How to Retouch in Photoshop Using Face Aware in Liquify
Daniel Walter Scott
Lesson Info
67. How to Retouch in Photoshop Using Face Aware in Liquify
Lessons
Class Introduction
03:24 2Before you get Started with the Photoshop Advanced Course
01:28 3The Easiest Way in the World to Mask a Person in Adobe Photoshop
24:23 4Class Project - Select Subject
01:41 5Select Mask & Changing a Color using Photoshop - Color Range
10:00 6Using Photoshop Selection to Fix Grass & Sky - Color Range
07:20How to Change the Color of Skin in Photoshop - Color Range
08:05 8How to Create an Ink Splash Image Around Text - Color Range
15:02 9Class Project - Color Range in Adobe Photoshop
01:54 10Mask on a Group Rather than each Layer
11:18 11Advanced Masking using a Channels in Adobe Photoshop
14:14 12Class Project - Channel Mask
01:30 13How to Make Selections in Photoshop Based on the Focus Area
22:53 14Class Project - Focus Area
01:11 15Selection Trick Using the Smudge Tool in Photoshop
04:16 16Future of Selections in Photoshop with Adobe Sneaks
07:04 17Quiz - Selection & Masking
18Advanced Preference Changes for Adobe Photoshop
08:36 19How to Speed up Adobe Photoshop if it’s Running Slow
07:48 20Workflow Tips & Tricks Like a Professional in Photoshop
13:45 21Advanced Layer Tricks in Adobe Photoshop CC
05:58 22Automatically Add a Watermark Text or Logo in Photoshop
08:29 23Batch or Image Process Multiple Images at Once in Photoshop
09:05 24How to put Loads of Images into one Photoshop File Quickly
07:04 25Weird Adobe Photoshop Features & Easter Eggs
06:37 26How to Enlarge Images Without Becoming Blurry in Photoshop
06:57 27How to Fix Blurry Images in Photoshop Using Shake Reductions
08:17 28Advanced Color & Tone Correction Using Levels in Photoshop
06:44 29Advanced Curves in Adobe Photoshop CC
06:34 30Quiz - Fixing Images
31How to Reshape Images Without Distorting in Photoshop Content Aware Scale
09:44 32How to use Content Aware Move in Photoshop
08:38 33How to use Content Aware Extend in Adobe Photoshop
07:28 34Removing Objects Using Content Aware Fill in Photoshop
07:01 35Class Project - Content Aware Fill
01:03 36Cropping Tricks Delete Pixel & Reveal Cropped Content in Photoshop
06:11 37Automatically Crop & Rotate Scanned Documents in Photoshop
05:35 38Crop Angled Images to Straighten Perspective Cropping Photoshop
04:42 39How to Trim the White Away from the Edge of an Image in Photoshop
01:52 40Automatically Align Layers in Adobe Photoshop CC
07:38 41How to Reshape Images using the Puppet Warp in Photoshop
18:10 42Class Exercise - Puppet Warp
01:14 43How to Change the Perspective in Photoshop Perspective Warp
05:47 44Quiz - Cropping & Aligning & Distorting
45How to Color Black & White Image in Photoshop
09:42 46How to Create a Duotone Effect in Adobe Photoshop CC
09:28 4744. Class Project – Duotone in Adobe Photoshop
02:20 48How to create the Glitch Effect in Adobe Photoshop
07:01 49Class Project - Glitch Effect in Adobe Photoshop
00:44 50Color Grading with Orange & Teal Effect in Adobe Photoshop
05:36 51Class Project - Color Grading in Adobe Photoshop
00:49 52Quiz - Color
53Advanced CC Libraries Tricks and Tips Photoshop
19:15 54Advanced Type Trick & Workflows in Adobe Photoshop
19:38 55Photoshop Can Guess your Font Using Match Fonts
10:43 56Quiz - Typography
5752. Adding Artboards to your Photoshop Workflow Properly
05:24 58How to Add Images Correctly to a Photoshop Artboard
08:17 59Using Smart Objects & Relinking Images in Photoshop
04:10 60Advanced Speed Tricks for Updating Artboards in Photoshop
04:09 61Export Artboards as PDF & Separate JPGs in Photoshop
05:38 62Quiz - Artboards
63Advanced Tricks for Healing Brush for Retouching in Photoshop
08:24 64Don’t Forget About Clone Tool Stamp in Photoshop
06:09 65How to use the Patch Tool for Retouching in Photoshop
06:41 66Class Exercise – Retouching in Photoshop
01:15 67How to Retouch in Photoshop Using Face Aware in Liquify
06:50 68How to Use Vanishing Point to Mocking up Designs in Photoshop
12:19 69Vanishing Point - Cloning & Healing at an Angle in Photoshop
11:19 7064. Class Exercise - Vanishing Point in Photoshop
00:51 71Fixing & Retouching Skin Tone in Adobe Photoshop
06:01 72Retouching Eyes by Enhancing in Adobe Photoshop
08:00 73Retouching Eyes with a Little Bit of Fakery in Photoshop
09:00 74Fully Faking Believable Eyes in Adobe Photoshop
06:45 75Class Project – Eyes in Photoshop
00:51 7670. How to Realistically Whiten Teeth in Adobe Photoshop
11:44 77Class Project – Teeth in Photoshop
00:57 78Quiz - Retouching
79Difference Between Place Linked vs Place Embedded in Photoshop
08:22 80What is the Difference Between Fill & Opacity in Layer
01:11 81How to Use & Export Layer Comps in Adobe Photoshop
03:27 8275. How to Create a Double Exposure in Adobe Photoshop
11:07 83Class Project - Double Exposure in Photoshop
01:17 84How to Create a Watercolor Painting Effect in Photoshop
09:23 85Class Project – Watercolor in Photoshop
00:32 86How to Decay Pixel Explosion Dispersion Method in Photoshop
13:47 87How to Make Exploding Shoe Effect in Adobe Photoshop
10:49 88Class Project – Decay in Photoshop
00:51 89Quiz - Visual Styles & Effects
90How to Edit Video in Adobe Photoshop
25:42 91Parallax Effect to Make Photos Move in Photoshop
13:22 92Class Project – Parallax in Photoshop
01:15 93How to Create Live Images - Cinemagraphs in Photoshop
13:19 94Class Project – Cinemagraph in Photoshop
01:35 95How to Setup a File Ready for Web and UI Design in Photoshop
09:32 96How to Export Your Web Design UI Project for Dreamweaver
07:57 97How to Make 3D Text & 3D Logos in Photoshop
11:52 98How to Add and Change 3D Materials & Textures in Photoshop
08:42 99Using Cameras & Depth of Field in 3D Photoshop
05:12 100Adding Lights & Casting Shadows Using Photoshop 3D
10:01 101How to Export a High Quality 3D Image from Photoshop
04:42 102Class Project – 3D in Photoshop
01:08 103How to Create Fake 3D Lines & Type in Photoshop
09:33 104Fake 2.5D Gradient Effect with Paths in Photoshop
07:10 105Class Project - Fake 3D in Photoshop
00:46 106Using Free Templates & Adobe Market to Mockup in Photoshop
11:07 107How Make a Reusable Mockup in Photoshop Using Smart Objects
06:40 108Mockup Poster Against a Wall Using Photoshop
08:16 109How to Make a Simple UI App Web Design Mockup Using Photoshop
06:06 110Class Project – Mockups in Photoshop
01:00 111How to Proofing Colors in Adobe Photoshop Ready for Print
04:04 112How to Tidy Up your Photoshop Files Before Sending Them Out
10:21 113How to Package Your Photoshop File to Include Linked Images
07:22 1143 Kinds of File Export for Photoshop Social Media Web & Print
12:59 115Quiz - Exporting
116What’s Next After Your Photoshop Advanced Course
01:05 117Final Quiz
Lesson Info
How to Retouch in Photoshop Using Face Aware in Liquify
Hi there. This video is all about using liquefy to retouch specifically using Photoshop kind of facial recognition just when you thought this man couldn't get any more handsome five head forehead more manly chin. Just drag it out. Everyone looks cute with bigger eyes, look at me, we're going to go from smirk too, approachable smiley man lips as well, definitely nitpicking. Alright, it is that easy. Let's look out and do it in Photoshop. Alright to get started. Let's go to 10 retouching and open up liquefy face aware. One and two. We're gonna start with this handsome devil and we're going to use filter and we're going to use liquefy but we're going to be professionals. So we are going to right click background and say you are a smart object first so we can turn it on and off. Good to compare our adjustments and later on we just turn it off if we go too far and we are going to go so far in this one because it's me, I'm allowed to distort my face as much as I like you are too. I give you ...
full permission. Now, if you open it up, it sometimes jumps to face detect. Anyway if it doesn't go from our forward warp down to this little guy here face tool and somehow magically every time I open an image with a face in it, it seems to just know where the eyes are, the nose are. Like face recognition is pretty amazing where it's just built into Photoshop So cool. So you've got two ways of distorting faces or adjusting. Okay, you can do it generically over here. Okay, there's this little drop down here. It says face away, liquefy or you can do it actually on the actual artwork. Let's do the generic stuff. And you can, let's do eyes first. Let's make sure that, that we don't have to, but let's link them together so that when we adjust one side they both come along, it can be really handy when there's just this like weird perspective, you know who the person's eyes are the same size, but just the angle of the face. The bend in the lens just makes it look a bit weird. So you could go in here, break the link and just move one bigger than the other. Make the other one smaller, looking good dan. Okay, now you can just work your way through these. Right, okay, so I'm just going to link all of these because it's just, it's experimenting. You can stretch the height of the eyes and the width. Okay, separately from just the overall size. You can tilt them, let's say I want to tilt this guy down a little bit. Just need to kind of rotate them around. Can you see wiggle, wiggle something a bit more distance between the eyes if you wish your eyes were just that little bit further apart or a little bit closer. There's a slider for that. Okay, so nose, mouth, they're all adjustable. But what you can do is with this tool selected. You can actually do it on the artwork. You can decide that all of these little dots have a different kind of adjustment. Okay, so you're looking for the little white dots. So nose height. I was with one of my favorites. The lips, I can just hear you go dan look at that. Didn't quite grab my bottom lip, looks like I've been punched. It really depends on how much of the lip you can see. So if you can do it here, you might go in and actually go to the bloke tool. Okay, I'm going to pick a brush size and I'm going to just kind of express my lips manually. There we go. Now if we go back to face recognition, it's probably going to pick up that lip a lot better. These ones are cool. You can give yourself a smile. It's, we're doing it to yourself. I'm smiling. He's smiling. This photo was going for like cool, serious Photoshop trainer. Now, fun approachable Photoshop trainer. It's pretty amazing how it locks in all the different muscles for me. What I really want is I want a nice big chin. Here you go, looking manly. Now I can just keep going and adjusting you get the idea right. So face recognition. Pretty amazing. You can adjust them globally over here or just on the art. Just work array way around and decide what you want to do. The other one to mention is and probably for me the most is my forehead. I've been told I have a five head mainly by my little brother so I can reduce that a little bit. I need to Photoshop in maybe a fringe. My fringe is about halfway down the back of my head. Now anyway, if you go too far, you can click reset. Let's click. Ok? But because we did it on its own smart filter, we can do it on and off. Okay. The only other thing really to share with you is that you can do it for groups of photos, which is pretty amazing. When I say groups of photos. I mean groups of people in photos somehow facial recognition works for lots of people. Okay, same tool. I should have made it a smart object first. But what you can do up here, you can select the different faces. Okay? You can see face just left to right. 1234. So I can pick the fifth person and say you, my friend need big eyes. You my friend need to smile more. Here we go, everybody. He's smiling. He's kind of smiling. She's not smiling enough. Come on, let's go. The one thing I'll do before we go is that say when I'm retouching often kind of main trick is to make the eyes a little bigger. Don't want to go too far. So we've been quite far in this tutorial. Okay, we just yank them up because it's funny, but when you're doing serious, retouching, it's all about the subtleties. People look happier, healthier, prettier when their eyes are just bigger. Okay, so I'm gonna lock these two together. I'm just going to make this guy's eyes. So you end up doing like these tiny subtle adjustments. What you're looking for is this, remember put some boots okay, People look cuter when their eyes are bigger, especially when their pupils are bigger than what we used to do is just grab bloke tool. Okay, a couple of clicks gone a bit far, but you get the idea. I did a lot of work for a swimwear company and they did a lot of men's bathing suits and what the our director wanted was. He wanted guys, but he want them quite feminine. So we ended up messing in with the cheekbones and kind of x, you know, messing with the face to kind of give them a bit more feminine features rather than the one we did with me where we give ourselves a nice big thick draw line. If you ever used liquefy to do this before. It was really hard to do it naturally. Now we've just got sliders. I can't believe how good it is and the trick for us as Photoshop users is how subtle we need to be like, especially if you don't work for, say models kind of portrait ages. You don't want your kind of finished product, not to look like the person, especially messing with the eyes distance of eyes, those types of things. You can end up changing a person that just doesn't look like that person anymore. It's only subtle little adjustments. You know what I'm walking into an interview and people not recognizing them. Hey, this is not in your head shots, but lowering your five head down to a full head. I'm okay with that. Let's go here. He's got a head on. So it's still kind of works. It's pretty amazing. All right. We're going to click OK undo undo. Much more handsome. This man is all right, my friends, that is liquefy using facial recognition. Let's get into the next video where I set a pretty exciting class project.
Class Materials
Ratings and Reviews
Shah Nawaz
Amazing experience but it is little old. You should update with latest version of PS
Uli N
Great class, but outdated PS version. It was confusing sometimes. Some tools are not in PS anymore and more tools have been added which is not included in the course.
Nadim Rouf
Student Work
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