Color Correction with Adjustment Layers
Philip Ebiner
Lesson Info
58. Color Correction with Adjustment Layers
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Color Correction with Adjustment Layers
in this video. I want to show you how to color correct with adjustment layers. It's an easy way to apply the same color correction to multiple clips in your video sequence right now we have all these clips of Anthony speaking and I could go and copy this lou metric color effect and select all of the interview clips on my timeline and paste it. But maybe later on I might make a small adjustment to the the saturation or to the contrast as I see necessary. Then I would have to go through and edit it for all of the different clips. An easier way is with an adjustment layer. So we need a track between our interview here and the rest of this B roll and the titles up here. So I'm going to select all of these titles and the B roll just by selecting and I'm going to move it up one track. So now we have this track in between then I'm going to go to my project file, I'm going to go to the new item button and go adjustment layer. Select OK. And now we have this adjustment layer and you might want ...
to title it so you know what it is? I'll say a camera color so I know that it's the color correction for a camera. Now I'm going to put it right on top and throughout this entire video. Then I'm going to select the actual color correction for this clip right here. Actually, first I have to decide am I going to use it from this clip which I did with the look obtainable? Or this one which I did from scratch. They look very similar except for this one has have the vignette. So I think I'm going to keep the one from the vignette. I'm actually going to copy it. So select it, command see or cut it, command X. And then paste it on the adjustment layer. Command V. Control V. If you're on a pc, then I'm going to go to this next clip right here that had the previous color correction and delete that one. So now none of these clips right here from interview camera a have any color correction on the actual clip itself. This adjustment layer does though, and if I wanted to make a change, say I do want to add or decrease the vignette, say I want to just decrease the vignette, I can do it right here in the effects controls or by opening up the loo metric color panel, Change it to zero and it changes it for the entire video in one click without any copying or pacing. So I would suggest using adjustment layers when you have interview clips like this when you're editing a narrative film or a documentary with video clips from all kinds of different scenarios. This won't necessarily work from you because the color correction will be different for every clip. But when you're editing a an interview or something where it's the same lighting setup, it's the same exact correction you want to apply to all kinds of clips. Sometimes the adjustment layer will work better now you might be asking what happens when I want to use the B. Track down here. We haven't even thought about using this interview B camera and we can do that by either deleting the A camera or maybe I want to cut from the A camera to the B. Camera. So let's go through this. Maybe I wanna ugly, you know, that doesn't go viral. Maybe right here I want to cut it to the wide camera. What I can do, I can't just select the A camera and drag in because what happens is the audio gets dragged in as well. I can options select which allows me to just choose the video of this track and drag in so now the audio stays there but then it cuts to the wide image. The problem is that this adjustment layer isn't perfect for the wide shot. The wide shot settings were a little bit different. So what we can do actually is let's just open this up just a little bit so I can see more of my timeline. I can add another adjustment layer between my a camera and my B. Camera and change the settings for this B camera shot. I'm just going to duplicate this. A camera adjustment layer right here just by selecting it and pressing command C command V. Rename it by pressing, return on my keyboard and typing in. B. Camera color and put it right here above the B camera shot. Then I'm going to start out with this lou metric color effect that I already added to the a camera. So I'm going to copy that and paste it onto the B. Camera profile. Then I'm going to delete this adjustment layer where the B. Camera is shining through with my razor blade tool C. On your keyboard if you want to get to that and then V. To get back to your selection tool. So now this adjustment layer is affecting all of our B camera. I just have to brighten it a little bit so I'm just going to go down to exposure, set it to zero, maybe even point to something like that. 0.1 small adjustments so now we can cut from here to there, the color correction looks the same, the colors look the same in each of these adjustment layers are affecting all of the video clips for that camera, all the A camera and the camera. If you have any questions, let me know. Otherwise we'll see you in the next video for now. I want you to actually go through and color correct your footage not only for the interview clips but for any B roll that you've chosen to use
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro