Retouching with the Clone Stamp
Ben Willmore
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Retouching with the Clone Stamp
in this image, unlike an organic scene of nature, there's a very specific background that's here, and it's got a grid of these kind of tiles in the background and over on the left side is a sign that suggesting you take a photo here. So I followed directions and took a photo there. But I'd rather not have the sign there. Well, if in this case it doesn't a copy from the exact right location, then those grout lines will end up becoming broken, and therefore we might not be able to use the spot healing brush. Let's give it a chance, though. Go all the way around that shadow that's there. Yes. You see how we now have broken grout lines and the wood floor now extends up in a way that it shouldn't. So I'm gonna choose, undo, And let's tackle this with other tools. I'm gonna now switch to the clone stamp tool. And remember, before I mentioned I usually work on an empty layer with mice. Will start that now, so create my empty layer by clicking on the new layer icon, the bottom of my layers pan...
el. I'm going to make sure that this tool is set to work on not just the current layer up here. There's a choice called Sample. I'm gonna set it to current and below. Now I'm in the clone stamp tool. That's this tool right here. If you don't see that tool directly below the paint brush tool, click and hold on that slot because there's two versions of it. You want to be in the top of the two now, with that tool, it's the most manual tool available. All it does is copy from one area. Imply it somewhere else. So this is the tool I don't want to be using every day because it would make me make sure that one area I'm copying from is the right brightness to match another. Is it the right color to match another? Is the edge of my brush soft enough to get her to blend in? I have to think about all those kinds of things. Um, so we'll use a combination of that and other tools. So in this case, what I want to do is just extend the wooden floor because I think it's gonna have difficulties figuring out what needs to be done there I'm going to start by going over here a little bit to the right. I might go to where one of the seems are on the floor and see right where it joins the wall. That's here. Option Click there. That's all clicking and windows, and you do that to indicate where you want to copy from. So when I option click, I just told it that that's where I'd like to copy. And then you move somewhere else and you get a preview right inside your brush of what you're about to apply. And therefore, when I get over to here, I can move up and down to see if the horizontal line that's inside my brush lines up with the bottom of that wall. And if it does, I can click and then dragged to apply this. But when I do this, there is no attempt whatsoever for it to match the brightness of my surroundings. It's just blatantly copying what over towards the right. Then you can see where it's copying from. There's little plus sign that's there. It's moving along with my mouse, and if I get up too high, I'll eventually hit that leaf. Graphic and it's going to start putting it in here like it is right now because the crosshairs right on top of it. But you notice the down here. It's a little bit too bright. That's because we were copying from over here, which is closer to a light source applying it over here where we're further away. Well, what can I do about it If it's sitting on its own layer, I can always adjust the contents of that particular layer. I can come in here and use any adjustment that I'm comfortable with. Since this particular lessons not about adjustments, I'll just use brightness and contrast because it has a brightness slider. And so I could move this down and see if I can get that to be approximately the right brightness for this area. If I'm only looking at the floor down there, I might be able to get it a little bit darker. Otherwise, I'm gonna need a more sophisticated adjustment, which would be something like curves or copy from an area closer that would end up not being quite so bright, which is I think, what I'm gonna do. I'll copy from about right in here put that in. All right, Now I need to you know, I got some good material over here on the edge. I need to extend it up here, and then we need to get rid of the rest of the sign. So I'm gonna try to decide where I'd like to copy from This has got a shadow on it, so I don't think it's gonna be appropriate area, but I need a connection of both a horizontal and vertical grout line in order to fill this area. Looking for the closest one over here. I'm really close to a light source, so that doesn't quite look the way it should. But I think this grout line might be appropriate. I'm gonna go over their option. Click right where those two grout lines intersect. I'll come up here, try to get them to line up, if at all possible, click and then his drag over towards the edge. I'm just trying to get it. So we have good material all the way to the edge of the photograph. Now, I'm gonna break this up so that it's not quite as tall, because if I end up using something with the word healing attached. I needed pain over the entirety of the area that needs to be removed. But if I can break it up into smaller chunks, then it will be easier to work. So I'm just gonna break through here a little bit. I can copy from somewhere over in this area where I have a ground line option click. Bring it over here and just try to fill it in. I'm gonna end up replacing that area in the end, so it's not gonna be absolutely critical if it perfectly matches. Now you can see when I use something like the clone stamp tool, it's not attempting to match the brightness. This looks to be a little bit too bright. I can always choose, undo and create a brand new empty layer. Then put my retouching on that layer because then if it's too bright, I can adjust it. You can use any adjustment you're comfortable with. My favorite is curves. We have a separate lesson on that topic. So for now I'm just going toe, get in there and attempt to adjust this. I just want to make sure it's working somewhere around there. Click on OK, But if I do it on multiple layers like this, I cannot end up with a bunch of layers. If I think it becomes the proper brightness and I like what I have, then set a simple of high things by just choosing merge down. But what I want to do is make sure that the tool I'm using is gonna handle the blending for me, so I don't have to make adjustments like that.
Class Materials
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
Student Work
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