Creative Tab - Lumetri Color
Philip Ebiner
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Creative Tab - Lumetri Color
we're moving on to the creative panel. So let's just open up the creative panel. The first thing is it has these looks or speed looks and there's a drop down menu with a bunch of different looks. They're also kind of filters so they're similar to let's accept the let's match with a camera and with how you're shooting. So if you're shooting with the phantom or the ari, any ari camera or the Alexa or the mirror, that's why they have these specific looks here. The creative filters and the looks are more for any type of camera. We can preview what they look like by clicking these arrows over here on the right side or the left side by two, scroll through these different filters. And if we find one we look like say we want uh let's just go with this clean Kodak hdr look, we can click it and it applies to this this video clip. Let me just undo that and uncheck the basic correction so that we can see really how it looks. So it's in the space look click on that, it applies right here. We can in...
crease or decrease the intensity of this look with the slider right below it. Think of these looks as filters if you use instagram, it's very similar to what an instagram filter filter is like and then from there we can go ahead and make all of our corrections and basic correction and if you are using your looks, I would start with look here and then do the basic corrections or the corrections down here below this looks panel. we have adjustments. Let me actually turn off this look by choosing none from the menu and then I'll actually turn on our basic color correction. We can add a faded film look and this will make things more or actually less saturated and less contrast. E. So you might have seen Samsung commercials, they use this effect a lot where everything looks very unsaturated and un contrast. E. So that's kind of a stylistic choice if you want sharpness. This is a cool tool. This will sharpen the edges of things in your footage. Great for interviews. Just to add a little bit of sharpness to people's eyes or mouths, especially if you're using a camera with a very shallow depth of field where it's hard to get everything in focus on someone's face. So for this footage, I will actually increase this to something like 25 or or so I don't want to go too much because then it starts to look really weird and has a lot of artifacts to it because when you add sharpness, it's actually adding sort of this grain to the footage that I don't want. So I only do it a little bit and don't get me wrong, this won't make out of focus footage in focus. It just makes for the stuff that's in focus already a little bit more sharp. We also have vibrance and saturation sliders here as well saturation does the same as what we saw in basic correction, it adds saturation to the entire clip or it takes away saturation. Vibrance is sort of a smart saturation. It increases the saturation of your frame, but it maintains the saturation of skin tones. So yellows browns that you typically have in skin tones. It's not going to saturate saturate those as much because when you do that with the saturation slider, you can see that it starts to look weird, Anthony's face gets really orange, which is unnatural, but if we use just the vibrance slider, it increases the saturation of, say, his shirt, the this yellow in the background, but it maintains his skin tone. So that's a smart way to add more saturation. Lastly, we have shadow tent and highlight tent. The shadow tent affects the hue or the color of the frame or what's in the frame, that's in the shadows, the darks. So say I want to make the dark colors more blue. I can click in this middle and dragged down to the blues, see how it makes them more blue. If I go way too far, it starts to affect everything, but just a little bit might be kind of cool and then the highlights will affect the highlights. So if I want to make the highlights more warm, see how the color the the blind or the curtains behind him become more yellow, that's making it more warm, that's affecting just the highlights and then the tent balance is the balance between which one is more powerful. The shadow tent or the highlight tent. So this is a cool way to get more of a fun look or creative style. If you're doing music videos, something more experimental, this is a cool thing to, to use. And there are other similar things that we're going to be learning how to affect just particular parts of the film down below in these next panels. But this for now is the creative panel. Have fun with it. Start playing with the creative looks fine ones that you like because there are some that I really like that. Um, I use for a lot of mind some of these Fuji looks some of these Kodak ones. I don't use a lot of these ones that are like blue or gold yet, but perhaps they'll come in handy in a future project. Thanks for watching. And in the next video we'll look at curves
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro