Multiple Instances of a Smart Object
Ben Willmore
Lesson Info
81. Multiple Instances of a Smart Object
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Multiple Instances of a Smart Object
Now let's take a look at the concept of multiple instances of the exact same smart object. We saw just a hint of it when we worked with a raw file. Remember when I just use standard commands to duplicate a layer? How If I'd made a change to one smart object, the other one updated? Well, let's see how that could be a useful feature in this document. I have drawn two layers here. I drew a base, which is just a circle, and after making that circle, I added a drop shadow so that if I turn off the drop shadow, you can see that it's gone. Then, above that, I ended up drawing this polygon. Now both of those could be drawn using what's known as the Shape tools, and we had a lesson in the ultimate guide that covered the use of the shape tools. And I ended up making a complex gear. But this is just using two of these particular tools. I simply drew an ellipse on one layer, and I drew a polygon on the other. So I'm gonna select those two layers, and I'm gonna turn them into a smart object that's ...
gonna look as if those two layers get merged into one. It still has access to the individual layers, though I just need to double click in the layer. To get them to show up is a separate document. Now I'm gonna end up duplicating that layer multiple times. You can duplicate it any way you like, as long as I don't use the command we used on the raw file that made the other layer independent. Now, a quick way of duplicating a layer is when you're using the move tool and you click and drag to move a layer. If you hold down the option key, that's all time Windows. You're gonna move a copy. And so here. I just made a copy. Then I'm gonna select both of the layers that have bolts in them in my layers panel and with move tool again, I'm gonna hold down the option key once again to make another set of copies. And if you want to, we could make a ridiculous number just by holding option. Each time a drag on dragging out a bunch of these. That's a panel that's really bolted down. Well, now, if you look in our layers panel, you're going to see a whole bunch of layers, each one of them. Except for that bottom. Most layer is a smart object. Now I'm gonna double click on any one of those layers on its thumbnail image. It doesn't matter which of the layers, because they're all point back to the same original contents. When I double click on the thumbnails with layer, that contents appears. It's its own layer, and that's where I can see it. Here. I can tell that it's just a little circle and a polygon above it. We could find Tune it. Maybe I add some additional, um, styles a bevel in bossed around the edge, a little Grady int overlay to add some shading, maybe on my polygon. I come in here and add a little edging on there with some bevel in and boss in some other things. Those are just things I had turned off, but I could have just added them by coming down here and say they want to add Bevel in and Boston such. Anyway, I just updated that. Now I'm going to come in here and I'm just gonna close this. And when I close it since I made changes, its gonna ask if I want to save them. I'll say, yes, save them and it's going to save them back to where they came from. Where they came from is wherever I double clicked to get this document to appear, which means it's going to go back into the layer that it came from. In all of these, just updated. If I choose undo, you'll see what they used to look like. And then I'll reapply and you can see the update. So therefore, if you ever want to use an element multiple times in a document in later on, you might want to update that element. You might want to change its contents, changes color or anything else. If you end up turning into a smart object before you duplicate to use it in multiple areas of the image, you're gonna have much more versatility. We'll show you another example of that. Let's say you're doing Web design. Here's your interface. You're gonna have to navigate your website, and you see you have those little circles that are kind of like little bullets. Ah, to indicate where your your various options Well, if you made one of those and you turn it into a smart object before you duplicated it to do the others which was done here, then you should be able to take one of those layers like this one. Do you see the one that's turning on and off in double click on his thumb now and then you're going to see that as a separate document. There it is. Well, I'm gonna go over to the other document. We were working on this one, and I'm going to double click on one of these layers. So I just gonna grab these two pieces and I'll use my move tool, drag it over to this document and put it in there. It's a little on the large side, so I might type command T for transform is getting to be inappropriate size press returner. Enter and then hide the layer that contains the original piece. I'm gonna close that. Tell it yes. Save the difference. Save that. And we'll close the When I took it from Now, let's return and see what we have. Look, they're all now little bolts sense. It was in a different position. It wasn't centered in the document. It got moved up a little bit. Here. They're still in the same position. It's just before the object was centered in the document, and when I was done, it was higher in the documents. So all we need to do here is grab all those layers and use the arrow keys to move down with my move toward. I could do the same thing with these tabs as long as when I made one tab, I turned it into a smart object before duplicating it to create the others. And that was the case here. If I double click on this, there's my tab, and that's how it is made out of just a shape with a bunch of layer styles on it. But I could changed its appearance here, and then if I close this in, save the changes, all of them walked it. But what if I only wanted one of them to update? Well, that's when I need to come in here and choose layer smart objects. New smart object via copy, which means make a smart object that is independent of the existing ones. I would do that and then I would throw away the layer that it was made from, so that now that one of the left is completely independent, I can double click on its thumb now, and I'll turn back on those styles, close it and save it. And now you can see that only one of them changed. And that's because I took only one of them in said New Smart object via copy. I threw away the layer that that new smart object was generated from, and now that one's independent of the others. So they're all sorts of uses for this you could end up. If you do make advertisements, you're going a coupon border around it. You start off with just dashes in your coupon border. We'll just make one dash, turn into a smart object and then carefully duplicated and space it out all the way around your document. Later on, the next week, you decide I want to have stars all the way around. All you have to do is double click on the thumbnail for that layer, replaced the dash with a small star. Suddenly, they all update. There's all sorts of uses for that, but it's known as multiple instances of the same smart object. All right, Now let's look at how I took that to different Another level. Ah, here. I'm gonna turn off a bunch of layers to show you just one layer. This single layer was created using the shape tools. I demonstrated how to use the shape tools in a separate lesson. That was about the tools and panels in federal shop. So if you haven't seen that lesson, you might want to refer to it. And then this was just a solid color, and it only has some effects applied to it to give it a special look. If I turn off the effects, you can see it's just a boring solid color to change its basic color. I went down to the letters FX, and there's a choice called color overlay in that color overlay. I chose red, and that's what made it look red. I'm gonna turn all these on to show it to you, though. Okay? There's the red. Then I went back to the same menu and I decided to add a drop shadow. There it is. Then I decided to add bevel in boss and something else called satin. That's what makes it look special. Now what if, before adding all of those settings to this instead, Back when it looked like the simple shape, I turned it into a smart object. Well, if that's the contents of the smart object and then the outside of the smart object, I added those of facts, then those effects can easily be changed. Then I end up taking this, and I duplicated I could just type command J. That's one way of duplicating, and then I can transform it with free transform. And I think in one of the other lessons and the complete guide, I should you how you could rotate something. What if I were to rotate this until that little hook around the edge here seem to wrap right around right there, and I pressed Returner entered Sam done. Then there's a way to get it to do that again and again. I could repeat this. I've already done that, which is what created all of these pieces, and I showed that process where you can duplicate and you can rotate from from the middle of the document. Instead, the middle of the object in the lesson that had to do with tools and panels. So if you need more about how to do that, feel free. That's not really when I I want to show. You just need to talk a little bit about the set up for this document now, since I am had a shape, and I turned it into a smart object before I duplicated it before I rotated it all. That rotation and other changes are going to be retained. If I come in here and just double click on the thumbnail for that layer, there's the original shape. If I come in and use this little arrow tool that's known as the direct selection tool, I could select part of this. You see about changing it in. If I close it and save it, it just updated every single one of those I'll choose undo before after, so it just makes it so you can push it to an extreme if you want. Teoh and I did it when I created some pieces of interesting kind of art with this because it allowed me to create something this and to make fine tune adjustments like, for instance, here, if you see how this particular piece looks almost like it's wrapping right around that edge, and this looks like it's almost going perfectly around that well, that's because I was able to adjust it and have all these update and just do it multiple times until I got it to be exactly the way I wanted to. Then, after I was done with that, I made it look like these were woven as if this piece went above here and then underneath and above, underneath and above and so on. But I showed that in the layer mass lesson. So it's only if you get the full complete guide that you'll learn how to do all that stuff.
Class Materials
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!