How to Proofing Colors in Adobe Photoshop Ready for Print
Daniel Walter Scott
Lesson Info
111. How to Proofing Colors in Adobe Photoshop Ready for Print
Lessons
Class Introduction
03:24 2Before you get Started with the Photoshop Advanced Course
01:28 3The Easiest Way in the World to Mask a Person in Adobe Photoshop
24:23 4Class Project - Select Subject
01:41 5Select Mask & Changing a Color using Photoshop - Color Range
10:00 6Using Photoshop Selection to Fix Grass & Sky - Color Range
07:20How to Change the Color of Skin in Photoshop - Color Range
08:05 8How to Create an Ink Splash Image Around Text - Color Range
15:02 9Class Project - Color Range in Adobe Photoshop
01:54 10Mask on a Group Rather than each Layer
11:18 11Advanced Masking using a Channels in Adobe Photoshop
14:14 12Class Project - Channel Mask
01:30 13How to Make Selections in Photoshop Based on the Focus Area
22:53 14Class Project - Focus Area
01:11 15Selection Trick Using the Smudge Tool in Photoshop
04:16 16Future of Selections in Photoshop with Adobe Sneaks
07:04 17Quiz - Selection & Masking
18Advanced Preference Changes for Adobe Photoshop
08:36 19How to Speed up Adobe Photoshop if it’s Running Slow
07:48 20Workflow Tips & Tricks Like a Professional in Photoshop
13:45 21Advanced Layer Tricks in Adobe Photoshop CC
05:58 22Automatically Add a Watermark Text or Logo in Photoshop
08:29 23Batch or Image Process Multiple Images at Once in Photoshop
09:05 24How to put Loads of Images into one Photoshop File Quickly
07:04 25Weird Adobe Photoshop Features & Easter Eggs
06:37 26How to Enlarge Images Without Becoming Blurry in Photoshop
06:57 27How to Fix Blurry Images in Photoshop Using Shake Reductions
08:17 28Advanced Color & Tone Correction Using Levels in Photoshop
06:44 29Advanced Curves in Adobe Photoshop CC
06:34 30Quiz - Fixing Images
31How to Reshape Images Without Distorting in Photoshop Content Aware Scale
09:44 32How to use Content Aware Move in Photoshop
08:38 33How to use Content Aware Extend in Adobe Photoshop
07:28 34Removing Objects Using Content Aware Fill in Photoshop
07:01 35Class Project - Content Aware Fill
01:03 36Cropping Tricks Delete Pixel & Reveal Cropped Content in Photoshop
06:11 37Automatically Crop & Rotate Scanned Documents in Photoshop
05:35 38Crop Angled Images to Straighten Perspective Cropping Photoshop
04:42 39How to Trim the White Away from the Edge of an Image in Photoshop
01:52 40Automatically Align Layers in Adobe Photoshop CC
07:38 41How to Reshape Images using the Puppet Warp in Photoshop
18:10 42Class Exercise - Puppet Warp
01:14 43How to Change the Perspective in Photoshop Perspective Warp
05:47 44Quiz - Cropping & Aligning & Distorting
45How to Color Black & White Image in Photoshop
09:42 46How to Create a Duotone Effect in Adobe Photoshop CC
09:28 4744. Class Project – Duotone in Adobe Photoshop
02:20 48How to create the Glitch Effect in Adobe Photoshop
07:01 49Class Project - Glitch Effect in Adobe Photoshop
00:44 50Color Grading with Orange & Teal Effect in Adobe Photoshop
05:36 51Class Project - Color Grading in Adobe Photoshop
00:49 52Quiz - Color
53Advanced CC Libraries Tricks and Tips Photoshop
19:15 54Advanced Type Trick & Workflows in Adobe Photoshop
19:38 55Photoshop Can Guess your Font Using Match Fonts
10:43 56Quiz - Typography
5752. Adding Artboards to your Photoshop Workflow Properly
05:24 58How to Add Images Correctly to a Photoshop Artboard
08:17 59Using Smart Objects & Relinking Images in Photoshop
04:10 60Advanced Speed Tricks for Updating Artboards in Photoshop
04:09 61Export Artboards as PDF & Separate JPGs in Photoshop
05:38 62Quiz - Artboards
63Advanced Tricks for Healing Brush for Retouching in Photoshop
08:24 64Don’t Forget About Clone Tool Stamp in Photoshop
06:09 65How to use the Patch Tool for Retouching in Photoshop
06:41 66Class Exercise – Retouching in Photoshop
01:15 67How to Retouch in Photoshop Using Face Aware in Liquify
06:50 68How to Use Vanishing Point to Mocking up Designs in Photoshop
12:19 69Vanishing Point - Cloning & Healing at an Angle in Photoshop
11:19 7064. Class Exercise - Vanishing Point in Photoshop
00:51 71Fixing & Retouching Skin Tone in Adobe Photoshop
06:01 72Retouching Eyes by Enhancing in Adobe Photoshop
08:00 73Retouching Eyes with a Little Bit of Fakery in Photoshop
09:00 74Fully Faking Believable Eyes in Adobe Photoshop
06:45 75Class Project – Eyes in Photoshop
00:51 7670. How to Realistically Whiten Teeth in Adobe Photoshop
11:44 77Class Project – Teeth in Photoshop
00:57 78Quiz - Retouching
79Difference Between Place Linked vs Place Embedded in Photoshop
08:22 80What is the Difference Between Fill & Opacity in Layer
01:11 81How to Use & Export Layer Comps in Adobe Photoshop
03:27 8275. How to Create a Double Exposure in Adobe Photoshop
11:07 83Class Project - Double Exposure in Photoshop
01:17 84How to Create a Watercolor Painting Effect in Photoshop
09:23 85Class Project – Watercolor in Photoshop
00:32 86How to Decay Pixel Explosion Dispersion Method in Photoshop
13:47 87How to Make Exploding Shoe Effect in Adobe Photoshop
10:49 88Class Project – Decay in Photoshop
00:51 89Quiz - Visual Styles & Effects
90How to Edit Video in Adobe Photoshop
25:42 91Parallax Effect to Make Photos Move in Photoshop
13:22 92Class Project – Parallax in Photoshop
01:15 93How to Create Live Images - Cinemagraphs in Photoshop
13:19 94Class Project – Cinemagraph in Photoshop
01:35 95How to Setup a File Ready for Web and UI Design in Photoshop
09:32 96How to Export Your Web Design UI Project for Dreamweaver
07:57 97How to Make 3D Text & 3D Logos in Photoshop
11:52 98How to Add and Change 3D Materials & Textures in Photoshop
08:42 99Using Cameras & Depth of Field in 3D Photoshop
05:12 100Adding Lights & Casting Shadows Using Photoshop 3D
10:01 101How to Export a High Quality 3D Image from Photoshop
04:42 102Class Project – 3D in Photoshop
01:08 103How to Create Fake 3D Lines & Type in Photoshop
09:33 104Fake 2.5D Gradient Effect with Paths in Photoshop
07:10 105Class Project - Fake 3D in Photoshop
00:46 106Using Free Templates & Adobe Market to Mockup in Photoshop
11:07 107How Make a Reusable Mockup in Photoshop Using Smart Objects
06:40 108Mockup Poster Against a Wall Using Photoshop
08:16 109How to Make a Simple UI App Web Design Mockup Using Photoshop
06:06 110Class Project – Mockups in Photoshop
01:00 111How to Proofing Colors in Adobe Photoshop Ready for Print
04:04 112How to Tidy Up your Photoshop Files Before Sending Them Out
10:21 113How to Package Your Photoshop File to Include Linked Images
07:22 1143 Kinds of File Export for Photoshop Social Media Web & Print
12:59 115Quiz - Exporting
116What’s Next After Your Photoshop Advanced Course
01:05 117Final Quiz
Lesson Info
How to Proofing Colors in Adobe Photoshop Ready for Print
Okay, it's time to prove our colors getting ready for, let's say print. So it's really common to work than RGB when you're doing a graphic, there's more color space to work with, more richer, more vibrant colors, but there's still lots of times where you need to send it out to physical printing, so it's going to be converted to C M Y K. It's an easy way to check what it's gonna look like in C N Y K. And it's just a representation to give you a kind of an idea. Good of you. And there's this one here, it's command y on a Mac control, Y on a Pc and just make sure under proof set up. It's set to working C N Y K. Like a generic C M Y K printing process command why? On, off, on off. It might be hard to see in the video. Okay, the main problem for me is my color splash in the background. Okay, it's changing color considerably, it's losing its color, it's got a little bit of green, It probably had a green tinge in it to start with. So it's just temporary. It's not like going to file mode and C...
N Y K. And converting it, just giving you a little preview another visual way rather than just kind of turning on and off and splashing about is go to view and turn on the gamut warning and this will just like give you a gray representation of colors that it feels are probably gonna smush together when going through printing and by smashing, it means that just, it can't be represented very well and C M Y K. The yellows here in the banana is perfect because one of the cyan, magenta, yellow and black. One of them is yellow as well, signs do well. Greens don't do well and that's what's affecting this image. A lot of the grass here. You you've done it before, right? You've printed something else and it just looks great on screen and the greens come all kind of muddy brown. What I can do here now is I can work on this layer here. I've already got some levels and color adjustments so I'm going to click on human saturation. Just kind of push it a little bit more towards the yellows. You can see it just kind of flies back into action because he had a green tinge to it already. So that's one way of fixing it. You might work on the levels of an image and all you're doing is trying to make some adjustments to see A. Are you happy with the look and B has a lot of this gamut warning disappeared. So I'm going to miss about lightening this kind of mid tones here so that the C M Y K printer can kind of deal with it but there's never going to be perfect. There's always going to be a change when you're going from RgB to C M Y K. But it is handy to chicken, it's turned off gamut warning and have a look at so you want to go a bit more pro at the moment, you're just using the proof setup for a generic C M Y K printing process. What you should do is go to custom and depending on where you're printing, say I'm printing here in my kind of home office. I've got like an okie laser printer here. It's okay. It wasn't expensive. What I can do is I can say I'd like you to simulate and what it will do is if you have something installed on your machine weight on the bottom here, that's an epsom I have at a different desk and this is the okay that I have installed. So if you've got a printer installed on your machine already, it should appear in this list here. So I know mine's the I think it's this one here. The Multi 342 multi, that's the one here. And what I also might do to give myself a realistic representation is going to simulate paper color and what it does, it will dull down the white kind of try and match paper more than screen version here, which is quite bright. But even still, it is so much easier to get a proof done because this is still a simulation is a preview on preview off. This is what my there's a big change in the color here which wasn't in the C M Y K. Kind of generic one. So my OKi printers saying I'm going to probably ricin this up quite a bit. So what I can do now is I've set it all up. I clicked Ok now I can make an adjustment to try and mitigate that by maybe changing the color of this text to get close to what I want. If you're dealing with a commercial printer you can ask them for something called an I. C. C. Profile and you can go and load it in here so you can go to view proof set up, go to custom and go to load. So if you're dealing with a small mom and pop kind of place, they're probably not going to know how to send you this color profile. If you're dealing with a larger commercial place, they're going to be able to send it to you easy. Alright let's click. Ok. And that's the first step for getting our document ready for commercial print. Alright, let's get into the next video
Class Materials
Ratings and Reviews
Shah Nawaz
Amazing experience but it is little old. You should update with latest version of PS
Uli N
Great class, but outdated PS version. It was confusing sometimes. Some tools are not in PS anymore and more tools have been added which is not included in the course.