Make Footage More Cinematic with Overlays
Philip Ebiner
Lesson Info
81. Make Footage More Cinematic with Overlays
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Make Footage More Cinematic with Overlays
in this lesson, we're going to learn how to make our footage look more cinematic with overlays. So we saw this clip right here. I added a couple of different overlays to create this cool film burn transition and also making it look a little bit more cinematic with this wider aspect ratio. So let's go recreate this from the beginning and learn how to use different overlays. So I'm just gonna move this footage over to the side. I'm just going to take my beach two clip, bring it down on my timeline, going to cut it it it right after a couple of seconds and then we're going to cut it to the beach, shot them on the lifeguard tower, see that bird flying by like. So the first thing we're going to do is add the aspect ratio overlay. So you'll find in the resources for this course that there's this overlays folder in it. Are these aspect ratio overlays and these are basically just black bars that are going to go at the top and bottom of the screen to change this footage to look like it's a diff...
erent aspect ratio. Cinema or cinemascope. These are wide aspect ratio. So if I put this onto track two it's automatically set up so that the video shows through it. It's just black bars on the top and bottom. So you can see it with it on off on off and automatically. This makes it a little bit more cinematic. Now, the actual video itself is still going to be 16 by nine and for the full resolution videos. This is shot at 1920 by 10 80. So it's still going to be that resolution which is actually good for playing online for putting on Youtube. You could actually go into the sequence sequence settings and change the frame size to the actual different aspect ratio you want. But this is just a quick and easy way to do it. And actually, like I said, better for uploading online because YouTube likes the 16 x nine format and playing it on your phone and everything else like that. So this is pretty cool. I'm going to move this up to track three. The only thing I don't like about it now is that when they're walking up his head starts to get cut off a little bit too much than I would want. So I'm going to select on this clip, go to effects controls good emotion and just drag down just a little bit. I don't want to cut off her too much. And actually like seeing her flowers just a little bit in there. So just a little bit, just a little bit. And then with this shot there at the bottom of the frame which I like but I'm going to move them up just a little bit too. Something like that. That looks a lot better. Now we want a nice transition between the two adobe premiere. Pro has lots of transitions. We could just add a cross dissolve with command d to dissolve between these two. But we're going to add a film burn. This film burn came from a free website online but you can find all sorts of film Burns and boca clips that are great overlays online. Just by searching free film burns or free boca overlay. Now, if I take this film burn open it up here, I can watch it and I can see what's happening. It's got this nice film burn. Look If I take this and I put it in between on track two, what happens is it's just a black video with the film burn. We have to change the blend mode of this clip so that the black is invisible. So go up to effects controls with this film Burn selected, go to opacity and change the blend mode from normal to screen. The screen effect will make the entire film burn all the black disappear and only the highlights show through. And then we want to move this to a good position so it looks like it's transitioning from one shot to the next in the burn. So I'm just going to go right here in the middle of these two clips. Then I'm going to adjust the film burn so that there's a spot in the film burn where the entire frame is covered up with the burn. So I'm going to select the film Burn pressing command on my computer on my keyboard and the right arrow keys or the left arrow keys. And I'm trying to get to a place, I'm just nudging it one frame at a time until this entire frame is covered with the film burn. And this is going to look better than before because it completely transitions to this next scene. It goes on a little bit too long though so I'm going to fade out of it. Just select the clip and press command D that adds across dissolve. I'm just going to make the cross dissolve a little bit shorter so now you have them walking up film burn, it looks amazing. We also have this BOCA if you want you can try the same thing so I'm just gonna put this on top of it. Just put a little bit of it on top just to see what it looks like. Then change the blend mode and opacity. Now this one you might not like the screen because it's too bright. We're only seeing getting rid of the dark parts of the BOCA. We want to get rid of some of the light so change this to multiply. Multiply is a good one. Darken is a good one. Lighten and screen even overlay can be good too. Those are the main ones that I would look at. Darken. Multiply. Lighten screen overlay and even soft light and here's soft light it's very subtle. Multiply might be a little bit better. It gives kind of a cool effect. If I want to double these effects, I can move my cinema Top and bottom bars up to track four and then put the boca on top of everything like so you know, that's maybe a little bit too dramatic, a little bit too much and maybe I would actually put this below film burn so that the film bring goes on top of the boca as well. But if you're looking to get really stylistic, it is a cool effect. So that's how you can play with overlays to make your film more cinematic, combining them, changing the different blend modes, Those are the keys to using overlay. If you have any questions, please let me know otherwise, have fun playing around with these and we'll see you in another lesson.
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro