below that, you're going to find the eyedropper tool, the eyedropper tool. Allow us to pick colors from within our image to paint with. So if I return to the images we were using a minute ago and let's say I had this image and I would like to add text up near the top of the image that might be in the same color as the olives that are right in front of the A person's hand that's in here. Well, if I end up using the eyedropper tool, I can move on top of my image. And if you watch my four grounding background colors right over here on my screen, when I click, let's say click on one of these more reddish objects. You'll see that my foreground color just changed to the color of clicked on. Click Over here on. It's either lemon and orange, and we can get that color. Or I could get the color like I described before, which is of the olives near his fingers. Then, if I were to use the text tool, that would be the color of text that I could end up using. But the eyedropper tool ends up helping u...

s up here in the options bar for the eyedropper tool we have a sample size point sample means Look at the exact color at the very tip of that eyedropper and ignore everything that's surrounding it. If I change this to three by three average, it will average an area three pixels wide and three pixels tall, a little square, and therefore, any noise or little specks that are found will kind of be averaged into the surroundings, and you usually get a slightly more accurate color. Aziz what you were seeing, and you can also make it larger and larger area that it averages as we get to higher and higher resolution original pictures. Then I start tending higher, like five by 5 11 by 11 to get it to average an area, we can sample all the layers or just the colors on the current layer. And then this thing says show sampling ring will watch what happens when I click on an area. As I'm clicking, I see a ring showing up on the outer edge of that ring is gray, and that's just so I can compare the color I'm picking to gray because, therefore, I can tell if it has a hint of color in it. So in other words, like over here to the right side of the picture and click, I can tell that that has tiniest bit more bluish than a normal neutral gray. Or if I come up here to this metal bracket, I can tell that that's purplish, mainly because I can compare it to that outer gray rent. Then also, when I click, you'll notice the ring has a top in bottom half. The top half is what I'm currently choosing. The bottom half is what I had last. Therefore, right now I'm have green. But when I go over here and click again, Green will be on the bottom, indicating what I had previously, and the color I have now is above. Therefore, I can compare them. If you find that ring to be distracting, all you have to do is turn off a check box in the options bar that's called show sampling ring. You should be aware that the setting over here, called sample size, is not going to just affect the eyedropper tool. It will also affect other things. If I remember correctly the magic wand tool when you click within your image and it tries to select things of a similar color to what you click on. It will use that sample size setting. So if you set it up really high and you try to use something like the magic wand to click an exact pixel, you'll find it's averaging in its surroundings. The same is true for other eye droppers you find in photo shop like the ones that you find when using curves. If you happen to watch the lesson that we had on color adjustments, I showed you how to do color correction with little eye droppers. And this setting is going to affect that. And using something like three by three average or five by five average would be an improvement on the technique that I demonstrated when we did color correction. So that is our eyedropper tool with the eyedropper tool. You can also change your background color, so right now I got my foreground color. If I option click, that's all clicking and Windows. I'll be changing my background color instead, and therefore, if you wanted to do something like make a Grady int from two different colors, and you want to choose those colors from within your image. You'd usually need your foreground and background colors to be the colors you want to start with, and therefore you can quickly change it using the ID. Robert I should mention when you're in the paint brush tool, and you might be painting on your image. If you want a very quickly, be able to sample colors out of your picture to change the color you're painting with. When you're in the paint brush tool, you can hold down the option key Alton windows, and that will give you the eyedropper tool just for the length of time that you have that option. Key held down. Therefore, I can come in here and option Click on one color paint with it, then option. Click on another paint with it. Option. Click on 1/3 and just very quickly. Be able to change between various colors, picking them right out of my picture. And so that could be nice. And all it is, is when you're in the paint brush, you hold on the option key Ultima windows and click within your picture. There is another tool that has found under the eyedropper the same slot that's there. Uh, I mean, there's a bunch of tools, but we don't in this class talk about the three D features and Photoshopped, but we might occasionally want to use this one. It's the color sampler tool. Let's see what it does. If you happen to have watched a lesson that we have on adjusting color. That's part of the Photoshopped complete guide. Then you would notice that I, in that class used the info panel, and I said that when I put my mouse on top of the image, the numbers that were in the Info pallet, where a precise description of the color that's underneath your mouse. Well, if you need to keep track of a color as you adjust a picture, then there's a way to get extra readouts in the info panel, and you do it with this tool, which is called the Color Sampler Tool. If I click on my image, I can click in up to four different areas in the image and get up to four readouts in the info panel. Each time I click, you see that in the image itself There's a little cross hair with a number in each area where I clicked and then in the info panel there, extra readouts and they're numbered. So this one corresponds to the little Crossair that's on my image that had the number one next to it. So when we adjusted color and I wanted one area to match another, I ended up taking a sheet of paper and writing down the numbers. What I could have done instead is use a color sampler and click on the area where I wanted to remember the numbers. Then this is the equipment to my sheet of paper. It just wrote down those numbers. Then when you're making an adjustment, you'll find that there'll be two sets of numbers in here. So if I were to do something like Creative Adjustment Layer, for instance, right away in the info panel, you'll find that now there are two sets of numbers, and that means you're actively adjusting the image, and the number of the left is what you started with the numbers on the right or what you're ending with meaning the results of your adjustment. And so I could have used that when I wanted one area to match another. I would have put in to color samplers one for the area. Want to change in one for the area I'm attempting to match? And then I could be comparing the numbers in the info panel as I made the adjustment. When you're done using the color sampler tool, those little crosshairs will stay on your picture. But they don't print out and they don't show up in other programmes other than Photoshopped. So you're welcome to leave him there if you want. If you want to get rid of them, though, when you're in the color sampler tool, there will be a button in your options bar just called clear all and that will remove them all from your image. So if you just don't visibly like the way they look, you're welcome to clear him all when you're done, and that is the color sampler tool

Class Materials

Bonus Materials with Purchase

Lessons 1 - 6 - Handbook 1: Introduction to Adobe Photoshop

Lessons 7 - 12 - Handbook 2: How to Use Camera Raw

Lessons 13 - 18 - Handbook 3: Making Selections

Lessons 19 - 24 - Handbook 4: Using Layers

Lessons 25 - 30 - Handbook 5: Using Layer Masks

Lessons 31 - 38 - Handbook 6: Using Adjustment Layers

Lessons 39 - 44 - Handbook 7: Color Theory

Lessons 45 - 51 - Handbook 8: Retouching Essentials

Lessons 52 - 59 - Handbook 9: Tools Panel

Lessons 60 - 64 - Handbook 10: Layer Blending Modes

Lessons 65 - 70 - Handbook 11: How to Use Filters

Lessons 71 - 74 - Handbook 12: Advanced Masks

Lessons 75 - 81 - Handbook 13: Using Smart Objects

Lessons 82 - 86 - Handbook 14: Photography for Photoshop

Lessons 87 - 93 - Handbook 15: Advanced Photo Retouching

Lessons 94 - 98 - Handbook 16: Warp, Blend, Liquify

Lessons 99 - 105 - Handbook 17: Advanced Layers

Lessons 106 - 112 - Handbook 18: Actions

Lessons 113 - 117 - Handbook 19: Troubleshooting Issues

Practice Images 1: Introduction to Adobe Photoshop

Practice Images 2: How to Use Camera Raw

Practice Images 3: Making Selections

Practice Images 4: Using Layers

Practice Images 5: Using Layer Masks

Practice Images 6: Using Adjustment Layers

Practice Images 7: Color Theory

Practice Images 8: Retouching Essentials

Practice Images 9: Tools Panel

Practice Images 10: Layer Blending Modes

Practice Images 11: How to Use Filters

Practice Images 12: Advanced Masks

Practice Images 13: Using Smart Objects

Practice Images 14: Photography for Photoshop

Practice Images 15: Advanced Photo Retouching

Practice Images 16: Warp, Blend, Liquify

Practice Images 17: Advanced Layers

Practice Images 18: Actions

Practice Images 19: Troubleshooting Issues

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Ben Willmore

As a photographer, Ben Willmore has shot in all 50 states and explored over 80 countries. He has been pushing Photoshop and Lightroom Classic to their limits since the beginning.

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topics covered in this class

Adobe Photoshop Beginner Fundamentals Photo Editing

Ratings and Reviews

Noel Ice

I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!

ford smith

Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!

a Creativelive Student

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!

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Eye Dropper and Color Sampler Tools

Eye Dropper and Color Sampler Tools

Lesson Info

55. Eye Dropper and Color Sampler Tools

Lessons

Introduction To Adobe Photoshop

Bridge vs. Lightroom

Tour of Photoshop Interface

Overview of Bridge Workspace

Overview of Lightroom Workspace

Lightroom Preferences - Saving Documents

How To Use Camera Raw in Adobe Photoshop 2020

Overview of Basic Adjustment Sliders

Developing Raw Images

Editing with the Effects and HLS Tabs

How to Save Images

Using the Transform Tool

Making Selections in Adobe Photoshop 2020

Selection Tools

Combining Selection Tools

Using Automated Selection Tools

Quick Mask Mode

Select Menu Essentials

Using Layers in Adobe Photoshop 2020

Align Active Layers

Creating a New Layer

Creating a Clipping Mask

Using Effects on Layers

Using Adjustment Layers

Using the Shape Tool

Create a Layer Mask Using the Selection Tool

Masking Multiple Images Together

Using Layer Masks to Remove People

Using Layer Masks to Replace Sky

Adding Texture to Images

Layering to Create Realistic Depth

Adjustment Layers in Adobe Photoshop 2020

Optimizing Grayscale with Levels

Adjusting Levels with a Histogram

Understanding Curves

Editing an Image Using Curves

Editing with Shadows/Highlights Adjustment

Dodge and Burn Using Quick Mask Mode

Editing with Blending Modes

Color Theory

Curves for Color

Hue and Saturation Adjustments

Isolating Colors Using Hue/Saturation Adjustment

Match Colors Using Numbers

Adjusting Skin Tones

Retouching Essentials In Adobe Camera Raw

Retouching with the Spot Healing Brush

Retouching with the Clone Stamp

Retouching with the Healing Brush

Retouching Using Multiple Retouching Tools

Extending an Edge with Content Aware

Clone Between Documents

Crop Tool

Frame Tool

Eye Dropper and Color Sampler Tools

Paint Brush Tools

History Brush Tool

Eraser and Gradient Tools

Brush Flow and Opacity Settings

Blur and Shape Tools

Dissolve Mode

Multiply Mode

Screen Mode

Hard Light Mode

Hue, Saturation, and Color Modes

Smart Filters

High Pass Filter

Blur Filter

Filter Gallery

Adaptive Wide Angle Filter

Combing Filters and Features

Select and Mask

Manually Select and Mask

Creating a Clean Background