Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
Filter Gallery
Now let's do some creative effects to an image. If you look this particular image and I zoom up, you can see the how painterly and textured it looks. Well, I could use something like the oil paint filter, but if you saw with that filter, it looks more like brush strokes. This doesn't This feels more like canvas were something else that has a bit of texture. Let me show you how it was created in my layers panel. You'll see that this is a smart object because it has that icon in the corner, and it has some smart filters applied in down here. It says. Blur Gallery or not, Blur County. That's what we use. Last filter gallery. I'm gonna double click on the words filter gallery, and that's gonna bring this up in the filter gallery is something you can choose from the filter menu when you do, this appears, and it's kind of a weird interface because it's the only filter that lets you build effects up as if you're using layers without actually being in the layers panel. So it's kind of odd, but...
over here on the right side, there are whole categories of filters. Artistic brushstrokes distort sketch, stylized and texture. And if you expand them, you get previews of what a lot of those effects will look like if you applied it to a generic picture of a sailboat but the previous air so small that it's not as useful as you might think. Then, if you click on one of these, let's say this one called Under painting, it's gonna apply it to your picture. And just to the right of that, you're going to get the settings for that particular filter, and you can experiment with them and see how it affects your picture. Well, in here, you can build up more than one of these filters, like Stack one on top of the other. And that's what I've done to create this effect to stack one on top of the other, you go to the lower right, and in the lower right you're gonna find a little plus sign in. That plus sign indicates that you're going to create a new filter on top of one that's already being applied. If I click that wash the list up here, you see another one was added to the top Now we have two that are called rough pastels. Once I've done that, create a new one up here. I could choose which filter it is. We're actually going to apply. And of course, once I clicked on it, I would see the settings for it above, and I could dial them in if I want to add even another one. On top of that, I hit that plus sign again, and I get another new entry in that list. And then I could go again in here and choose another one in slowly build up in effect. So I've already done that. I'm gonna choose, undo a few times, intel. It gets me back to my original. And I just want to show you how this particular effect was built up. So you can see that these filters sometimes look basic where you're kind of gone. I wish this had a lot more to it, but if you build them up by applying more than one, then you can create a much more sophisticated effect. So I'm gonna zoom up on this. You can see the fine detail in over here in the list. On the right side, I'm going to turn off the eyeballs on everything. So therefore you can see the original picture untouched, then ultra on the bottom. Most choice, which would be the very first filter that I ended up applying. And when I turned that on, this was the end result. It was a filter called sponge, and you can see the settings right above that were applied for the sponge filter. You can choose a brush size and how smooth the end result is that type of thing. Well, on top of that, I wanted to change the overall look of this. In There is a filter called plastic wrap, which I find adds little highlights to an image. And so the next thing I did was apply the plastic wrap filter, and when I did, you can see these little additions of kind of white ish accents that are in here. If I turn it off and back on again, you get a sense for what plastic wrap is doing. And if you want to see it more, you could bring up highlight strength, and you see the actual shiny nous that it's adding. I just have that dialed down, so it's more subtle. After that, I applied another effect known as poster edges, and that gave it a little more depth and shadowy feeling. On top of that, I went for water color, which broke it up further. And then finally, of I applied rough pastels, which really gave it more of the texture of I don't know if I'd say campus, but something Ah, like a material that might have been used on in so I can end up building this up. It all he did was experiment with one of these filters to begin with. Once I got out the way I wanted, I hit the plus sign at the bottom and I tried a different filter, and I slowly built up the effect. And when I'm done, I can just click OK to apply it. Well, what's nice? And let's see. And I think I have an image lined up for this. But if I were to choose a different picture, open it and then dragged that picture over to that other file, I'm using the move tool. By the way to do so, there's a little lower red, so it's smaller. But if I take that layer and I converted to a smart object. Then I could take this thing called filter Gallery and see if I got a click on smart filters. See if I can drag it up there, and if it won't let me much, it won't turn it. I thought it would what I could do instead. No, there it is. It allowed me to drag it up there. I can apply it to a different layer so that Oh, and I played it three times because I I option dragged it cause Option Dragon usually means to move a copy, and I was just impatient in that it took it a while the update because it was applying multiple filters in. So in this case, it ended up applying those filters three times to the image, and therefore it looks absurd. That was me being impatient, thinking it should do things almost immediately. But now you can see the appearance has been applied here. So if you ever apply things with smart filters and it's just a list sitting below a layer, I know that you could go to a different layer. You just need to make sure that layers been converted to a smart object and you condone drag the list of filters to that other layer to transfer them there. And if you hold the option key, which is Alta Windows when you do it, then it's going to move a copy. And with this image, I noticed that there's a picture of a bus in here and I find that there's not enough detail in that bus. Well, that's what I would do, the same thing I did to that red car where I duplicated the layer. I went back into the filter settings and I find, tune them to get more detail to show up. And then I add a layer mask of that and I painted in so I can control where we get the additional detail. And if I did, I'd be able to get this same pain. Really look, but I could get more detail where the bus is not gonna do it here cause we did it with a previous image. But I just want to let you know that that could work
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Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!
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Adobe Photoshop