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White Balance

Lesson 29 from: Video Content Creation: Produce and Publish Videos that Get Views

Chris Hau

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Lesson Info

29. White Balance

Next Lesson: Frame Rates

Lessons

Class Trailer

Chapter 1. Intro

1

Class Introduction

02:46

Chapter 2. Developing Your Idea

2

Chapter 2 Introduction

00:38
3

Choosing the Best Platform For Your Vision

02:55
4

What is a Project Brief?

01:02
5

How to Use a Project Brief

00:47
6

Foundational Pre-Production Documents

02:18
7

Unpacking Real World Examples

01:49
8

Chapter Two Recap

00:40

Chapter 3. The 6 Key Elements of a Great Video

9

Intro to Practical Storytelling Components

01:07
10

Element One: Content (Visuals & Interviews)

05:08
11

Element Two: Graphics/VFX

02:09
12

Element Three: Call to Action

01:31
13

Element Four: Voice Over

03:37
14

Element Five: Sound & Music

02:08
15

Element Six: Editing & Color Correction

03:14
16

Bringing it Together with an Intro and Outro

02:00
17

Chapter Three Recap

00:42

Chapter 4. Introduction to Storytelling Tools

18

Introduction to Storytelling Tools

00:26
19

Introduction to Gear

01:24
20

Building Your Kit

00:51
21

Choosing Your Camera

04:41
22

Supporting Your Camera

02:44
23

Lighting Equipment Basics

02:22
24

Sound & Microphone Basics

04:13
25

Chapter Four Recap

00:30

Chapter 5. Introduction to Shooting a Video

26

Introduction to Shooting a Video

00:42
27

The Camera

00:36
28

Exposure Triangle

06:50
29

White Balance

02:15
30

Frame Rates

01:39
31

Framing

04:31
32

Basic Lighting

02:00
33

Recording Sounds

05:15
34

Conducting an Interview

02:49
35

Recording Voice Over

01:30
36

Chapter Five Recap

00:44

Chapter 6. Setting Up to Shoot Your Video

37

Setting Up to Shoot Your Video Shoot

02:58
38

Framing Your Shots

02:31
39

Working With Light

10:28
40

Working With Sound

07:34
41

Pro Video Tips

02:16

Chapter 7. The Art of Editing

42

The Art of Editing

00:27
43

Understanding Shots and Pacing

02:08
44

Seven Step Editing Process

03:15
45

Bringing the Elements Together

02:52
46

Shooting for Edit and Exporting Tips

03:22
47

Using Fiverr Talent for Your Edit

01:49
48

Chapter Seven Recap

00:46

Chapter 8. Introduction to Video Marketing

49

Introduction to Video Marketing

00:48
50

How to Get Eyes on Your Videos

04:02
51

How to Name Your Video for Conversion

03:01
52

Video SEO Explained

01:56
53

Email List

01:52
54

Chapter Eight Recap

01:26

Lesson Info

White Balance

Have you ever wondered why your subjects turn out yellow when you photograph them indoors? Or why before the sun goes down the sunlight has this orange tint? Or after the sun is set the environment has this blue purple tint? And that's because not all light is created equal. I'm not talking about the quality of light, but rather the color of light. Now different forms of light have different temperatures or colors. Correcting this light to appear white is called white balance. Think of it as if you're balancing or compensating the temperature inside your camera to make the whites in your scene appear white and not yellow or blue. Color temperature is measured in Kelvin, also seen as K, ranging from 1,000 to 10,000. The warmer temperatures sit around the 2,000 to 3,000 K range whereas the cooler tones sit around the 5,000 to 6,000 Kelvin range. Now here's an example of the color temperature spectrum. Now that you understand the temperature of the lights around you, how can you compensat...

e for those colored temperatures in your camera? Regardless of your camera, you'll have the option to manipulate the white balance in a number of ways and it's up to you to use your discretion on what white balance makes the most sense for your scene. For example, when we're shooting in the studio we use studio lights that we know are color balance to 5600 Kelvin. So then we can actually go into our camera settings and manually choose to set our camera's white balance to 5600 Kelvin. This way we know that it matches the light that we're using perfectly. Now, most cameras come with white balance presets, such as sunny, cloudy, incandescent, you've seen them. When we're shooting outdoors in overcast conditions, we'll set our cameras white balance to the camera preset cloudy as we can't be exactly sure of what the color temperature of the sky is that day. So if you're not too sure what white balance to use, match the preset setting to whatever matches your environment best. Getting it close is always better than using the wrong white balance or using auto. When you're using auto white balance, sometimes you'll see the color temperature change while shooting and that's because the camera is adjusting the white balance on the fly. It usually doesn't look that good so it's better to lock in a white balance that you're happy with. Just don't forget to change your white balance every time you change scenes. The most common mistake is keeping an indoor white balance and forgetting to change it when you move outside.

Class Materials

Bonus Materials with Purchase

Breakdown Sheet.pdf
Call Sheet.pdf
Shot List Sheet.pdf
Two Column Script.pdf
Video Questionnaire/ Video Brief.pdf

Ratings and Reviews

a Creativelive Student
 

Ok, I really enjoyed this course but you should know it is a decent overview of what to do and in what order to do them. This is not going to show you HOW to do anything but it will show you WHAT you need to think about and how to approach a production in a professional manner. Chris knows his stuff really well and everything is covered but it is just an overview. Well worth your time, especially if you are new to video but just do not think that he is going to show you how to do everything.

Student Work

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