Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
History Brush Tool
below that we have the history brush tool. If you ever mess up on an image and you don't end up using layers for something like, for instance, if we have this image and I ended up coming into the image in making some sort of a change, maybe in this case I end up applying a filter. I click OK, and I wish I would have done that on its own layer because I want the background to look like that. That's noticed the oil paint filter, but I wish it wouldn't apply to his face his arms in similar areas. Well, I can go to the history brush tool, which is what I'm in right now. If I paint, it should paint with what the image originally looked like when you first opened it, and therefore I could bring these areas back. So if I don't want the filter or any other change that I've made to the image to apply to these areas, I can easily bring them back. You can also lower the A pass ity of this tool and therefore not bring it all the way back to the original, but blend the original version with this ve...
rsion just gonna get his other arm here. You should be aware, though, that on occasion the history brush will not work. And that is, if the original version of your picture is a different size than this one, that means you scaled it or you've cropped it in a way where the width and height of the image is different than the original, because then it doesn't know where to align the original image with this newly sized image. Also, if you've changed the mode of your picture, maybe if that picture started out in grayscale mode, he converted it RGB mode. It won't be able to use the history brush then, either. And the history brought, she should be aware, is related to the history panel. So let's go to the window menu and choose history. This is the history panel. It's simply lists everything you've done since you've opened your image. There is a limit on the number of steps that will remember in that limit can be found in your preferences if you choose. Performance in here is a choice called history states. It should be called undoes because that determines how maney induce you get, then That means if you do more than 50 things to this image, it will start forgetting the very first step. It's not that it won't apply it to your picture. It's just that you won't be ableto undo all the way back to the original. So if this is a list of everything I've done to this image, then what I canoe is if you look in the left column, there's an icon right here that looks just like the tool that I'm currently using. That's the history brush icon. Well, I can click on any one of these previous steps in that little left column to tell it exactly what I should paint with. So maybe I put it right there to say, I want to paint with what it looked like right after applying the the oil paint filter. Well, therefore, I could come in here and I could apply that Look back to the image. It just happens to be that that defaults to the very top portion, and that is always what your image originally looked like when you first opened it. But what that means is you can experiment and get back to what your image looked like in any past state by just going into the history panel in clicking in that left most column to tell it what should be the source that you're painting with with that history, the history brush. Now I personally don't use the history brush all that often, And that's because I instead decided to work non destructively by putting most of the changes I'm gonna make on separate layers by putting them on separate layers. If I wanted to undo something, I could either throw away that particular layer, or I could add a layer mask to it in paint there to temporarily hide things, and I find it to be much more versatile. But on occasion I'm doing something quickly. I end up working directly on the layer that contains the original picture, and I mess up in some way. They need to get back, and that's when I'm very happy that the history ah brush is available. Also, you can fill an area from history, So if I select an area like this just rectangular area, I can go to the edit menu. There's a choice called Phil and one of the choices in this menu is called history, and that means do the exact same thing is what the history brush did. And when you click OK, that brings it back to either what the original image looked like, or whatever you have the history brush set to in the history panel. The time I do that the most me revert this image to get the whole thing back is when I apply a filter. And afterwards I wish I remembered to duplicate a layer and apply it separately. Let me show you what I mean. I come in here and I choose. I don't know, uh, find edges and I get this interesting look. But I wish I would have duplicated the original layer first, so that then maybe I could mask this or I could change what's called the blending mode on it in just in the end, I wish I had the original picture in that Well, instead of starting over, what I will often do is I'll create a brand new empty layer by clicking on the new layer icon in my layers panel, and then I'll just tell Photoshopped to fill that layer, and I'll tell it to fill it with history, meaning? Fill it with what the image looked like when I first opened it. And then maybe I want that to be underneath so unlocked that bottom layer and drag it under. So now I can easily get to that point where it looks a ziff. I duplicated the layer because I just made a brand new empty layer and I filled from history. So now I can maybe use a blending mode. Just make it up use for it. Here and now, I have that filter applied in a different way.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
Student Work
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