Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Creating a New Layer
So now let's learn a bit more about layers. So far, we've made layers by either copying and pasting a picture between documents we could have dragged and dropped them between documents using the move tool. Or we dragged them from bridge and we dragged him from bridge. Did a little bit extra in that it automatically transformed to make it fit within the document. Well, now let's do other things with our layers. Weaken manually. Create a brand new empty layer in my layers panel. If you look at the bottom, there's a bunch of icons. If I click the icon, that's to the left of the trash can. That's the new layer icon, and they recently changed the appearance of that icon. Ah, but that will create a new layer. It usually creates that new empty layer directly above the layer that was active. If no layers were active, then it'll be at the top of your document. So I could at this point used my paint brush tool and paints on layer so that top layer is active. And so if I do some painting like thi...
s once I released the mouse button. If you watch my layers panel. You'll see that that's where the pain went because you're usually Onley gonna change which layer over layer is currently active. So let's figure out which functions can we use when a single layer is active in Which can we use when more than one layer is active? When you have a single layer active? Usually any painting that you do to it will affect only that one layer, and you can also come up here and apply filters. Let's say I want a blurry line. I'll apply the blur filter called Ghazi Ambler. The other thing that I could do to a single layer is adjusted if I choose image adjustments. Human saturation. The choice, called Hugh, will change the basic color of that layer so I can change the color of the paint that I have there. But then, if I select more than one layer at a time by just clicking on multiple layers that air here, well, I hold down either shift or command. Then I'll be limited what I could do if I come up here and grab the paint brush tool and I attempt to paint, you'll see that my mouse looks like a no symbol, and if I attempt to paint, it will simply tell me I can't do it. And that's because it doesn't know which layer it should put that paint on. If I come up here to the filter menu, you'll find all the filters are great out, except for one choice called Convert for Smart Filters will cover that when we have a class on advanced layers, but you'd have to do that first before being able to apply a filter. If I go to the image menu and I choose adjustments, it's simply great out because it wouldn't know which layers or which layer it should work on. Those are all things that can only work on a single later at a time, and therefore I'd have to click to get only a single layer active then in your layers panel. It's a Ziff. You're standing at the top of the layers panel looking down in. This is no different than a stack of paper on your desk or a stack of photographs that you might have on your desk if I had sheets of paper and I stacked them. The top most sheet of paper would obscure my view of the sheet that's directly below it, because the overlap in the same is true for layers. So in my layers panel, if I repositioned my layers using the move tool, this layer is on top of all the others Onley because in my layers panel, it's near the top. If I end up clicking on the name of that layer and dragging it down in putting it way down here now you can see it in between those other layers. But it's underneath so you can control the stacking order the layers very easily by simply dragging up and down within the layers panel. I want that on top again and just need to drag it up near the top. So that's quickly little green line. If I want it to be behind those images, I need to click on the layer that contains it, drag it down far enough that it's gonna be behind all the layers so was interested in. Maybe I wanted that as some sort of background element, or if I don't like it at all, I can drag it to the trash king. Another way for creating layers would be to use certain tools. That shape tool could be used for drawing circles, rectangles and other Chris bed shapes. Or we could use the text tool in this case. I'm going to use the text tool click within my document and after typing in some text. If I want to change the settings for the text, I need to select the tax, and I usually do that by typing Command a, which I did automatically without thinking. Then up here in the options bar at the top of my screen, we have the size. I don't usually deal with number necessarily. There is an icon right here that indicates size, and if you just click on it in drag, you'll be automatically changing the number that's next to it. So I'll just click on that icon. That's letter T and drag to the right and tell my text is the size I might want. Then I can come up here on the left side of my options bar and decide what typeface I'd like to use, maybe fine tune my size again if I could spell forgotten? A. If I need to select all this, a type command a then I can change the size, and the reason why you have to select all is because otherwise you could change thesis eyes of individual letters that are here. Then there's a little check box up here that means I'm done with my settings and I'll click that so we have our text.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
Student Work
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