction

03:14
16

Bringing it Together with an Intro and Outro

02:00
17

Chapter Three Recap

00:42

Chapter 4. Introduction to Storytelling Tools

18

Introduction to Storytelling Tools

00:26
19

Introduction to Gear

01:24
20

Building Your Kit

00:51
21

Choosing Your Camera

04:41
22

Supporting Your Camera

02:44
23

Lighting Equipment Basics

02:22
24

Sound & Microphone Basics

04:13
25

Chapter Four Recap

00:30

Chapter 5. Introduction to Shooting a Video

26

Introduction to Shooting a Video

00:42
27

The Camera

00:36
28

Exposure Triangle

06:50
29

White Balance

02:15
30

Frame Rates

01:39
31

Framing

04:31
32

Basic Lighting

02:00
33

Recording Sounds

05:15
34

Conducting an Interview

02:49
35

Recording Voice Over

01:30
36

Chapter Five Recap

00:44

Chapter 6. Setting Up to Shoot Your Video

37

Setting Up to Shoot Your Video Shoot

02:58
38

Framing Your Shots

02:31
39

Working With Light

10:28
40

Working With Sound

07:34
41

Pro Video Tips

02:16

Chapter 7. The Art of Editing

42

The Art of Editing

00:27
43

Understanding Shots and Pacing

02:08
44

Seven Step Editing Process

03:15
45

Bringing the Elements Together

02:52
46

Shooting for Edit and Exporting Tips

03:22
47

Using Fiverr Talent for Your Edit

01:49
48

Chapter Seven Recap

00:46

Chapter 8. Introduction to Video Marketing

49

Introduction to Video Marketing

00:48
50

How to Get Eyes on Your Videos

04:02
51

How to Name Your Video for Conversion

03:01
52

Video SEO Explained

01:56
53

Email List

01:52
54

Chapter Eight Recap

01:26

Lesson Info

Element One: Content (Visuals & Interviews)

Welcome to "Element One: Content," which includes visuals and interviews. Now the first element, live action, is really the foundation for bringing most stories to life. Whether you're recording in a controlled studio environment like this one here, inside a business, or out in the real world, more running gun style, live action on camera is a powerful and relatable way to bring any story to life. Now, we observe live action every day on TV shows and movies, but we also see live action on popular platforms like: YouTube, Instagram and TikTok. Now essentially anything that happens in front of a camera is considered live action. This right now is live action. But what isn't live action, are things like 3D animations, CGI, text overlays, or anything else that wasn't actually captured live, in front of the lens. Three of the most common forms of live action shots are: interview style, talking head, and a scripted scene. Now interview and talking head style shots are similar to each other, ...

but they are not identical. The main difference being that an interview is more of a conversation between the subject and somebody either on or off-camera, and the audience is witnessing this conversation but isn't necessarily a part of it. On the other hand, with a talking head shot, the audience is a part of the conversation because the person on camera or the talent, is looking into the camera talking directly to the audience. This right here, me talking to you, is a talking head shot, not an interview. Here is an example of an interview. I started smoking because I wanted to be an adult. That was all small stuff compared to what it's like not to breathe. I didn't think getting sick would ever happen to me. When I got COPD, I was tap dancing one week, and then five days later I could not get around the coffee table at home. The third most commonly used form of live action is a scripted scene. A scripted scene is when actors or actresses present scripted dialogue on camera, often without addressing the audience. The audience is experiencing the scene play out through the lens of the camera. It's good to understand the subtle differences here, because what type of live action shot you choose is crucial to how your message is received by the viewer. So let's say you're making a promotional video for a business. Ask yourself which type of live action shot should you use to achieve the goal of the project? Is the talent addressing the audience? Is it more effective to have a real interview? Or is it best to script the content, use actors, and showcase a scene? Well, there's one key factor that you'll wanna pay attention to when you're preparing the creative script or overview. And that is to figure out who is speaking. While there are no strict rules here, just remember that most people don't have experience being on camera. So if you're not hiring an actor, an interview style is best. The talent can speak more candidly in a relaxed setting. This will ultimately resonate more with your audience. If your talent has experience, they might be better suited for a talking head style video, where they're speaking directly to the camera and audience. And lastly, you could hire actors to play out a scripted scene. Let me show you a few examples of a talking head. Does anyone else get the feeling that Instagram is dying? I can't be the only one. Comment if you are with me right now. Part of the reason I feel like we're feeling this way, is because TikTok is doing something super, super sneaky right now. And here is an example of an interview. So I decided to apply for the AAA program when I was working as a COPE Analyst for the Regional Municipality Work. I had recently completed my master's degree in Public Policy at the University of Toronto, and so I really wanted to gain further experience, and particularly more hands-on experience, within public sector finance. And here is an example of a scripted scene. All right, thank you everyone for joining this meeting today. As you guys know, it's been a few weeks since we released a camera. So engineering team, what do we have? Hi, sir. Our team's been working very hard, and we're proud to announce (exhales) our masterpiece: the Sony A1. We just went through three examples of something referred to as A-Roll. A great way to think of A-Roll, is media that tells the story. Such as an interview or a news segment. It's the primary audio and video that often consists of one or more people discussing a topic, or relating a narrative. The problem is that A-Roll by itself, tends to become extremely boring, making it harder for the audience to remain engaged. This is where B-Roll comes in. Now another form of live action is B-Roll. B-Roll is supplemental or alternative footage that supports the narrative of A-Roll footage. For example, let's say you're shooting a commercial for a local hair salon. You'll first want to capture your A-Roll. You decide to shoot an interview with the owner of the salon and they tell you about their business. While they mention different parts of their business, we see footage to support what they are talking about. It could be footage of the store, people getting a haircut, and different items that they sell. This is footage that will be layered and intercut with the A-Roll footage. Now later on in this course, we will learn how to film an interview and how to capture B-Roll. But for now, let's continue going through the rest of our storytelling techniques.

Class Materials

Bonus Materials with Purchase

Breakdown Sheet.pdf
Call Sheet.pdf
Shot List Sheet.pdf
Two Column Script.pdf
Video Questionnaire/ Video Brief.pdf

Ratings and Reviews

a Creativelive Student
 

Ok, I really enjoyed this course but you should know it is a decent overview of what to do and in what order to do them. This is not going to show you HOW to do anything but it will show you WHAT you need to think about and how to approach a production in a professional manner. Chris knows his stuff really well and everything is covered but it is just an overview. Well worth your time, especially if you are new to video but just do not think that he is going to show you how to do everything.

Student Work

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