Using Automated Selection Tools
Ben Willmore
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Using Automated Selection Tools
All right, let's work with some other images now. I don't feel like using those basic selection tools quite so much to select areas. I'd like to have Photoshopped Doom or the work for me. So let's figure out how we could do that. Well, if I go to the select menu, there is a choice called Select Subject, and it'll just try to figure out the subject of this photograph and make a selection around it. So let's do that cool. It did a pretty good job on most of it, except for the lower right. So now I can end up modifying that. So far, the only tool we know about is the marquee tool. That's only when we've used and I might be able to use that to get rid of this area down in here, because there's a relatively straight line here. But I think this Letter P has rotated the littlest bit, so it wouldn't be quite what I'd need. Let's try another tool. I'm gonna go one tool down, and that's the lasso tool. The lasso tool allows me to create a free form selection of any shape I want. It's just like g...
rabbing a pencil and drawing. And so if I want to take away from my selection, I use those keyboard shortcuts I mentioned. Or I use these icons. Remember, this adds to that takes away. This gives you the intersection. So I'll say, take away. I come down here and I can draw a free form shape. Let's say I'm just gonna draw like this. And I just removed that area and I could trace along manually this edge and then trace along it this way. Loop around that way to the beginning again and get rid of it. You know, I only was getting rid of it cause I chose the icon in my options bar to remove, but I usually have that on the far left. I want to get rid of the orange area here in the middle. Uh, I changed my icon of the options bar back to its default. So in this case, I want to remove. I have to hold down a key. That's the option key, Alton Windows. And now I'm gonna draw and just try to trace that shape. All right, I gotta selected. So now what might I do with that? Well, There are some things I can do to modify my selection, one of which is to tell it to give me the opposite of what I currently have. I currently have the letter p selected, and I would rather have its background selected. So if I go to the select menu, there's a choice called the inverse, which will give me the opposite. But I should mention that in verse sounds similar to this invert, and a lot of people confuse those two invert means make my picture look like a photographic negative. Give me the opposite of what I have brightness wise. So if I tell it to invert the picture, it means give me the opposite of orange and give me the opposite brightness so I'll do that. That's not what I wanted. That was image adjustments. Invert So many people confuse that command for the one I'm using, which is select inverse inverse means. Give me the opposite of a selection. So here, if I have the outer edge, if I in versed, we would have the letter p. But I like the outer. So in this case, what I might do is go to the edit menu and just choose Phil and say, I want to fill this with White because I want the letter P on a white background. All right, got it. If I no longer need to work on that area, I can then de select just to get rid of the marching ants. I don't about you, but I didn't enjoy tracing around that with a lasso tool. The lasso tool is the tool I want to use the least, but it's one I have to use on occasion when other, more automated tools mess up. So let's look at some more automated tools that might save us a lot of time. I'm gonna get this image back to the way it originally looked by going to the file menu and choosing Revert. And let's try selecting this using other tools. The marquee tool in the Last O Toole have been in photo shopped for the most part forever, and I'm pretty sure they were both in Photoshopped version one point. Oh, and therefore they've been there since the eighties. That's when you had to do work yourself. If you go one more tool down, then there's a slot here that actually has three tools hidden within it by click and hold down. All three of these tools try to automate selections to make him easier. The Magic Wand Tool has been in photo shopped for decades, and it is useful, but just not on too many photographic images. If we had text that you'd scanned in, it could be very useful. But let's just look at us. You're aware of what it does with the magic One tool. You can move your mouse on top of the image, and if you just click and let go, it will look at the color that's underneath your mouse, and it will select things that are similar to that color. So I'm gonna click right here and you see how it selected things that were orange in that area. But it did not extend the selection all the way to the upper left. And that's because the upper left is brighter than down here. And there's a setting code tolerance, which is right up here. My options bar, which means how much can it deviate from the exact color I clicked on and still consider it to be similar in color? And so with a setting of 32. That means go 32 shades brighter or darker than what I clicked on and select them well, I could take that tolerance setting, increase it right now it's a 32. Let's bring it up to around 70 close to twice that and then I'll get rid of my selection with Command D, and I'll try again. Well, there, it made it all the way up there to the top. All I needed to do is increase my tolerance to say, go for things brighter and darker than what I had clicked on. But it didn't get into the really dark orange area so I could choose. Undo with Command Z, and I'm gonna bring it from 70 up to 80 and then click on the orange area. And still it didn't quite get up into that dark orange area. Well, first, we don't need it to be precise like that, because we can add to and take away from a selection. You remember I could hold down shift to add. Well, why not just hold down shift right now in click in the dark area and it just added it to my selection therefore, it doesn't have to be that precise. I could come in here to the middle now if I hold shift and click there because this has a setting up here that's called contiguous. Contiguous means Onley select one unbroken chunk. If you turn that off, it means discontinuous, and that means it could select independent areas that don't touch each other. But because that was turned on, that's why we didn't get the center center of the letter P to begin with. Instead, I had to hold shift and go and click on it. So anyway, the magic wand tools not terrible here. Often times will make selection similar to what I have now and then switch from the magic wand to the lasso to clean it up. So I'm going to clean it up by just adding other areas that I wanted to include. Right now I'm attempting to select everything except for the letter P. So hold down the shift key to add to my selection, and I'm just gonna circle around the upper left corner. I'll circle around this little gray object and I'll go around this little part up here. These are all really easy to draw across using the lasso tool so I can easily get to what I needed. And if I really wanted the letter P selected instead of the background, then, of course, I go to the select menu in shoes in verse. Now I have it. So that was using the magic Wand tool. Now the Magic Wand tool. You have to be careful when you're changing the settings that air here. We can look at the other settings that are here in general. So first, hear those same icons do you want to add to or take away from the existing selection next that we have sample size? And that means when I click on my picture, How large of an area should it analyze when it figures out what color I'm clicking on Point sample means look at one speck, the smallest pixel that makes up the image. The problem with that is, if your image has noise, where has little speckles of colors that don't really represent the image data? It's just noise. Then you might want to bring this up to three by three average or five by five average. Then it would taken Area five pixels wide, five pixels tall and average it. That would be a better indicator of what color was. Truly. They're ignoring any noise that might be there. I'm just putting back to the default. Tolerance is how much can it vary from the exact color that's underneath your mouse? The default is 32. You should be aware that that affects other tools. There are other commands and Photoshopped. There's one called Grow when there's one called Similar, and they both look a tolerance to figure out how much should it grow and how similar should things need to be. So when you change that, just be where it will effect a few other tools. Then we have some other choices that air here. I've already mentioned contiguous means Unbroken chunk if you happen to have layers. If this is turned off, which is the default, it will only look at the active layer and will ignore all others. If this has turned on, it will look at the entire document just whatever it looks like, regardless of how many layers it's made out of, it will look at the images a whole most of the time I have that on, but it depends. Anti. A liest makes the edge of your selection just the little a spit smoother than usual. By softening the edge by like 1/2 a pixel, you could say Ah, and that's useful. If you don't have that turned on your end result will look Jaggi. It'll be obvious when you fill it with white. The edge won't look smooth, so I almost always have that turned on over here. Select subjects is exactly the same as the command I got when I went to the select menu, and I chose subject. So it's just a short cut, and then selected mask is something we'll get into later that does. The same thing is going to the select menu in choosing, select and Mask. It's just a short cut. All right, so those are our magic wand tool. I will use the magic wand to a lot of people, don't and they call it the tragic want tool because they don't know, like things that that Brian or something. But in here, often times magic wand tools. Great. I just grab it. I might hold shift and say I missed this part down here. Will shift held down. It's gonna add to my selection so I might be able to come in here and very quickly attempt to add some areas that were needed. Um, I find all of the tools and Photoshopped to be useful is just a matter of figure out which one would be fastest, the most effective. Let's look at the other tools that are found under that same slot, along with a magic wand tool. There is the quick selection tool, which is what I have selected now, and I'm gonna get rid of the selection to start over with that tool. You have a brush, and you can change the size of your brush up here in the options bar at the top of your screen, you see a little white circle with number under it. If you were to click here, there's the size of your brush. Or, if you happen to know keyboard shortcuts for changing brush size like with normal painting brushes. They work here, and that would be the square bracket keys right above the return or enter Turkey. It looks like little half squares, and you could use those to change your brush size which is what I was doing when you saw changing with that tool, I can click within my image. And if I do, it's going to spread out after I click in trying to select things in the same area that are similar in brightness and color and similar in texture in general. It's gonna spread out until it sees a noticeable difference in one of those qualities. So it's gonna spread out until the brightness changes or the color changes or the texture changes dramatically. And so I'm gonna click right here and you see, selected a small area. I haven't let go yet. I'm just gonna start dragging up this way. And I meant to make sure that whatever I paint over is what I wanted to have selected. And I don't get any over spray whatsoever on the Orange area that I don't want selected. Not gonna let this circle touch it at all. And so there's an area down near the bottom. It didn't select to the darker kind of silvery black area, so make sure it overlaps that it didn't get the little black. That's beyond the letter P, but still kind of part of it. So go over there. I worked my way up, and I'm just letting that circle touch whatever needs to be selection and isn't yet. Now this tool usually defaults, and the options bar up here to adding to a selection. That's the default setting in. Therefore, it doesn't matter if I let go of the mouse button and click again. It's gonna automatically add, unless you've changed that setting. So if I need the little black part in the middle of the letter P, I'll try to click there. Unfortunately, when I did it, thought I wanted the whole area in the middle of the letter p, including what was orange? So now I'm gonna take away from the selection. I'll get a brush small enough where I won't get over spray beyond the orange, and I'm either going to click on the icon of my options bar that has the minus sign. That would mean take away or I'll just hold down the same key I used earlier when I wanted to take away, which is theon Stinky Ultimate does, and then I'll click in the middle there to say Take away so that didn't do too bad of a job. Selecting the letter P in that is the quick selection tool, very much like using it in general. If you look in the options bar for it, this just means making brand new selection when I click, instead of adding to otherwise add or take away. That's how big of a circle I'm getting. So if what I'm gonna be painting in here, I need to get into a tight area. I'll need a smaller brush just so I don't get over spray on things that I didn't want. Um, and it's kind of odd that it has an angle, but that's your brush angle. If you had an odd shaped brush, uh, then you could change its angle. But a round brush changing its angle doesn't do anything. Sample. Oh, layers is just like with the magic wand tool. It means look at all layers instead of just one auto enhance. I almost always have turned on. It will make the edge look better. It will give you a more refined edge. Uh, it will slow down the process a little bit where Photoshopped has to think a little bit after you paint, so if you find that slows things down too much. You can turn auto, enhance off, and then on Lee, when you think you're done with your selection, turn it on and then click anywhere within your selection, and that will cause it to look at the entire selection in Apply auto. Enhance to it so you could do it just at the end. And then these two buttons did the same thing as the ones in the magic wand. There just shortcuts. All right. Now, let's try to select this using another tool. Let's use the tool that's relatively new and photo shop. It's called the Object Selection Tool. I'm gonna get rid of this selection by typing command D for D. Select in this tool has two modes. One is rectangle mode and the other is lasso mode. Rectangle mode is just were you click and drag and you're making a rectangle that all you need to do is get it to contain what it is you're trying to select in the let go. And that's primarily if there's more than one object. Let's say there's five cars you're looking down at a parking lot, Adam, and you want to select one of the five cars. Well, if you went to the select menu in shows select subject, it wouldn't know which of the five cars in a parking lot was the true subject of your photo. But if you grab this tool, which is known as the object selection tool, you could make a box around just one of the cars, and therefore it would know which one to do. Or if you have multiple odd shaped objects, then you might change this instead the lasso, which is what I usually use. And then you can draw a free form shape. It doesn't need to be overly precise. It could partially overlap, you know are not be exact. And it will look overall and try to figure out where is the edge of an object within their. It's not always perfect. Do you see how it didn't get the black area down here? Well, all you need to do is if you need to add that hold shift shift means ad just like it did with the other tools, and then just draw around that make a big loop so it knows where that edges. If you needed to take away like I didn't want the central portion. Ah, hold down the key that takes away which is option or used the icon in the options bar that does it and just circle around the edge so that the edges contained within with I Drew. And because I have the option key held down when I drew this new take away here and it should shrink and kind of conformed to that. So it's a great tool. Love using it. With all of these tools, you usually need to modify the results because it will be some area where it's not precise.
Class Materials
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!