Applying Color Effects to Specific Parts of Video with Mask Tracking
Philip Ebiner
Lesson Info
61. Applying Color Effects to Specific Parts of Video with Mask Tracking
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Applying Color Effects to Specific Parts of Video with Mask Tracking
here's another quick update for working with color and your blue metric color effect. This is actually something that's been around since CC 2018 and it's the masking and the tracking of your mask in the loo metric color effect. Basically what we can do is apply a specific color correction to just a portion of the video. So here's an example of a shot of flowers I downloaded from pixels dot com, a great place for free videos to work with and I've applied this funky color correction. So first, what I did was I played with the temperature, I drop down the highlights, the shadows and then I got creative with the color wheels or not the color wheels, the curves rather. And I changed the hue of that pink flower to this sort of purposely blue spacey kind of color. What if I only want this, the fact that I've applied to this clip to be applied to the flowers themselves. What I can do is use the mask options over here in the effects controls tab so I can either create an ellipse mask, a square...
mask or a free draw mask, which means I can create some sort of custom one, which I think is going to work best for these flowers since they're kind of an oblong shape. Now, it's important when you do this to go to the very beginning of your clips of the first frame that you want to have this mask on. And so I'm at the very beginning of my timeline, you'll notice as I completed that mask, it made the color correction apply only to what's inside this frame, I can adjust this with the feathering and the opacity. And if I don't want it to do too much, I can adjust kind of decrease the power of this effect with opacity. We could also play with those things later. Now if I just just left it like this, what would happen is if the flowers move out of that little mask, it's going to look a little funky. It actually kind of looks kind of cool when it's doing that a little magical. But what if I want that mask to follow it. So if I click this mask, you can see it's covering the flowers. Then I just click this track selected mask forward button. Now premiere Pro is going to render it out and you can see that this mask is actually following the flowers. Now let's go ahead and let it track. So now it's gone through and if we play this, you can see that it follows the flowers a lot better now and you can do different things to play with this and see how it just stays on those flowers. And if I pause and the mass path is selected, you can see that it is still hovering over those flowers go through scrub, you can see that it's moving now, there are some options. So if I click this uh drop this tool button right here. So if I expand that and then the ranch tracking method, you can track just position, just position and rotation and position, scale and rotation if your camera is still and it's just an object that's moving across the frame. You might only need position if the camera is still but maybe shaking a little bit, you might be okay with position and rotation if your camera is moving in or out or the object is moving closer or further away from the camera, like these flowers are, then I would do that last option. It's usually your best option. It does take a little bit longer to process but I think it definitely works better now if I still want to go back and edit these colors, say I go back and say, oh I actually don't want that temperature or the exposure adjustments. I just want the color adjustments to the flowers with the curves. Now we have a very much more pinpointed effect applied to just these flowers in the foreground, not the ones in the background, awesome. So that's the tracking option. I just wanted to go over that to show you an example of how you would actually use this in the real world
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro