Exercise Review - Matching Exposure
Philip Ebiner
Lesson Info
57. Exercise Review - Matching Exposure
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Exercise Review - Matching Exposure
Okay, so hopefully we're able to figure out how to get these two clips to match. Here's how I would do it. I would first go to my overexposed clip and fix that one too. How I like it and then go back to the underexposed and try to match it to the overexposed shot rather than trying to do them both at one time. I think it's better to just get one right and then match the other one. So with I'm just gonna go with my timeline indicator right in between the two. And then I could literally just press the left arrow key and then the right arrow key to go back and forth between these two clips and edit them. So with this overexposed clip I'm going to take the exposure slider and overall just drop it down. So I think doing that, something like that is good. I could try to take my whites down because I want some more detail in that salt. But as you can see if I do that, even with the highlights, it's not getting any detail back from the salt. And that's an issue with the filming of it. You have...
to be mindful of the kind of detail you lose when you have an over exposed part of your frame. Sometimes fixing it in post is not an option. So I'm just going to leave that how it is because I like the contrast when I decrease the whites you see and the highlights, you see that I'm losing a lot of that contrast and I don't like that for this particular shot. So just with the exposure to get it to a spot that you like, negative 1.8, that seems to be perfect for me now, I'm just going to go back to my underexposed shot and try to match it. So first I can just try to match it with the explosion exposure slider. I can increase it and just compare contrast. What I'm looking at is the wall. So I'm just staring at this part of the wall, going back and forth trying to get it to match. And let's see as soon as I get there, I'll be happy. Something like 1.5 that's pretty darn close. But as I go back and forth, what I noticed is the overexposed image has lots of contrast because actually decreasing and overexposed clip will increase contrast while increasing and underexposed clip will actually make it less contrasted and more flat. So first I can take this contrast slider and just crank this up, Crank it up until it looks similar to the amount of contrast in the other clip that is pretty darn good, I could even go a little bit farther. That is looking pretty darn good. There's a couple small things that are different now and one thing is when I increase the contrast that brought up the highlights or the wall so I can go in here for the underexposed and actually dial back the wall just a little bit, something like that is pretty good and the other thing is right here I can tell this kind of is a little bit brighter than this. So the overexposed shot, this coaster stack is a little bit brighter then on the underexposed image so I can go to my underexposed and just with the shadows, bring those up just a little bit, the light is just a little bit different and maybe that's just because of when we were shooting, you know, light might have changed but that is pretty darn close if we play through this aside from you see the cut because there's a change in the position. But if we go here and close these down and out of transition, you would barely be able to tell that there's a difference between those two clips, it's barely anything right there. Let's make this crosses all even shorter. That is pretty darn close the this is still a little bit dark. Let me bring this back up a touch. Okay, that's I mean no one's gonna notice that except for you. You can try to protect this stuff until you go crazy, but that's pretty good. Hopefully that helps you. Hopefully that's kind of what you were doing and hopefully you got something as close as I did if you win about this another way, please let me know post your clip, post a screenshot of your clip and let us know what adjustments you made to your clip to get them to match. Thanks for practicing. I hope you're enjoying this course so far and we'll see you in another lesson.
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro