Retouching with the Healing Brush
Lesson 49 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
Retouching with the Healing Brush
Lesson 49 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
Lesson Info
49. Retouching with the Healing Brush
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Retouching with the Healing Brush
So I'm gonna come up here and I'm gonna now switch to a tool that is called the healing brush tool. The healing brush tool is similar to the spot healing brush. The only difference is it allows me to pick where I'm copying from. So instead of copying from just anywhere, I get to tell it. So I'm in a cobra here where I see an intersection of grout lines. Option click there to indicate that's where I'd like to copy from. Well, then go over here towards the left side and with all of these retouching tools, the very first time you use them, you'll have to go to the options bar at the top of your screen. Because the default setting is Onley. Work on one layer and ignore the rest of the document. You need to set it to current and below. Or if it doesn't offer that option, it might have a check box called sample all layers. But now I can come in here and get these Kraut line to line up click, and I want to paint across the entirety of the area. I'm attempting to change cover up the entire pro...
blem when I like. Oh, it attempts to blend in with its surroundings are gonna copy from the exact same intersection a second time option clicking there and using it right up here, too. I just need to move up and down to make sure the verdict the horizontal grant line lines up and then side to side to get the vertical one click. And now I worked my way out. Now, if I don't have enough space because when I start working way, way downward, watch the cross here at the bottom right of my screen, that's where it's copying from. If it ever hits that would floor, it's not gonna look right. We're going to start getting that wood floor transition, which I just did. That's a bummer. So I choose Undo. That means I need to break this up into multiple pieces again because I didn't have a large enough area to copy from any time I needed break things up. I go to my clone stamp tool. Clone Stamp simply means copy from one area. Put it somewhere else. I'll grab from the ground line here by option clicking. I'll come up above just break it up all I'm trying to do is get this area so it's surrounded on all sides by the proper brightness. Therefore, when I come over here and use the tool with the healing, the word healing attached, it could blend into the proper information. I'm gonna go to this intersection of grout lines on the right side option click, get it to line up here, then came over the entirety of that problem because of only painting halfway across its trying to blend in with what's just outside my brush toe left. It's way too dark. I need to cover that up in order to get it to be able to line up there. I hit the bottom again so I might need to choose. Undo in this try again and not move down quite a Sfar. Then I can come to just this grout line, the vertical one option. Click on it. Use it to connect these together now. Know that later on, in a different lesson, I will show you a much more advanced way of performing retouching, and when I do that, you'll be able to see how you could scale. Rotate in flip horizontal pieces and it will make it so. There are many other areas you copy from that we might not be able to at the moment. The other thing is no, that any time you have the word healing attached to a tool you do not have to copy from an area that is Thea pro PRI, it brightness or even the appropriate color. It just needs to have the appropriate variation and brightness. Like here, where the grout lines starts, it's got a highlight on the edge and maybe a shadow in the middle. That means I might be able to copy from way over here. Even though this area might be a lot darker than what I need to put it in with, I might still be able to copy from there because I'm using the healing brush healing means. Blend them with surroundings. Not sure if that will work or not. I've never tried it Option. Click there, though, in Just See, could I use it over here, even though it might be considerably darker if you just look on the right side of my screen, you can tell it's a lot darker, but when it gets applied over here, it automatically blends in with the surroundings. Whatever is just outside the area where I am painting, so I can easily copy from that other side.
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Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!