Recommended Pro-Level Audio Interfaces
Lesson 9 from: Audio Recording 101: Record Voice Audio for Video ProductionTomas George
Recommended Pro-Level Audio Interfaces
Lesson 9 from: Audio Recording 101: Record Voice Audio for Video ProductionTomas George
Lesson Info
9. Recommended Pro-Level Audio Interfaces
Lessons
Introduction and Welcome to this Course
00:50 2Listen to your Recording Environment
03:43 3Room Treatment Tips
03:07 4Dynamic vs Condenser Microphones
02:35 5Recommended Pro-Level Microphones
02:55 6Recommended Budget Level Mics
02:35 7Microphone Audio Comparisons
05:53 8What is an Audio Interface and How is it Useful
01:48Recommended Pro-Level Audio Interfaces
01:35 10Recommended Budget-Level Audio Interfaces
01:46 11My Thoughts on USB Microphones
00:45 12Microphone Positioning and Accessories
04:09 13Essential Microphone Polar Patterns
03:17 14Recommended Monitors and Headphones
03:55 15Other Audio Monitoring Tips
02:41 16Introduction to Capturing Audio
00:18 17Recommend Audio Recording Software and DAWs
06:28 18A Quick Look at Some Handy Recorders
02:39 19Audacity Introduction
00:45 20Setting up to Record Audio in Audacity
03:49 21How to Record Audio into Audacity
02:54 22Other Features of Audacity - Playback, Zoom, Undo + Save
04:15 23How to Export Audio out of Audacity
03:37 24Essential Audio Editing Tools in Audacity
08:07 25Removing Silence, Splitting + Joining Clips
03:17 26Essential Key Command or Keyboard Shortcuts in Audacity
03:06 27Removing Background Noise Introduction
02:48 28How to use the Noise Gate Effect in Audacity
12:54 29How to use the Noise Reduction Effect in Audacity
11:15 30Mixing and Processing your Audio Introduction
02:32 31A Quick Look at the Filter Curve or EQ Effect
10:35 32A Quick Look at Compression and the Normalize Effect
11:21 33How to set up an Effects Macro in Audacity
03:23 34Adding Audio Effects to Audio Clips in Premiere Pro
06:06 35Gain/Volume in Premiere Pro
03:36 36Parametric EQ - Part 1 : An Overview of EQ and the Plugin
11:08 37Parametric EQ - Part 2A : Mixing Examples
15:56 38Parametric EQ - Part 2B : Mixing Examples - Example 2
11:31 39Parametric EQ - Part 3 - More Settings + Features
05:14 40Noise Reduction in Premiere Pro - Part 1: DeNoise
09:24 41Noise Reduction in Premiere Pro - Part 2: DeReverb
06:25 42Audio Compression in Premiere Pro - Part 1: Introduction
02:47 43Audio Compression in Premiere Pro - Part 2: Threshold + Ratio
04:16 44Audio Compression in Premiere Pro - Part 3: Make up Gain
03:15 45Audio Compression in Premiere Pro - Part 4: Attack and Release + 2nd Example
06:30 46How to use a DeEsser Audio Effect in Premiere Pro
12:00 47How to use the Hard Limiter Audio Effect in Premiere Pro
06:48 48How to use an Audio Meter in Premiere Pro - Loudness Radar
08:28 49Behind the Scenes of my Audio Recording Equipment
07:16 50Thanks and Bye
00:12Lesson Info
Recommended Pro-Level Audio Interfaces
OK. So which pro level audio interfaces do I recommend? And do I use? So the one I'm using right now is called the focus, right? Claret four pre. So this has four preamps on it. And the really nice clean sounding preamps has a lot of functionalities on this audio interface. A lot of different inputs and outputs on there as well. It's just a generally good studio audio interface. It does require power and it's not very portable. So if you want to travel, I don't recommend this audio interface, but it's a good one I recommend for the studio. Next one is a Zoom H six. So this one we looked at before is this field recorder, but it actually doubles up as an audio interface. So you can plug microphones into this and you can record either on the Zoom H six or you can use it to plug into your computer and use it as an audio interface. So this is a very kind of useful um field recorder or audio interface that has many different functions. I also have this Manfro Pixie mini tripod and shock moun...
t attached to the Zoom H six. These can be useful when recording audio. But if you're using the Zoom H six as an audio interface, then you won't necessarily need to use a stand or shock mount like this. And the next one is the Apo G duet. So it's this audio interface is quite small, it's not tiny but it, it's definitely an audio interface you can travel with. But the thing I like about this is the preamps are really nice and clean. So if you want a high quality audio interface that it can still travel with, I recommend the A PG duet, it has two inputs. The only thing I don't like about it is these breakout ca cables that can get a little annoying at times. But this is a yeah, a nice quality audio interface if you wanna be lightweight.
Class Materials
Bonus Materials
Ratings and Reviews
Aduloju Cassandra
Student Work
Related Classes
Audio Engineering