Remove Echo in Premiere Pro with Parametric Equalizer
Philip Ebiner
Lesson Info
46. Remove Echo in Premiere Pro with Parametric Equalizer
Lessons
Class Introduction
01:41 2Starting a New Project and Premiere Pro Orientation
12:33 3Importing and Organizing
07:24 4Quick Win - Stablize Your Videos
02:40 5CC 2020 Updates
02:31 6Quiz: Chapter 1: Introduction
Starting a New Sequence and Understanding the Timeline
05:55 8Adding Clips to the Timeline, Syncing Footage, and Making Selects
12:17 9Exercise Syncing Video and Audio
01:03 10Exercise Review Syncing Video and Audio
03:09 11Editing Tools
16:14 12Adding bRoll Footage to Your Video
10:42 13Adjusting Clip Size and Position
04:01 14REVIEW Adjusting Clip Size and Position
01:49 15Bonus - Editing Down an Interview
34:47 16Editing a Narrative Scene
10:07 17Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018
03:49 18Update CC 2018 - Close Gaps in Premiere Pro CC 2018
01:36 19CC 2020 Update - Auto Reframe
05:42 20Quiz: Chapter 2: Editing Your Video
21Class Check In
00:51 22Adding Video Transitions and EXERCISE
08:25 23Exercise Review Video Transitions
02:27 24Adding Audio Transitions
03:36 25Exercise - Create a Custom Blur Transition
07:18 26Trouble with Transitions
06:36 27Quiz: Chapter 3: Adding Video and Audio Transitions
28Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics
07:51 29Update CC 2018 - Animating Your Title Cards
05:44 30Update CC 2018 - Saving Titles as Preset Graphics
02:16 31Update CC 2018 - Essential Graphics Updates
10:27 32CC 2020 Update - Underlining and Renaming Shape Layers
01:56 33Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)
34Adjusting Audio Levels in Premiere Pro
10:16 35Adjusting Audio Channels
05:05 36Update CC 2017 - Editing Audio with the Essential Sound Panel
07:57 37Fixing Audio with the Low and High Pass Filters
04:17 38Improving Audio with EQ (Equalization)
39Adjusting Audio Tracks with Effects
02:14 40Exercise - Fixing Bad Audio
00:41 41Exercise Review - Remove Bad Background Noise
04:32 42Adding Music to Your Project and Making a Song Shorter
11:24 43Easily Removing Background Noise with Audacity
05:17 44Update CC 2019 - Reduce Reverb and Reduce Noise Sliders
02:47 45Parametric EQ Tutorial in Premiere Pro
04:42 46Remove Echo in Premiere Pro with Parametric Equalizer
05:28 47Quiz: Chapter 5: Editing Audio
48Color Correction with Lumetri Basics
08:43 49Exercise - Fix White Balance UPDATE
00:38 50Exercise Review - Fix White Balance UPDATE
02:30 51Creative Tab - Lumetri Color
05:30 52Curves Tab - Lumetri Color
03:50 53Color Wheels - Lumetri Color
01:51 54HSL Secondary - Lumetri Color
03:40 55Vignette - Lumetri Color
02:49 56Exercise - Matching Exposure
00:55 57Exercise Review - Matching Exposure
04:43 58Color Correction with Adjustment Layers
06:08 59Update CC 2018 - Adding Multiple Lumetri Color Effects
03:42 60Update CC 2019 - Selective Color Grading
02:30 61Applying Color Effects to Specific Parts of Video with Mask Tracking
04:16 62Quiz: Chapter 6: Color Correction and Grading
63Adding Motion to Title Graphics
04:37 64Add the Ken Burns Effect to Photos
02:22 65Exercise - Add Motion to Video to Make it More Dynamic
01:14 66Exercise Review - Add Motion to Video to Make it More Dynamic
06:14 67OPTIONAL Adding Motion to Screenshots
08:05 68Quiz: Chapter 7: Motion in Premiere Pre
69Exporting a High-Quality, Small File-Size Video
05:32 70OPTIONAL - Export Settings - In Depth Review
12:02 71Export a Full Resolution Video
01:28 72Exporting Small File-Size Preview Video
01:45 73Practice Exercise - Finish Class Project
01:03 74Quiz: Chapter 8: Exporting Your Video
75Adding and Adjusting Effects to Your Video Clips
06:55 76Adjusting Effects with Keyframes
04:42 77Using Lumetri Color Presets
03:35 78Stabilize Shaky Footage with Warp Stabilizer
05:21 79Exercise - Stabilize Shaky Video
00:36 80Exercise Review - Stabilize Shaky Video
02:46 81Make Footage More Cinematic with Overlays
06:44 82Capture Still Images from Video
01:41 83EXERCISE - Remove Noise and Grain from Video Clip
02:55 84Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips
85Adjusting Clip Speed
05:10 86Time Remapping and Speed Ramps
03:54 87CC 2020 Update - Time Remapping up to 20,000%
02:20 88Slow Motion Video By Interpreting Frame Rates
01:56 89Exercise - Speed Ramps
01:28 90Exercise Review - Speed Ramps
00:57 91Quiz: Chapter 10: Video Speed in Premiere Pro
92Green Screen Tutorial (ChromaKeying) in Premiere Pro
07:37 93Adding a Background to Green Screen Video
05:45 94Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro
95Conclusion
00:55 96Final Quiz
Lesson Info
Remove Echo in Premiere Pro with Parametric Equalizer
in this tutorial. I'm going to show you how to remove echo from your videos with the parametric equalizer in adobe premiere pro. So I have this clip of Will Carnahan, my buddy teaching people food photography. So if I take this parametric equalizer effect and drop it on this entire clip, you'll see that it pops up in our audio effects and we can click edit to open up the options. This is similar to the old EQ effect in the sense that you have your frequencies on this graph and then the decibel level or the gain level on the left hand side. So if we take any of these points were picking a frequency and increasing or decreasing the settings, there are some preset effects or prefect presets for getting rid of different things or for enhancing different sounds such as acoustic guitar, rap vocals, vocal enhancer for removing echo though. What I'm going to do is do it custom. So the way I'm actually going to find the echo and try to reduce it is to pinpoint the frequencies that are really af...
fected by the echo. And to do that I'm going to click on one of these points and actually increase the size or increase the loudness of it. But when I do that it brings up the loudness of a lot of frequencies. So I'm going to adjust the width. So if I decrease or increase the width you can see that the graph changes and I'm more pinpointing a specific frequency. So let me take this down and then play through and let's try to pinpoint where there's a problem area, you can see under the plate and the other one, it's a little bit softer. It's also a little bit darker because we didn't adjust are So you can see right around here at 3000 or so, it gets to be distorted. If I go up here, it doesn't sound that distorted. Let's play through it. Open up a little bit with the shutter, take another shot, it sounds pretty normal, but down here it's going to get really wonky. You can see they're still around the same brightness, but the light is a little bit more diffused. And another thing that happens, wow that right there is horrible. So around 26 55 55 we're going to actually take this and decrease it just starting around negative 15. So now I'm going to do the same thing with Points two and 3. So if I change the width to around 20 and then play through so you can correct that later. Or you can decide what kind of lighting that you want. I think for this one, I would probably go with the diffused light because it just looks a little warmer. It looks a little softer look a little more inviting right around their terrible terrible. So we're going to take this down again, just a nice vibrant kind of And last time with the point # two. So we want to add a little bit more contrast. I'm gonna add some neg fill, which means I'm going to keep the light coming from over here and trying to like shape some kind of darker sides on the, on the, on the contrast, decide on the right side and that will allow for some more shape and more sort of contrast within the food itself. Okay, there's something weird going around on around there. So let's take that down. So this isn't gonna do much, but depending on where you are, you can take. So now if we play through it and bypass it over here in the effects window and turn it on and off, we can hear what it sounds like and get it as close as you can to the food without actually getting it in your shot. So that's helping quite a bit. So let's decrease these jets a little bit more. I'm going to take a photo with the same settings. Pretty good and take it away without it and look at the difference between with it without it. That adds a little bit more contrast with it. So you can definitely tell that some of that echo has been reduced. Now, echo is one of the hardest things to remove as a video editor or audio editor, but it can be removed. And another thing about this clip is this is not the microphone, we're actually using for this course we used a laval your microphone. This is just the microphone from the camera and so that's why this audio isn't good in the first place. But in a pinch if I had to use this audio, this is how I would fix it. There's other things that I could do with the parametric equalizer to make this sound better. Maybe cutting out some of the lows and the highs with this low cut and high cut. So if I turn on the low cut and if I make this turn this up to say 100 and then I turn on the low cut with this button right here and it changed the frequency to around 100. And then same with the high cut, click this button here, Changes down to around 6500. It adds a little bit more shadow coming in in the background and on the Napkin which I think looks way more professional. That helps just a little bit and that helps get rid of some of the background noise. So that's how you actually decrease echo with the parametric equalizer. The key is to pinpoint the frequencies or the range of frequencies where there's some issues where it's got that reflective sound that is bouncing off the walls and then decrease those specific frequencies. So hopefully this helps you in the future with your projects. If you have any questions let me know otherwise we'll just see you in another tutorial
Class Materials
Ratings and Reviews
Haedyn Sutton
Student Work
Related Classes
Adobe Premiere Pro