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Microphone Audio Comparisons

Lesson 7 from: Audio Recording 101: Record Voice Audio for Video Production

Tomas George

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Lesson Info

7. Microphone Audio Comparisons

<b>In this lesson, you will hear what the microphones we previously looked at actually sound like.</b>

Lessons

Class Trailer
1

Introduction and Welcome to this Course

00:50
2

Listen to your Recording Environment

03:43
3

Room Treatment Tips

03:07
4

Dynamic vs Condenser Microphones

02:35
5

Recommended Pro-Level Microphones

02:55
6

Recommended Budget Level Mics

02:35
7

Microphone Audio Comparisons

05:53
8

What is an Audio Interface and How is it Useful

01:48
9

Recommended Pro-Level Audio Interfaces

01:35
10

Recommended Budget-Level Audio Interfaces

01:46
11

My Thoughts on USB Microphones

00:45
12

Microphone Positioning and Accessories

04:09
13

Essential Microphone Polar Patterns

03:17
14

Recommended Monitors and Headphones

03:55
15

Other Audio Monitoring Tips

02:41
16

Introduction to Capturing Audio

00:18
17

Recommend Audio Recording Software and DAWs

06:28
18

A Quick Look at Some Handy Recorders

02:39
19

Audacity Introduction

00:45
20

Setting up to Record Audio in Audacity

03:49
21

How to Record Audio into Audacity

02:54
22

Other Features of Audacity - Playback, Zoom, Undo + Save

04:15
23

How to Export Audio out of Audacity

03:37
24

Essential Audio Editing Tools in Audacity

08:07
25

Removing Silence, Splitting + Joining Clips

03:17
26

Essential Key Command or Keyboard Shortcuts in Audacity

03:06
27

Removing Background Noise Introduction

02:48
28

How to use the Noise Gate Effect in Audacity

12:54
29

How to use the Noise Reduction Effect in Audacity

11:15
30

Mixing and Processing your Audio Introduction

02:32
31

A Quick Look at the Filter Curve or EQ Effect

10:35
32

A Quick Look at Compression and the Normalize Effect

11:21
33

How to set up an Effects Macro in Audacity

03:23
34

Adding Audio Effects to Audio Clips in Premiere Pro

06:06
35

Gain/Volume in Premiere Pro

03:36
36

Parametric EQ - Part 1 : An Overview of EQ and the Plugin

11:08
37

Parametric EQ - Part 2A : Mixing Examples

15:56
38

Parametric EQ - Part 2B : Mixing Examples - Example 2

11:31
39

Parametric EQ - Part 3 - More Settings + Features

05:14
40

Noise Reduction in Premiere Pro - Part 1: DeNoise

09:24
41

Noise Reduction in Premiere Pro - Part 2: DeReverb

06:25
42

Audio Compression in Premiere Pro - Part 1: Introduction

02:47
43

Audio Compression in Premiere Pro - Part 2: Threshold + Ratio

04:16
44

Audio Compression in Premiere Pro - Part 3: Make up Gain

03:15
45

Audio Compression in Premiere Pro - Part 4: Attack and Release + 2nd Example

06:30
46

How to use a DeEsser Audio Effect in Premiere Pro

12:00
47

How to use the Hard Limiter Audio Effect in Premiere Pro

06:48
48

How to use an Audio Meter in Premiere Pro - Loudness Radar

08:28
49

Behind the Scenes of my Audio Recording Equipment

07:16
50

Thanks and Bye

00:12

Lesson Info

Microphone Audio Comparisons

Hi there and welcome to this video where I'm going to compare the audio of the microphones that we previously looked at. So you can see right now, I have a selection of different microphones and let's now hear what they sound like before we get started though. I'm just gonna mention I have no processing on any of this audio, so I have no audio plugins apart from gain. So they're at a similar level. OK, let's look at the first one which is a Sennheiser 416. This microphone is actually out of shot. So this is a shotgun microphone most commonly used for video. So you really wanna have this mic out of shot, but you wanna have it as close as possible. So it can sound as good as possible as it's a shotgun microphone. It only picks up a narrow amount. So if I move to the side like this, you'll notice it doesn't sound anywhere near as good as if the mic is pointing at my mouth. So remember if you're gonna be talking to the side like this, a shotgun microphone isn't gonna sound great, but it's ...

good if you can have it pointing at you. OK. The next microphone is this one here. This is the electro voice re 20. This is actually my favorite mic. So this mic I use for any audio recordings where I don't use video. I think this one sounds really good with my voice. I've been using this mic for many years and this is the sound of the electro voice re 20. OK. Next one is this microphone in the middle. This is the Sha Sm seven B very common podcast microphone. A little bit more inexpensive than the re 20. I personally don't think it sounds as good with my voice, but a lot of people do really like this microphone. A very popular one to consider. OK. Going along, we have this microphone here. This is a Zoom SGH six. So this microphone is a shotgun microphone and you can attach it to the Zoom Handy recorders. So the Zoom H five, the Zoom H six and the Zoom F one. So this one you can probably hear sounds pretty decent. It sounds pretty good. So if you want to be really portable and you just wanna take a handy recorder with you, you don't want to take a laptop or an audio interface, you could consider the shotgun mic the Zoom SGH six as it is a shotgun microphone, you would normally have it out of shot. So let me just move this over. So it's out of shot. So you can hear what it sounds like now. So you notice it probably doesn't sound as good as before when it was closer, but it still sounds decent. So if you want to be portable and not have to take a laptop or audio interface, then a handy recorder, like this is definitely one to consider. Let's just move it back in the shot and you can probably hear there. It does sound better when it is closer. And again, it's a shotgun mic. So if I move to the side like this, it's not gonna sound as good as if it's in front of my mouth. OK. The next microphone is this one here. This is the Shaw sm 58. It was originally designed as a handheld microphone for live stage performances. However, you can still use it for recording podcasts or videos. For example, Tim Ferris uses this for his podcast. This only picks up a small amount as well. So if you're in any noisy environments or untreated room, this is a good one to consider. So if I move this mic to the side like this, you'll notice you can't really hear it at all. So it does have to be pointing out your mouth and I do recommend having it quite close. So if it's further away like this, you'll notice it doesn't sound anywhere near as good as if it's closer like this. OK. The next microphone is this Lavaliere microphone here. So this is the Rhodes Smart L plus. So this actually plugs into your phone. So right now I have it plugged into my phone. You may have to use a Dongle like this. OK. So I'm recording this now on my phone and this is the audio from the Rhodes Smart La Plus, you can probably hear it sounds pretty decent, maybe not as good as these larger microphones we just looked at, but for being so small and portable, I think it's good and this is the audio on my phone. So I'm not using the smart LA Plus, you can probably hear it did sound better before when we used the smart LA Plus. OK. So now let's do a quick comparison test on all of these different microphones. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear using a microphone is very important. And I never recommend using the built in mic on your camera as it's never as good as using an external microphone. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear. Using a microphone is very important. And I never recommend using the built in mic on your camera as it's never as good as using an external microphone. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear using a microphone is very important. And I never recommend using the Built in mic on your camera as it's never as good as using an external microphone. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear using a microphone is very important. And I never recommend using the Built in mic on your camera as it's never as good as using an external microphone. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear using a microphone is very important. And I never recommend using the Built in mic on your camera as it's never as good as using an external microphone. So this is an example of me speaking into the microphone. So the audio you can hear right now is coming from the microphone as you can hear using a microphone is very important. And I never recommend using the built in mic on your camera as it's never as good as using an external microphone. OK. So I personally like the sound of this electro voice ie 20 with my voice. However, if I'm filming a video and I wanna have the mic and shot, I may use the Shaw sm seven B as I do think it looks a bit slicker and if I don't want to have the mic and shot at all, I may use a shotgun microphone like this Sennheiser 416. And if I'm away from the studio and I don't want to take a laptop, me, I will take a handy recorder and I will use this mic here, this Zoom sgh six shotgun microphone as I think this sounds pretty decent. And if I'm traveling and I'm in a really bad room, I may use the Sha sm 58 as this can sound good in untreated rooms. And if I want to be super portable, I may use the road smart lab plus and just record the audio into my phone. Ok? So that is the audio from these different microphones. I hope you found this video useful and I'll see you in the next one.

Class Materials

Bonus Materials

40._Audio_Examples_for_Noise_Reduction.zip
34._Audio_Examples_for_Premiere_Pro_Audio_Mixing.zip
30._Downloadable_Audio_Examples.zip

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