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Smart Object Overview

Lesson 76 from: Adobe Photoshop: The Complete Guide Bootcamp

Ben Willmore

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Lesson Info

76. Smart Object Overview

Lessons

Class Trailer
1

Introduction To Adobe Photoshop

04:05
2

Bridge vs. Lightroom

06:39
3

Tour of Photoshop Interface

18:21
4

Overview of Bridge Workspace

07:42
5

Overview of Lightroom Workspace

11:21
6

Lightroom Preferences - Saving Documents

08:19
7

How To Use Camera Raw in Adobe Photoshop 2020

05:10
8

Overview of Basic Adjustment Sliders

13:09
9

Developing Raw Images

30:33
10

Editing with the Effects and HLS Tabs

09:12
11

How to Save Images

03:37
12

Using the Transform Tool

04:48
13

Making Selections in Adobe Photoshop 2020

06:03
14

Selection Tools

05:55
15

Combining Selection Tools

07:37
16

Using Automated Selection Tools

17:34
17

Quick Mask Mode

05:07
18

Select Menu Essentials

21:28
19

Using Layers in Adobe Photoshop 2020

13:00
20

Align Active Layers

07:29
21

Creating a New Layer

06:15
22

Creating a Clipping Mask

03:02
23

Using Effects on Layers

11:24
24

Using Adjustment Layers

16:44
25

Using the Shape Tool

04:39
26

Create a Layer Mask Using the Selection Tool

04:39
27

Masking Multiple Images Together

15:15
28

Using Layer Masks to Remove People

10:50
29

Using Layer Masks to Replace Sky

10:04
30

Adding Texture to Images

09:11
31

Layering to Create Realistic Depth

05:35
32

Adjustment Layers in Adobe Photoshop 2020

05:29
33

Optimizing Grayscale with Levels

10:59
34

Adjusting Levels with a Histogram

03:37
35

Understanding Curves

06:18
36

Editing an Image Using Curves

18:41
37

Editing with Shadows/Highlights Adjustment

07:19
38

Dodge and Burn Using Quick Mask Mode

07:14
39

Editing with Blending Modes

08:04
40

Color Theory

05:59
41

Curves for Color

16:52
42

Hue and Saturation Adjustments

08:59
43

Isolating Colors Using Hue/Saturation Adjustment

13:33
44

Match Colors Using Numbers

16:59
45

Adjusting Skin Tones

05:25
46

Retouching Essentials In Adobe Camera Raw

10:52
47

Retouching with the Spot Healing Brush

07:53
48

Retouching with the Clone Stamp

06:51
49

Retouching with the Healing Brush

04:34
50

Retouching Using Multiple Retouching Tools

13:07
51

Extending an Edge with Content Aware

03:42
52

Clone Between Documents

13:19
53

Crop Tool

10:07
54

Frame Tool

02:59
55

Eye Dropper and Color Sampler Tools

08:14
56

Paint Brush Tools

13:33
57

History Brush Tool

06:27
58

Eraser and Gradient Tools

03:06
59

Brush Flow and Opacity Settings

04:17
60

Blur and Shape Tools

11:06
61

Dissolve Mode

09:24
62

Multiply Mode

15:29
63

Screen Mode

14:08
64

Hard Light Mode

14:54
65

Hue, Saturation, and Color Modes

11:31
66

Smart Filters

11:32
67

High Pass Filter

13:40
68

Blur Filter

05:59
69

Filter Gallery

07:42
70

Adaptive Wide Angle Filter

04:43
71

Combing Filters and Features

04:45
72

Select and Mask

20:04
73

Manually Select and Mask

08:08
74

Creating a Clean Background

21:19
75

Changing the Background

13:34
76

Smart Object Overview

08:37
77

Nested Smart Objects

09:55
78

Scale and Warp Smart Objects

09:08
79

Replace Contents

06:55
80

Raw Smart Objects

10:20
81

Multiple Instances of a Smart Object

12:59
82

Creating a Mockup Using Smart Objects

05:42
83

Panoramas

13:15
84

HDR

11:20
85

Focus Stacking

04:02
86

Time-lapse

11:18
87

Light Painting Composite

08:05
88

Remove Moire Patterns

06:11
89

Remove Similar Objects At Once

09:52
90

Remove Objects Across an Entire Image

05:46
91

Replace a Repeating Pattern

06:50
92

Clone from Multiple Areas Using the Clone Source Panel

10:27
93

Remove an Object with a Complex Background

07:49
94

Frequency Separation to Remove Staining and Blemishes

12:27
95

Warping

11:03
96

Liquify

14:02
97

Puppet Warp

12:52
98

Displacement Map

10:36
99

Polar Coordinates

07:19
100

Organize Your Layers

11:02
101

Layer Styles: Bevel and Emboss

02:59
102

Layer Style: Knockout Deep

12:34
103

Blending Options: Blend if

13:18
104

Blending Options: Colorize Black and White Image

06:27
105

Layer Comps

08:30
106

Black-Only Shadows

06:07
107

Create a Content Aware Fill Action

08:46
108

Create a Desaturate Edges Action

07:42
109

Create an Antique Color Action

13:52
110

Create a Contour Map Action

10:20
111

Faux Sunset Action

07:20
112

Photo Credit Action

05:54
113

Create Sharable Actions

07:31
114

Common Troubleshooting Issues Part 1

10:23
115

Common Troubleshooting Issues Part 2

07:57
116

Image Compatibility with Lightroom

03:29
117

Scratch Disk Is Full

06:02
118

Preview Thumbnail

02:10

Lesson Info

Smart Object Overview

our next topic will be smart objects and smart objects have the potential of completely changing the way you think about Futter shop, depending on what you do now in previous sections of Photoshopped, The Complete Guide, we've used smart objects. We use them once when we're playing filters, and so it's very nice way of doing it. But let's jump in and really dig deep into the concept of a smart object. Some. I'm going to duplicate this image here by going to the image menu in choosing duplicate when I duplicated, I'm gonna call it not smart. So you know that that version is not going to be utilized. Smart objects. Then we have two versions of that image open. I want to be able to see them side by side, so I'll go to the window menu, choose, arrange and choose to up vertical, which will show the images side by side. And at this point, I'm going to take the image on the right. Uh, and I'm going to go to the layer menu, choose smart objects and say, convert to smart object. Now when I do t...

hat, watch what happens in my Layers panel. If you look at the little thumbnail picture. If that layer and you look in the lower right corner of it, When I convert this to a smart object, you'll see an extra icon appear there. Now. The first time you ever do that, you might get a little warning that comes up, and it just tells you something about, um, if need to edit the contents of this to double click on the layer. Just see aware, if something comes up the very first time you do that, there should be a don't show again check box. I suggest you turn it on and click OK, because after this lesson you'll be quite versed in smart objects. So now the image on the right is a smart object. The image on the left is not. They look the same, but they're not gonna always act the same. Whenever you create a smart object, it is like taking your image in putting it into a protective sleeve. Imagine it's something like a Ziploc bag, and by putting it into a smart object, it's going to protect the original contents of that layer. So anything I do to it from now on will not be able to to change the original contents. I can still change the look of the picture, but I always can get back to the original look. So first I'm gonna work on the not smart version and I'm gonna unlock its little layer here because it's a background layer and there's only certain things I can do to the background. If I clicked the lock symbol, though, I could do anything to it. And what I'd like to do here is first I'm going to apply a filter to this, and when I filter it, let's see. I'm gonna come down and maybe just sharpen the image and all kind of over sharpen it so it looks really sharp. Click OK, and if I zoom up on it and I choose undo, you see before and after it's over sharpened. Then I'm going to scale and rotate the picture to scale and rotate something. Usually I go to the edit menu and I choose free transform or I type will the keyboard shortcut command T control team windows and I'm going to scale this really small like that small. It also rotated and press return or enter to indicate that I'm done move into the middle of my document. So if I zoom in, that's all we got. Then I'm gonna do the same thing to the image on the right. That's the one that is a smart object. With that one, I'll go to the filter menu. I'm going to sharpen it in o apply in Sharp Mask. It looks like it's remembering the settings I used on the other one, so just click OK, and then I'll go to the edit menu and choose free transform. This is one of those things where you got a warning that you just choose. Don't try again and click, OK, and I'm gonna make that again very, very small, much smaller than that. And I'll rotate it, press return or enter. So now we've down approximately the same thing to both images. I don't know if I haven't exactly the same on both. I doubt it, but it's close enough. The main thing is, the image on the left is not a smart object, and because of that, it does not remember what the old version of the image looked like. Especially if I were to save this image, close it and open it a month later. Sure, because right now I could choose undo to get it back. But imagine it was saved, enclosed so that it doesn't retain any kind of a history. Well, now I'm gonna take that image on the left. And let's say I didn't want it to be quite that small. So I go to the edit menu, I'll choose free transform, and I'm going to attempt to scale it up when I scale it up. It does not remember how much information it originally contained. So if I attempt to get this to fill the majority of my screen, it's not gonna regain any of its quality. And if I attempt to straighten it, there's nothing that's gonna help me. Make sure that it's perfectly straight, and that is not at like a one or two degree angle compared to what it was before. I'll get it up there. I'm gonna press returner enter and you'll see how terrible the results look. Take the image on the right, though it's totally different because it's a smart object, which means the original contents of that layer, you are completely preserved in everything I do to this image will always be calculated from the original contents of that smart option. What that means is when I go over here to edit and I choose free transform first off, I doubt you can tell right now, but it's starting off differently. Do you notice that the transformation handles that are on this match the angle of this object? Whereas when I did it to the image on the left, they were straight. It never knew that I ever rotated the image in the past. But here, with a smart object, it knows that I've rotated it. And if I look up here in my options bar, I can see what angle it's been rotated to. If I select the number for the angle and type in zero impress return, that should straighten it out. So now it's back to the way it used to be. Also in the options bar. It tells me exactly what size this had been scaled to, and I could just select that and type in 100 and press return. And that's going to end up bringing this back to its original size because the transformation I've applied is just thought of as a setting attached to the layer. It's not actually changing the true contents that layer in, so I can always bring it back. But when I bring it back, I look at it and I'm like, That looks overly sharp and I'd really wish I wouldn't have sharpened the image Well, if you look in my layers panel since this was a smart object, when I applied a filter, it was applied as what's known as a smart filter. And if I would like to remove the effect, I could either turn off this eyeball were just drag this to the trash and I would see the version of it That's not sharpened war. Aiken double click on the name of the filter that's in my layers panel, and it will open up the sharpened screen here, and I could find tune the settings to get it to be more appropriate for this image. Because anything I do to that file is not going to harm the original contents that was put into the smart object, and it will always be calculated from that original contents and therefore I can easily scale it back up to original size. Rotate it back, change any filters that have been applied. It's much more versatile, whereas the image on the left just looks terrible. So what that means is, any time you plan and combining multiple images together, let's say you're going to design a little layout that's gonna show maybe six pictures, and you're going to scale them down and rearrange them in various areas. It would be best if you were to start with smart objects, because then let's say you scaled down those pictures and you started placing them side by side. And when you were done, you decided, well, they're a little too small. You want to scale them up to fit some more space. Well, if you do that and you don't have a smart object, anytime you scale things up, it's going to make your image look softer. And that's like what you're seeing on the left side of my screen. That's just an extreme example of it, but if it was a smart object, the quality would still be there

Class Materials

Bonus Materials with Purchase

Lessons 1 - 6 - Handbook 1: Introduction to Adobe Photoshop
Lessons 7 - 12 - Handbook 2: How to Use Camera Raw
Lessons 13 - 18 - Handbook 3: Making Selections
Lessons 19 - 24 - Handbook 4: Using Layers
Lessons 25 - 30 - Handbook 5: Using Layer Masks
Lessons 31 - 38 - Handbook 6: Using Adjustment Layers
Lessons 39 - 44 - Handbook 7: Color Theory
Lessons 45 - 51 - Handbook 8: Retouching Essentials
Lessons 52 - 59 - Handbook 9: Tools Panel
Lessons 60 - 64 - Handbook 10: Layer Blending Modes
Lessons 65 - 70 - Handbook 11: How to Use Filters
Lessons 71 - 74 - Handbook 12: Advanced Masks
Lessons 75 - 81 - Handbook 13: Using Smart Objects
Lessons 82 - 86 - Handbook 14: Photography for Photoshop
Lessons 87 - 93 - Handbook 15: Advanced Photo Retouching
Lessons 94 - 98 - Handbook 16: Warp, Blend, Liquify
Lessons 99 - 105 - Handbook 17: Advanced Layers
Lessons 106 - 112 - Handbook 18: Actions
Lessons 113 - 117 - Handbook 19: Troubleshooting Issues
Practice Images 1: Introduction to Adobe Photoshop
Practice Images 2: How to Use Camera Raw
Practice Images 3: Making Selections
Practice Images 4: Using Layers
Practice Images 5: Using Layer Masks
Practice Images 6: Using Adjustment Layers
Practice Images 7: Color Theory
Practice Images 8: Retouching Essentials
Practice Images 9: Tools Panel
Practice Images 10: Layer Blending Modes
Practice Images 11: How to Use Filters
Practice Images 12: Advanced Masks
Practice Images 13: Using Smart Objects
Practice Images 14: Photography for Photoshop
Practice Images 15: Advanced Photo Retouching
Practice Images 16: Warp, Blend, Liquify
Practice Images 17: Advanced Layers
Practice Images 18: Actions
Practice Images 19: Troubleshooting Issues

Ratings and Reviews

Noel Ice
 

I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!

ford smith
 

Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!

a Creativelive Student
 

Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!

Student Work

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