Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Quick Mask Mode
so I want to show you another way of thinking about your selection in. That is something called quick mask mode. If you look in your tools panel just below your foreground and background colors, which are these two icons is this, and that is quick mask mode. If you hover over it, it should eventually tell you that that it means quick mask. And it should also tell you a keyboard shortcut, which is just typing a letter. Q. Don't type command Q or Control. Q. Because that quits Photoshopped, this is Q. All by itself, you use quick mask mode primarily when you have a selection on your screen and you want to view it differently. It's called Quick Mask. Do you remember when I I kind of mentioned masks? I said, It's a different way of looking at a selection where, instead of seeing it looking like marching ants, you see it looking like usually a black and white picture where white indicates what selected Black indicates what's not, and that's gonna do it for us. But instead of showing is blac...
k and white, it's gonna show it as an overlay. Let me show you. I'm gonna type the letter Q. And watch what happens to this selection. You no longer see the marching ants on the edge and the area that's not selected get covered with red. That made a temporary a mask. A mask just means viewing a selection in a different way. When I showed you the concept of a mask at the beginning of this session, I think I went to the channels panel to show it to you. Well, let's go look there. You don't have to know that this is happening there. But just so you know, if I go to the channels panel Oh, usually it shows it. They changed. It usually would show a channel down there called quick mask mode. Surprise. It doesn't. No, it doesn't. Well, it used to show it here in the channels panel where you could actually see that it is a behind the scenes. It's using something called channels. You know, what's happening is my interface isn't updating. Let me see if I can get it to their e. I just had to resize it. I'm having a screen redraw issue. Um, so anyway, in channels there, this go quick mask, It does the exact same thing I did earlier to get it to show up here. Which means that it went to the select menu it chose save selection and it gave it the name quick mask and it put it there, and it just overlaying this on the main image. But you don't have to know that it's just nice for some of you to know that it relates All right, so quick mask mode. It's a way of viewing a selection where you see it as a red overlay. But what's nice about it is you can use any tool that would work on a grayscale picture any tool that will work on a black and white image that means painting tools, filters, adjustments, anything you can paste a picture in whatever. So let's see how we can use this if I use my paint brush tool. And right now I'm painting with black because my foreground color is black. Over here in this part of my screen, I'm gonna paint just some stripes in here. Diagonal little lines actually get out larger brush. OK, now I'm gonna turn off quick mask mode by typing the letter Q or clicking the quick mask icon that has found near the bottom of my tools pounds when I type of letter. Q. I just modified that selection because when you're in quick mask mode, any area that is covered with red is not selected. And so if I typed letter Q to go back to quick mask mode by painting like I did, uh, I'm in effect changing that selection. And so I'm gonna choose undo a few times because I didn't need to do this. And if you need multiple undoes, you go to the window menu and there's a choice within it called History. It a list. Everything you've done to your picture having a weird screen re dry. She, though there and I can just click on the step that is above the word brush tool. That means go back so as if I never painted. All right, let's zoom up here. And so I could look closely at this edge and see isn't inaccurate anywhere. And if it is inaccurate, I could paint maybe a little bit right there, And if I want to get rid of the red stuff, then I need a paint with white so I'm gonna go down here and I see this is black. If I want to switch these two, this little double arrow would do it for me. And now I'm painting with white, and I might just fine tune that little speck wherever it was inaccurate. I just typed command zero to zoom out to see no controls their own windows. When you're done using quick mass mo just type letter Q. Again, you're back to your selection, So it could be a very nice way of previewing a selection and then modifying it by using a paintbrush.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
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