Arriving at the Ceremony
Yervant
Lessons
Class Introduction
12:07 2Client Focused Wedding Business
05:43 3Marketing for the Wedding Business
21:55 4Pricing & Sales Strategies
29:28 5Wedding Client Interaction
11:01 6Find Your Photographic Style
28:40 7Gear, Lighting & Camera Settings
11:40 8Capture the Bride Getting Ready
03:30Bride with Dress
05:13 10Connection with Family
04:00 11Bride Dressed with Bridesmaids
06:25 12Detail Shots with the Bride
04:02 13Putting the Veil on the Bride
03:42 14Bride with Family & Bridesmaids
09:34 15Leaving the House for the Ceremony
04:02 16Arriving at the Ceremony
04:49 17Capture the Ceremony
03:56 18Formal Pictures After the Ceremony
09:13 19Detail Shots at the Location
05:08 20Bride & Groom with Bridal Party at Location
10:18 21Bride & Groom on Location
03:52 22Street Location Shoot with Bride & Groom
15:29 23Demo: Bride Interaction
14:04 24Shoot: How to Pose Your Brides
17:48 25Capture the Wedding Reception
16:16 26Shoot: Capture Reception Look
12:41 27Equipment & Accessories for Post Production
13:21 28Lightroom® Workflow
15:02 29Client Image Proofing Online
23:55 30Retouch Images in Lightroom®
04:31 31Photoshop® Editing Overview
14:41 32Photoshop® Workflow
08:49 33Color Correction in Photoshop®
10:27 34Soften Image & Retouch Skin in Photoshop®
14:57 35Black & White Edit in Photoshop®
07:45 36Remove Distractions & Extract Details in Photoshop®
16:11 37Edit Outside Bridal Party Image in Photoshop®
27:04 38Printing Your Images
10:45 39The Power of the Album
11:17 40Album Design & Final Product
23:17 41Graphi Album Design
20:02 42Create an Impactful Slideshow
08:12 43Paper for Printing
03:07 44Yervant & Anie Workshops
14:48 45Final Album Layout
06:48Lesson Info
Arriving at the Ceremony
Okay, now we go to the church. 664 images, so that's how many I shot. A very small church; it was a Macedonia service, very tight. One thing I wasn't happy was this is the beautiful icons on the wall, and the videographer was permanently standing there, so I had to move on a different angle so I can avoid, but I wanted the wall in the background. So it's important, then, I took weird angles to capture it without having the videographer in the thing. So, this is from 1:30 to 2:30. Usually we're looking one hour of capture. We arrived there because it took us about an hour to arrive there. Dani was in a hurry to go to the church. I said, "Dani, you know this. It's not going to happen." And half an hour, she had to go around the block because at Macedonian church, the groom's family forgot the cake, they must have a special cake. The priest said, "You can't get married without the cake," so they had to get a cake. So Dani was going around and around, and at first I was worried. Where is s...
he? She change her mind or something? But they were waiting for the cake. So ... (overlapping voices) Look down for a minute. Here, here, go on the side. That's it. Yeah, I'm going closer. I'm shooting quite a wide lens. (camera shutter clicks) And open the door, open the door now. Look at your dad, Dani. Give her your hand, Tom. And, steady. Perfect, okay, got it. (car door slams) Laurel with Laura, Dani. Because you two, hold the flower very on your waist. Don't hide. (overlapping voices) Okay, you see I captured at different angle, lower a little bit so I can capture the car more wide because I was using wide lens. If you realize I had two cameras there because my assistant couldn't come into the church. That's how tight it is, so I had my two cameras with me. So when I work in the church, I've got one wide one. And most probably, I used a lot more wide than the ... So I can capture it. So that's arriving in the church. You know, the groom is coming to me. I take that he is gonna say hi to me but I captured that. The cute thing is that little boy in the background, you know, looking at the thing. It's become so photojournalistic. And then there's the bride arriving at the church. This wouldn't have gone in the album because I have either moved the guys at the background. It doesn't be part of, or just avoid it. So sometimes I convince the bride where to go, how to go. There's a bit of reflection, and that's the low angle I started to shoot so I can get, you see what I was looking for. The reflection of the church in the window. I tried to get reflection to show us where we are. And then a different angle with her father waiting in the background. You know, my assistant photographer will take the main shots and I move into a different angle to capture the more candid-looking picture. So again, 640; this is a winter wedding. In Australia, we are winter now, so it's quite cold. We make sure that we do it quickly without the bride getting too cold. But again, concerned Dani: is he there? Is he dressed correctly? Is he ... ? And capture moments again. I'm basically capturing as much as I can without interrupting. There's the candles there, I thought it was a good shot to walk in while she was walking. A back shot; I love to take the back shot but at the same time my assistant will be at the front to take the shot. But because it was a tight church, there's already two video guys there, I had to not have the assistant at the front. Then I move quickly to the front and capture coming in.
Class Materials
Ratings and Reviews
a Creativelive Student
I am SO grateful to CreativeLive as well as Yervant for taking the time to put on this class. So many times while sitting in this class I thought to myself "what have I been thinking?!" I have so much to learn! I loved hearing about Yervant's process for creating images, but what inspired me even more was his advice on how to view, and treat yourself as a professional. I completely agree when he said photographers are creative but we are "terrible business people." But I aim to change this in my business from this point forward, thanks to this class! Yervant's advice on how to value, protect, and sell your art is priceless. I have always valued printing and creating products clients can hold, but I don't think I understood the real emotional value in it until this class. When he pulls those images we just watched him create for the last two days, off of that printer, and they are there before our eyes, I had an emotional reaction to it. I want my clients to experience the same, so I must value it and create opportunities to educate my clients. Thanks for the kick in the pants that we all needed Yervant! And I hope this will not be the last time I get to experience your education in my life. I said this many times to other students during the class, but I will say it again here, I want to carry a mini Yervant with me every where I go! Thank you Creative Live and thank you Yervant!
Claudia Montero-Kubli
I love it!!!!!! I am so inspired, I learned a lot! thank you Yervant for sharing your Talent with us this two amazing days! Thank you to all the CREATIVE LIVE staff you are awesome!!!! best time! I want to come again!
a Creativelive Student
Yervant’s ardent love for wedding photography and capturing his brides in their best light is unquestionable. His love for this photography community and his regard for our respect in the world hierarchy is without reservation. Yervant’s willingness to share his knowledge and skill for all these things to come together is beyond generous. These are some of the things that help Yervant to effortlessly stand out as a photography master and this is exactly what this class is about… plain and simple.
Student Work
Related Classes
Wedding Photography