Editing a Narrative Scene
Philip Ebiner
Lesson Info
16. Editing a Narrative Scene
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Editing a Narrative Scene
so far in this course we've been dealing a lot with documentary, no non narrative style footage and editing it together, which is really different than editing a narrative such as a film or even a commercial that has a narrative style shoot. So I want to teach you and talk a little bit more about how do you edit together shots from a scene? And I'm going to be using this commercial as an example. This is a commercial that I edited and did graphics for. And this was for a company, a friend's company. So first let's watch through the commercial. Then I'm going to talk through making some of the edits and then I'll show you exactly how I go about making an edit between two different shots of the same scene. But let's go through and watch. And I actually have a quick tip for you. If you want a full screen preview of your program monitor on a Mac. Press control tilde key. If you're on a pc, it's going to be the windows tilde key. I bet the tilde key itself will just bring it kind of full sc...
reen like this. But the control tilde key, it's the key to the left of the number one on your keyboard, makes it full screen like this. So let's go ahead and watch through it and you can listen to it too. Sure. Oh there it is. The problem of the day. Say goodbye to your day off and say hello, two hours wasted on internet tutorials or giving all your money to this guy, shouldn't there be a better way we thought? So welcome to face to face D. I. Y. The very first app that puts the power of a pro in your hands, it's easy sign in select the appliance you're working on, choose the amount of time you'd like and you'll be connected to a trained technician through a live video call to walk you through the steps needed to repair your appliance yourself. So say goodbye to this guy and to all those wasted hours and say hello to Victory and taking back your day, thank you. Don't worry, we can help with that too. Welcome to a better life. Welcome to face to face D. I. Y. Hey anyways hopefully you enjoyed that commercial. It was a very low budget commercial but we tried to get a more professional feel. All the sound effects were really actually free sound effects that I found online. The coloring was done by myself. We had a buddy shoot the film and a buddy act in the film as well. Or in this commercial, the graphics that you see here, this was all done right within after effects. And that's something that I did too. So if you're interested in after effects you can do this kind of thing with screens and the buttons and the motion of you know that screen little popping out like that. So anyways, talking about the edit though With editing to between two shots here are the types of shots I'm talking about. See this first cut from him eating breakfast to the washing machine, which this is a little bit of movie magic because this washing machine isn't even in this room, this isn't a completely different part of the house. And then we have these few shots of his wife coming in and then the close up to her face and this is one of those shots where you have, we did a lot of takes and while you're shooting, you have to be very aware of what's she doing with her hands, What's he doing with his hands? What's she doing with her face? Because actually there weren't that many close ups where her face looked exactly alike and this was the closest one. Also she's moving, see I'm just gonna go frame by frame, you can see that she's stepping into place. So we had to cut right when she kind of stops moving. And then in this shot she's like just settling into her spot to moving just a little bit. And that's something that you can do while you're editing. Sometimes cutting on motion makes the edits seem more fluid as editors. What we're trying to do is to be invisible really, you don't want people noticing. Oh that was a strange cut or oh there was a cut there, you want it to be fluid. And so if that looked fluid to you, then that's achieving my goal. Some of these other shots, you know, it's not cutting from one a camera to be camera in the same scene. Another example of this is at the end where he finishes fixing the washing machine. We cut to him walking away out of that shot into this shot again. Movie magic. Just a completely different part of the that scene and then there's a close up And then it cuts back to the wide and then we actually cut to the close up again and that's a jump cut, you can see that he's there, he's going towards his phone and then he's automatically has it, that's a complete jump cut. But we had to get this commercial down to under a minute 15 seconds or so. And so that sometimes you have to do that. You have to do jump cuts to cut down time, but you've got to make it look natural without it feeling like, oh well he was there without the phone and now he has the phone, but because he's moving this way and you can kind of see what he's doing, he's moving and then he moves back in that shot, he's out of the shot, it works. If he was in the shot already without coming in right here, it wouldn't work as well. And then we cut back to the wide shot and it works perfectly. It looks like she just took the phone looking at it again, The movements not perfect. His hand motion is right there, it's coming down crossing his arms, it's coming down and he doesn't cross his arms in that shot, see that? But if you're watching it play through at real speed. It's something that you don't really notice too much. And this shot in the whole shot actually, I cut down a lot, it was a lot longer and I'm going to show you that. So let's look at that and how I would actually edit this scene. So I've I've skipped a couple steps. But basically what I do is I bring down shot a On one time track in the timeline and then I bring shot be on the next track on the timeline. And so then I find where I want to go in the beginning of this shot. So we're coming out where he's already in frame kind of wiping off his hands. So I'm going to edit this just hovering over here on the left side, pressing command to get my address. Little editor right there. So that jump cuts everything to the left and then they look to the left. So I want to I think I'm going to cut right after they look to the left. I'm not gonna do it before I can show you what it looks like before. So it would be right about here. So I'm just going to trim this over here, like so and then I just kind of match it up. So I move this to the left and then I play through it, that was a little bit too quick. So what I'll do is just nudge to the right, just a little bit and what I'm doing is just selecting this clip and pressing command right arrow on my keyboard. If I zoom in here, you can see better what I'm doing Nudging to the right, just frame at a time. Okay, that's a little bit too much. They already start to look over so we wanted to go right about there so I can just drag this over to the left, interesting, but it's a little bit, it's a little bit weird and then they have this kind of weird pause. I like this reaction better see that reaction to the noise that's happening. So I'm actually gonna cut right into there so I'm just gonna cut off the first part of this, but I'm going to cut right into there right after they look, So they look beat beat, meaning just like a little pause, look, beat and then with sound effects, we can make it sound better and feel better because there's going to be most sounds that cause these reactions from them. So that little stutter and then maybe even will come in a little bit later to this reaction. I like that reaction even better. So I'm just going to again just use my command trim tool, maybe just a little bit more, something like that's pretty good and then I would cut out of this right away, back to the next shot. But we're gonna cut this last shot just a little bit shorter. So that right when he's about to push his wife towards whatever is happening over there, we're gonna trim that, bring it back over here and we'll just shorten this just a bit. You can see that it's a lot of nudging. It's a lot of practicing. So with the final shot with sound, let's listen to it and taking back your day. Thanks. So lots of stuff going on in the background, the crashes that are causing these reactions. This wasn't something that we recorded on set. It's all done in editing. So that's a little bit more information about how you, I would edit a narrative film. How do you match together shots, the practicality of laying them on two different tracks and nudging them around. If you have other questions about this, please let me know. I've edited a lot of narrative films, short films, commercials, documentary is my specialty. And that's what I think a lot of people are using premiere pro for. So that's why I geared this course for sort of non narrative film makers. But I would love to help those of you out who are wanting to make more narrative films. Thank you so much and we'll see you in another lesson
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro