Advanced Color & Tone Correction Using Levels in Photoshop
Daniel Walter Scott
Lesson Info
28. Advanced Color & Tone Correction Using Levels in Photoshop
Lessons
Class Introduction
03:24 2Before you get Started with the Photoshop Advanced Course
01:28 3The Easiest Way in the World to Mask a Person in Adobe Photoshop
24:23 4Class Project - Select Subject
01:41 5Select Mask & Changing a Color using Photoshop - Color Range
10:00 6Using Photoshop Selection to Fix Grass & Sky - Color Range
07:20How to Change the Color of Skin in Photoshop - Color Range
08:05 8How to Create an Ink Splash Image Around Text - Color Range
15:02 9Class Project - Color Range in Adobe Photoshop
01:54 10Mask on a Group Rather than each Layer
11:18 11Advanced Masking using a Channels in Adobe Photoshop
14:14 12Class Project - Channel Mask
01:30 13How to Make Selections in Photoshop Based on the Focus Area
22:53 14Class Project - Focus Area
01:11 15Selection Trick Using the Smudge Tool in Photoshop
04:16 16Future of Selections in Photoshop with Adobe Sneaks
07:04 17Quiz - Selection & Masking
18Advanced Preference Changes for Adobe Photoshop
08:36 19How to Speed up Adobe Photoshop if it’s Running Slow
07:48 20Workflow Tips & Tricks Like a Professional in Photoshop
13:45 21Advanced Layer Tricks in Adobe Photoshop CC
05:58 22Automatically Add a Watermark Text or Logo in Photoshop
08:29 23Batch or Image Process Multiple Images at Once in Photoshop
09:05 24How to put Loads of Images into one Photoshop File Quickly
07:04 25Weird Adobe Photoshop Features & Easter Eggs
06:37 26How to Enlarge Images Without Becoming Blurry in Photoshop
06:57 27How to Fix Blurry Images in Photoshop Using Shake Reductions
08:17 28Advanced Color & Tone Correction Using Levels in Photoshop
06:44 29Advanced Curves in Adobe Photoshop CC
06:34 30Quiz - Fixing Images
31How to Reshape Images Without Distorting in Photoshop Content Aware Scale
09:44 32How to use Content Aware Move in Photoshop
08:38 33How to use Content Aware Extend in Adobe Photoshop
07:28 34Removing Objects Using Content Aware Fill in Photoshop
07:01 35Class Project - Content Aware Fill
01:03 36Cropping Tricks Delete Pixel & Reveal Cropped Content in Photoshop
06:11 37Automatically Crop & Rotate Scanned Documents in Photoshop
05:35 38Crop Angled Images to Straighten Perspective Cropping Photoshop
04:42 39How to Trim the White Away from the Edge of an Image in Photoshop
01:52 40Automatically Align Layers in Adobe Photoshop CC
07:38 41How to Reshape Images using the Puppet Warp in Photoshop
18:10 42Class Exercise - Puppet Warp
01:14 43How to Change the Perspective in Photoshop Perspective Warp
05:47 44Quiz - Cropping & Aligning & Distorting
45How to Color Black & White Image in Photoshop
09:42 46How to Create a Duotone Effect in Adobe Photoshop CC
09:28 4744. Class Project – Duotone in Adobe Photoshop
02:20 48How to create the Glitch Effect in Adobe Photoshop
07:01 49Class Project - Glitch Effect in Adobe Photoshop
00:44 50Color Grading with Orange & Teal Effect in Adobe Photoshop
05:36 51Class Project - Color Grading in Adobe Photoshop
00:49 52Quiz - Color
53Advanced CC Libraries Tricks and Tips Photoshop
19:15 54Advanced Type Trick & Workflows in Adobe Photoshop
19:38 55Photoshop Can Guess your Font Using Match Fonts
10:43 56Quiz - Typography
5752. Adding Artboards to your Photoshop Workflow Properly
05:24 58How to Add Images Correctly to a Photoshop Artboard
08:17 59Using Smart Objects & Relinking Images in Photoshop
04:10 60Advanced Speed Tricks for Updating Artboards in Photoshop
04:09 61Export Artboards as PDF & Separate JPGs in Photoshop
05:38 62Quiz - Artboards
63Advanced Tricks for Healing Brush for Retouching in Photoshop
08:24 64Don’t Forget About Clone Tool Stamp in Photoshop
06:09 65How to use the Patch Tool for Retouching in Photoshop
06:41 66Class Exercise – Retouching in Photoshop
01:15 67How to Retouch in Photoshop Using Face Aware in Liquify
06:50 68How to Use Vanishing Point to Mocking up Designs in Photoshop
12:19 69Vanishing Point - Cloning & Healing at an Angle in Photoshop
11:19 7064. Class Exercise - Vanishing Point in Photoshop
00:51 71Fixing & Retouching Skin Tone in Adobe Photoshop
06:01 72Retouching Eyes by Enhancing in Adobe Photoshop
08:00 73Retouching Eyes with a Little Bit of Fakery in Photoshop
09:00 74Fully Faking Believable Eyes in Adobe Photoshop
06:45 75Class Project – Eyes in Photoshop
00:51 7670. How to Realistically Whiten Teeth in Adobe Photoshop
11:44 77Class Project – Teeth in Photoshop
00:57 78Quiz - Retouching
79Difference Between Place Linked vs Place Embedded in Photoshop
08:22 80What is the Difference Between Fill & Opacity in Layer
01:11 81How to Use & Export Layer Comps in Adobe Photoshop
03:27 8275. How to Create a Double Exposure in Adobe Photoshop
11:07 83Class Project - Double Exposure in Photoshop
01:17 84How to Create a Watercolor Painting Effect in Photoshop
09:23 85Class Project – Watercolor in Photoshop
00:32 86How to Decay Pixel Explosion Dispersion Method in Photoshop
13:47 87How to Make Exploding Shoe Effect in Adobe Photoshop
10:49 88Class Project – Decay in Photoshop
00:51 89Quiz - Visual Styles & Effects
90How to Edit Video in Adobe Photoshop
25:42 91Parallax Effect to Make Photos Move in Photoshop
13:22 92Class Project – Parallax in Photoshop
01:15 93How to Create Live Images - Cinemagraphs in Photoshop
13:19 94Class Project – Cinemagraph in Photoshop
01:35 95How to Setup a File Ready for Web and UI Design in Photoshop
09:32 96How to Export Your Web Design UI Project for Dreamweaver
07:57 97How to Make 3D Text & 3D Logos in Photoshop
11:52 98How to Add and Change 3D Materials & Textures in Photoshop
08:42 99Using Cameras & Depth of Field in 3D Photoshop
05:12 100Adding Lights & Casting Shadows Using Photoshop 3D
10:01 101How to Export a High Quality 3D Image from Photoshop
04:42 102Class Project – 3D in Photoshop
01:08 103How to Create Fake 3D Lines & Type in Photoshop
09:33 104Fake 2.5D Gradient Effect with Paths in Photoshop
07:10 105Class Project - Fake 3D in Photoshop
00:46 106Using Free Templates & Adobe Market to Mockup in Photoshop
11:07 107How Make a Reusable Mockup in Photoshop Using Smart Objects
06:40 108Mockup Poster Against a Wall Using Photoshop
08:16 109How to Make a Simple UI App Web Design Mockup Using Photoshop
06:06 110Class Project – Mockups in Photoshop
01:00 111How to Proofing Colors in Adobe Photoshop Ready for Print
04:04 112How to Tidy Up your Photoshop Files Before Sending Them Out
10:21 113How to Package Your Photoshop File to Include Linked Images
07:22 1143 Kinds of File Export for Photoshop Social Media Web & Print
12:59 115Quiz - Exporting
116What’s Next After Your Photoshop Advanced Course
01:05 117Final Quiz
Lesson Info
Advanced Color & Tone Correction Using Levels in Photoshop
Hi there in this video, we are going to look at advanced levels. We're going to set white balances. We're going to adjust channels separately. We're gonna look at cool little options that show us things like clipping to make sure we don't destroy the image. Look at a couple of options. Let's jump in there now. Before after let's get level advanced Alright in your images for oh four fixing images. Open up levels one and two. Thanks to the photographers, Jeff Finley and Jacqueline bills. I mentioned this in the first video but anything from unspool ash, I've added the actual photographers name because they have donated these images free to the world and you can use them commercially too. So just go to unspool ash dot com and check out these photographers. All right. So let's look at kind of advanced levels and the essentials. Course we covered the basics. Let's go in a bit deeper now. So what I'm gonna do is I'm going to go to adjustments and I'm going to click on levels to make sure it'...
s an adjustment layer. One of the cool features in Photoshop. It's just clicking the auto button, kicking back and saying Photoshop, do your magic. Okay. And it's done pretty good. I'm gonna turn the eyeball on and off. It's pretty nice. But what you probably didn't know is I'm going to undo. You can hold down the key on a pc or the option key on the Mac and click on auto and it just gives you like that's the default when you click on auto, but there's other autos go high, you can just work your way through and say, is this the auto that I want. Like think of them, don't worry too much about the names. Think automatic option and three and see which one works for you. If you find after a while you're like, I always prefer this one instead of this one, you can set it as the default for that order. Let's say, we don't like any of the auto ones. Let's click cancel. One of the nice things you can do is this photograph here instantly when I saw it, I was like this is going to be easy with this tool here. Okay. The white balance tool, what you can do is you can tell Photoshop that I know click on this. I know that that is pure white. Probably okay, it's probably just white card printed off. So if I click on it, it kind of makes adjustments as that being pure white. So it kind of adjusts per channel rather than just kind of sliding these kind of three little adjustments that actually goes in every channel and makes an adjustment because it knows what the white is and tries to counterbalance that kind of, we have a kind of a blue hue to it which is not wrong. It's just what this image was kind of shot at. It's got that kind of instagram greeny moody fuel and that's why photographers will use something like this. I've just gone to amazon and if you put in great cards or white balance cards, you end up with these things. So what they'll do is they'll set them up in a photograph. Okay, So we'll set them up next to the subject. So instead of doing it in Photoshop later on with these white, gray and black settings. Okay, you can tell Photoshop what's black, what's gray, what's white? You can do it in your camera before you actually take the photograph, you can set the white balance 18% gray card and the black. Perfect. If you're doing product shots and you have to, you know, you might as well spend the time there with your camera getting everything set perfect. Rather than having to fix it all up here in Photoshop later. Okay, so we're happy with that. Let's go to levels too. Let's look at a couple of other advanced features. So under adjustments, let's go to levels. And what we want to do is let's say, we just want to tidy this up this way. Okay, that's generally what you do with levels. Right, bringing these two houses either side before they're kind of like halfway up the hill either side and then use this gray slider in the middle here to decide which kind of which way it needs to go where that needs to be lightened up in the mid tones or darken down. But what's really cool is if you dragging these guys because after a while right, it starts kind of going this kind of full black and you start losing details, but that happens quite early on, but it's hard to know like when does it start happening properly? If you hold down the old key on a Pc or the option key on a Mac while you drag it, can you see, you get this kind of like weird color that appears and that's just showing you like over here, pretty much nothing's getting clipped. Okay. And when does it get closer into this hill? These, it's a little hard to do. I'm pointing out with my nose. Can you see the tree down here? Okay. It's really dark in here. So as we make things darker, you can see it's starting to kind of just, that's all becoming one color. So just making you aware of what's happening, okay, you might still have to go for it. Same with the whites, click hold and drag and it's just the opposite. They've inverted the colors. Okay. To show you what's gonna start blending as far as whites go and it's all this kind of white clouds behind here. You can still go ahead and do it. It's not wrong. It's just showing you that okay, there's going to be lots of detail in here because it's the back of the clouds. I'm okay with it. I'll be making sure things like the eyes and stuff weren't getting clipped by dragging these in. Now this trick here works on, it's not going to work for the gray one because it is, it's not shuffling between these two. These kind of clip the ends, but this is just shuffling in between them. You'll find there's actually a lot of settings that will allow you to do that okay, in your adjustments panel, if you start dragging a lot of these different options like curves and exposure. If you hold down the key or the option key on a Mac and while you're dragging it will give you like a little visual preview of what you might be destroying. Potentially. I'm going to reset it to its defaults to get back to the beginning and I want to show you another little trick. So we're dealing with RGB channels, RGB you probably know is red, green and blue. They make up this image instead of dealing with all of them in one go. You can actually look at the different channels separately and adjust them separately and it gives you a lot more fine tuning, especially when the color cast, you'll find, you can fix up the color cast in levels. You don't have to jump out to say conor balance as the adjustment. That's what I mean is let's start with red. Okay, and just do the same. Okay, halfway up here or just at the beginning of the hill here. I'm gonna do the same for green. You can use your shortcuts. It is. Hold down the old key on a Pc and tap 345. You can see it toggles there between red, green and blue on a mac is option 345. I'm going to do the same here, bring these guys in and you can see it's starting to get to a more natural color. There's some mid tones that I want to adjust and I find it really hard to adjust the mid tones using these separate things. I prefer to go to RGB and do all of them in one big go. Alright, so that's a more advanced Photoshop stuff. Okay Auto. If you hold down the alt or option key and click on auto, you get some extra adjustments. You might be able to set the white balance here for the cloud. You could click on this white one and click on the clouds. I find it never gives me an exact result using nature as your kind of backdrop but as something kind of artificial like white paper, it's pretty good. Also remember holding down the option key on a Mac or a pc. You can kind of check to see if you're clipping anything and don't be afraid to jump in and fix the red, green and blue channels separately and that's gonna be it. We're all ignoring the strange shaped mountains. I didn't notice them until halfway through this video, I've stayed growing up about it but I feel like it needs to be acknowledged before we move on to the next video, grabbed an next video.
Class Materials
Ratings and Reviews
Shah Nawaz
Amazing experience but it is little old. You should update with latest version of PS
Uli N
Great class, but outdated PS version. It was confusing sometimes. Some tools are not in PS anymore and more tools have been added which is not included in the course.